Author: arte

ART AND ARCHITECTURE DERIVES

CULTURAL GEOGRAPHIES: THE INVENTION OF MUSEUM CIRCUITS IN MEXICO CITY OF THE 20TH CENTURY.

A conversation with Ana Garduño.

• Live talk with Ana Garduño

• Saturday, March 25, 2023 at 1:00 pm.

• The event will be held at Espacio Arte Abierto, located on the 2nd floor in Artz Pedregal.

• Free admission.

Our program Drifts of Art & Architecture at Arte Abierto is restarting. For our 10th talk our guest is the historian and researcher Ana Garduño, who will talk about the various museum projects and “Cities of the Arts” that emerged throughout the 20th Century in Mexico: from utopian proposals to completely feasible, going through the Olinka by Dr. Atl or the City of Museums and Arts by Diego Rivera, to projects such as the National Museum of Anthropology.

Click here to download the press release.

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Espacio Arte Abierto is located in the center of the garden, entering through the 2nd floor of ARTZ Pedregal (Periférico Sur 3720, Jardines del Pedregal, Álvaro Obregón) in Mexico City.

Arte Abierto’s Art and Architecture Derives  is a program of routes proposed by invited curators, architects, artists and urban planners, to explore a series of architectural spaces and significant artistic interventions in public spaces in Mexico City. The purpose of the derives is to generate experiences of spatial rediscovery, which renew our view of the legacy of certain architectural and artistic works, both emblematic and forgotten.

The derives are held the last Saturday of each month of 2022 at 12:00 p.m. Free entry. Limited seating.

UN LIBRO ES…

UN LIBRO ES… A NEW STORY TO START THE YEAR.

With a selection of INDEPENDENT PUBLISHERS who have explored and played with book formats.

Arte Abierto begins this year with the 2nd edition its editorial program Un libro es…  with a gathering and editorial sale where you will find books for children, young people, adults and art lovers.

A selection of INDEPENDENT PUBLISHERS will join Arte Abierto that have explored and played with book formats, including:

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piedra ediciones

piedra ediciones is a series of publications that arise from conversation and processes that conceive the book as a space for experimentation for artistic projects, considering the book as an ideal space for collaboration and exchange. Each title becomes a multiple and simultaneous piece that makes new readings possible.

piedra ediciones is a project by Alfonso Santiago.

piedraediciones.com/

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Ediciones Hungría

Ediciones Hungría is a small independent publisher that has been publishing since 2011 in Mexico City. His projects are a creative and original exploration that plays with book formats and traditional reading.

edicioneshungria.com/

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Fulgencio Pimentel

It is an independent publisher, originally from Spain and focused on the high-quality edition of fiction, graphic novels, poetry, art books and illustrated books, for all ages. His policy is to be faithful to artistic principles.

fulgenciopimentel.com/

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MUAC

It is the editorial line of UNAM’s University Museum of Contemporary Art, which publishes the memory and record of the investigations developed for each exhibition project presented by the museum, as well as its critical and historiographical area. Their Folios collection are catalogs with key material and original texts on artists, artistic movements or artistic periods.

muac.unam.mx/

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S.A.R.A.

S.A.R.A. is the acronym for Sociedad Anónima de Reproducción Autogestiva, a project by Lucía and Rodrigo Alarcón, focused on printing using the risographic technique (similar to that of a copier, but close to screen printing). They work directly with authors and artists who are inserted in the culture of creative self-publishing.

saraaaa.bigcartel.com/

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Alacraña

Alacraña is an independent Mexican publisher founded by Abril Castillo Cabrera. Since 2019 has published books and narrative fanzines, drawing and essays in the collections: Los indelibles (with Libros de Mano), Tolvaneras and Ríos de piedra.

alacrannna.com/

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Libros de Mano

Libros de Mano is an editorial label of Estudio Mano de Papel, lidered by Santiago Solís, which publishes prints, posters, books, engravings, graphic merchandise.

IG @libros_de_mano

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Pitzilein Books

Founded in 2016, Pitzilein Books is a publisher born out of necessity: to write, modify, illustrate, imagine, and edit ideas. They have published books in a wide range of formats, on topics such as literature, visual art, and philosophy. Idalia Sautto, founder of Pitzilein, is an editor, art historian, and writer.

pitzileinbooks.com/

Also two independent bookstores will join us:

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Cafeleería

Read and laugh at Cafeleería.

Cafeleería is a cultural center, bookstore and cafeteria in the Mayor’s Office of Coyoacán, dedicated to the sale, dissemination and activation of unique, original and different books, printed matter and editorial projects from those of large bookstores.

cafeleeria.org/

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Navegantes Librería

An independent bookstore in the Roma neighborhood, specializing in illustrated children’s and youth literature. Claudia Milenka and Román Rivas are the mind behind this project and the experts in carefully selecting the books they offer to the public.

facebook.com/naveganteslibreria/

JOIN US TO LIVE TOGETHER BETWEEN BOOKS.

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Thursday January 5, 2023
Hours: 1pm a 5:30pm
For all audiences.
At Jardín Arte Abierto (Located on the 2nd floor at Artz Pedregal)
Free entrance.

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A BOOK IS… IMAGINING POSSIBLE FUTURES FOR 2023.

WINTER MICROLANDSCAPES

OPERA FOR THE GARDEN

In collaboration with Vanessa Freitag and students from the Escuela Superior de Música and the Academia de la Danza Mexicana

The winter solstice is the astronomical event that has made us aware of life cycles and renewal. We have celebrated and represented it with rituals, parties, traditions, deities, pyramids, mythologies and calendars. Despite the arrival of the cold and the end of the growing season, what is actually celebrated at this time is the next return of the sun and its reappearance in the sky.

To welcome winter, students from the Escuela Superior de Música and the Academia de la Danza Mexicana will offer an opera concert* for the plants of the Jardín Arte Abierto, accompanying them at the change of season and celebrating their new cycle , in a kind of celebration and momentary fiction.

As part of the concert, the artist Vanessa Freitag (Brazil, 1982) made a series of textile sculptures to cover the singers and turn them into abstract micro-landscapes and new garden-organisms. With this, they are transformed into artificial flowers that sprout momentarily with the sole purpose of comforting nature.

* The musical repertoire is a compilation of opera pieces related to winter, the changes of season and the cyclical celebrations of each end of the year, change or transformation.

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Winter microlandscape
Opera for the garden
In collaboration with Vanessa Freitag and students from the Escuela Superior de Música and the Academia de la Danza Mexicana.

    • Saturday, December 10, 2022
    • 12:00h and 17:00h
    • Free entry
    • At Arte Abierto Garden, located on the second floor 2 in Artz Pedregal

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VANESSA FREITAG (Santa Rosa, Brazil 1982)
She lives and works in León, Guanajuato. She is an artist trained in Plastic Arts, Artistic Education (Brazil) and Social Anthropology (Mexico), and a professor at the University of Guanajuato. Currently, she combines the teaching practice with the artistic one to investigate the contemporary textile language. Her interests revolve around crafts and the study of the natural landscape – flora and fauna – both in Mexico and Brazil, from where she thinks about her identity as a migrant. She creates textile clusters, micro-landscapes and abstract bodies that occupy space, and experiments with recycled materials to build organic forms that often inhabit an imaginary natural universe.

Among her individual exhibitions are O Jardim (Dos Topos Gallery / León / Mexico), Topiarius (Untitled Gallery / San Francisco / USA) and Pequenho Jardim Simbiótico (Latin Artists Gallery). She has also participated in collective exhibitions in Brazil, Chile, Mexico, Puerto Rico, the United States, Romania, and the Ukraine. She received first place in the sculpture category at the IV Guanajuato Contemporary Art Salon (2021, Irapuato / Mexico) and at FIBRA – Textile Art Biennial (2019, Porto Alegre / Brazil). In 2020, she collaborated in the MEIO Cura project (Flotar Programa, CDMX). Recently, she did a work production residency at Residencia Art Project (Playa del Carmen / Mexico).

freitagvanessa.com/
IG: @freitag_textileart

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SINGERS AND DANCERS
STUDENTS OF THE HIGHER SCHOOL OF MUSIC AND THE MEXICAN DANCE ACADEMY

Abel Josué Pérez Lara
Brianda Andrea Pancardo Cancino
Miguel Ángel Linares Ibarra
Miguel Ángel Ramírez Valencia
Nohemi Lozano Santiago
Rebeca Gabriela Rocha Campos

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JOSE DÁVILA

JOSE DÁVILA (Mexico, 1974)
JOINT EFFORT, 2019

Concrete volumes, volcanic rock and ratchet straps

This piece is a sculpture of large dimensions that exemplifies the formal and conceptual interests of the artist Jose Dávila, such as the relationship with resistance, tension and the geometric order of the materials that he uses. The volcanic rock and concrete here point out a contrast between organic and industrial materials, highlighting their strengths and capacities through a composition in which both elements support their respective weights, while the straps strengthen the dynamic exerted between the concrete and the rock. As suggested by its title, this piece is literally a joint effort to keep the balance, strength and harmony of its components.

Jose Dávila (Guadalajara, 1974) His work addresses the existent relationships between contrasting and contradictory elements. Most of his work focuses on exploring the possibilities, capacities and properties of sculpture, through a meticulous selection of the materials and the forms with which his pieces are produced. Commonly guided by intuition, in his sculptural structures tension and calm, geometric order and random chaos, and fragility and resistance coexist while connecting the form with the content.

TRAVELING INSIDE THE STORY

CHILDREN’S TOUR INSPIRED BY THINGS WE DO FOR LOVE IN COLLABORATION WITH CONTARTE

Things We Do for Love is an exhibition that began as a trip by the artist Erick Meyenberg to a remote place: Japan. Traveling Inside the Story is a journey for children that takes the idea of ​​the expedition as a starting point to embark on a trip through different areas of Arte Abierto and its surroundings. It is an opportunity to become explorers and observe the environment in a different way.

This expedition includes several stations in Arte Abierto’s Garden, the lobby and the Things We Do for Love exhibition. At each station, stories of travelers from other times who ended up finding themselves will be told.

How can we transform the everyday environment into something special?

With the idea that to be transported is to transform, this small expedition is an invitation for girls and boys to carry out explorations of listening with closed eyes, observation through spyglasses and movement dynamics, to focus their attention on small fragments of reality and form visual, auditory, and physical metaphors as they walk.

Activity in collaboration with ContARTE.

Oral narrator: Emma Reyes.

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NOTE FOR MOMS AND DADS:

At the beginning of the tour, the girls and boys will meet at Arte Abierto’s lobby, moms and dads must follow and accompany their kids at a certain distance at all times.

The narrator and Arte Abierto’s staff will guide and invite the children to follow the instructions and the route, always counting on the support and care of parents.

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Journey into the story. Children’s tour inspired by Things We Do for Love in collaboration with CONTARTE

  • Saturday, December 3, 2022
  • 13:00h
  • Tour duration: 45 min.
  • Children 6 to 12 years old
  • Limited access to 30 travelers | For pre-registration click here
  • Free admission
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal

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CONTARTE
Is a project that has been forged since the year 2000. Its mission is to promote art, culture and education through disciplines such as theater, storytelling, locution and reading promotion. They have participated in various national and international events such as book fairs, theater festivals, storytelling and puppets. They give consultancies, courses and workshops to promote reading, strategies and reading comprehension, as well as playful workshops for children and young people. At the same time, they run a podcast called CUENTOS, which aims to promote reading.

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IN THOSE WATERS, IN ALL WATERS

CELLO IMPROVISATION WITH NATALIA PÉREZ TURNER

In those waters, in all waters is an improvisation and live interpretation that cellist Natalia Pérez Turner will perform based on Things We Do for Love. This sound action is a reinterpretation of the work and an opportunity to dialogue again with the already finished piece (after almost a year of having participated in the musical composition for the video installation), in order to revisit it from the cello and be able to react immediately. not only to the images, but to the sensations and atmospheres that they generate together in space.

It is a search to transform the work again, make music part of its plastic content and invite the public to perceive the sound of the cello in an almost visible way, like the images themselves.

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For the sound design of Things We Do for Love, Erick Meyenberg decided not to accompany the images with its real sound, but to experiment with the emotional and suggestive abstraction of electronic music, conducted by Roderic, in dialogue with Natalia’s cello performance. Pérez Turner, who contributed a great affective depth to the work and the space.

In this video installation, music is the emotional support that suggests multiple simultaneous readings and the sensation of being in an occupied space from floor to ceiling.

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In those waters, in all waters. Cello improvisation with Natalia Pérez Turner

  • Wednesday, November 30, 2022
  • 19:00h
  • Limited access | For pre-registration click here
  • Free admission
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal

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Natalia Pérez Turner (Mexico City)
Cellist and improviser. Member of the Spontaneous Generation, the Filera Trio and the Liminal Ensemble. Her collaboration with artists from other disciplines, such as dance, visual arts, theater, performance and literature, is a fundamental part of her work. She has composed music for video art, theater, film, and dance. Not only has she dedicated herself to exploring the repertoire for contemporary cello, but also to that of the instrument itself, exploring its sound and expressive possibilities. She has appeared in different forums both in Mexico and abroad. She was a FONCA grantee during the period 2005-06 (performer) with the project La cellista is an installation that proposed recitals of contemporary music for cello solo in museums and galleries. She studied at CIEM, at the Ollin Yoliztli Advanced School, at Carnegie Mellon University in Pittsburgh, USA, where she obtained her Master of Fine Arts Music Performance; and at The Guildhall School of Music and Drama in London.

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ART AND ARCHITECTURE DERIVES

QUANTUM PRELUDE. SOUND ACTIVATION BY TANIA CANDIANI.

A conversation with Tania Candiani.

• Live talk with Tania Candiani

• Saturday, October 29, 2022 at 1:00 pm.

• The event will be held at Espacio Arte Abierto, located on the 2nd floor in Artz Pedregal.

• Free admission.

For the 9th Derive of Art and Architecture in Arte Abierto, the artist Tania Candiani will jun us to talk about her work Quantum Prelude, a two-channel audiovisual installation with octophonic sound.

Click here to learn more about Tania Candiani’s talk.

Click here to download the press release.
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Espacio Arte Abierto is located in the center of the garden, entering through the 2nd floor of ARTZ Pedregal (Periférico Sur 3720, Jardines del Pedregal, Álvaro Obregón) in Mexico City.

Arte Abierto’s Art and Architecture Derives  is a program of routes proposed by invited curators, architects, artists and urban planners, to explore a series of architectural spaces and significant artistic interventions in public spaces in Mexico City. The purpose of the derives is to generate experiences of spatial rediscovery, which renew our view of the legacy of certain architectural and artistic works, both emblematic and forgotten.

The derives are held the last Saturday of each month of 2022 at 12:00 p.m. Free entry. Limited seating.

CINEMA-FISSURES

THINGS WE DO FOR LOVE TRANSVERSAL VISIT WITH MARA FORTES

The purpose of this visit is to investigate the extra-visual dimension of cinema, based on the idea of the “fissure of the image”, inspired by the concept of kintsugi that is addressed in Things We Do for Love.

DESCRIPTION

  • Thursday October 27, 2022.
  • Time: 5:30 p.m. – 7:00 p.m.
  • Aimed at all public
  • Limited admission
  • Free admission

 

If you wish to know more about Mara Forte’s visit to Things We Do for Love or Mara Fortes click here.
Download the press release here.

ART & ARCHITECTURE DERIVES

QUANTUM PRELUDE. SOUND ACTIVATION BY TANIA CANDIANI.

A conversation with Tania Candiani.

For our 9th Art an Architecture Derive our special guest speaker is Tania Candiani.

In this derive, the artist Tania Candiani will talk about her work Quantum Prelude, a two-channel audiovisual installation with octophonic sound and original music by Rogelio Sosa, in which different paradigms and readings on the perception and understanding of the emergence of life are intertwined and the world, ranging from ancestral indigenous knowledge and worldview to the implications of quantum physics.

The project, which was born after Candiani’s residence at CERN (The European Organization for Nuclear Research) takes shape at UNAM’s Sculptural Space, in the circular megalithic monument, circumscribed by 64 triangular prisms; 64 musicians were summoned, thus replicating the arithmetic, geometric and harmonic qualities constitutive of the sonority of music, the laws of physics, the organizing principle of nature and the expansiveness of the cosmos.

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Quantum Prelude. Sound activation by Tania Candiani.
A conversation with Tania Candiani.

  • Saturday, October 29, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

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No registration needed.

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Tania Candiani (Ciudad de México, 1974)
Multidisciplinary artist who is interest is the translation between the systems of phonic, graphic, linguistic, corporal, symbolic and technological languages. Non-academic researcher, she uses historical records as material, she creates interdisciplinary work groups, consolidating intersections between art, literature, music, architecture and science, with an emphasis on the recovery of early technologies. Her projects are related to tradition, sound, synesthesia, rhythm and translation. Scholarship holder of the National System of Art Creators, her work has been exhibited around the world and is part of important collections. She represented Mexico in the 56 Bienal de Venecia.
taniacandiani.com/
IG @tcandiani

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Tania Candiani (Mexico City, 1974)
Preludio cuántico [Quantum Prelude], 2022
Installation. Two-channel video with octophonic sound, single-channel video and wall drawing
27’20’’

Sound action for voices and orchestra, created ex profeso for the unam’s Sculptural Space.

Composition: Rogelio Sosa
Production: Rafael Acevedo, Fernanda Ezquerro, Xenia López, Marcela Moreno, Virginia Roy.
Photography: Ivan García, Juan Manuel López, Marcela Moreno, Miriam Ortíz, Katri Walker.
Audio: Raúl Cortés Ayal, Alexander Lozano, Carlos Merino, Ollin Miranda, José Luis Jiménez, Miguel Ángel Jiménez, Antonio Jiménez Urbina, Arie Orihuela, Jacqueline Saavedra Peralta, Alan Zaragoza Corona.
Asisstants: Victor Barragán Zamora, Natalia Cáceres, Mariana David, Arturo Durán, Adrián León, Miguel Ángel Molina Gutiérrez, David Temoltzin, Fernanda Vázquez, Gerardo Zapata.
Audio postproduction: Miguel Ángel Molina Gutiérrez, Rogelio Sosa, Alan Zaragoza Corona.
Video postproduction: Joaquín Cordero, Ollin Miranda, David Sánchez, Alfonso Víquez Huicochea, Víctor Torres.
Musicians: Rodrigo Ambriz, Ernesto Andriano, Edgar Anguiano Molina, Carolina Aragón Lozano, Edgar Anguiano Molina, Alda Arita, Armando Daniel Arista Villar, Luis Alfredo Belmont, Emilio Bozzano Azpiri, Alexander Bruck, Anahlí Cerrillo, Manuel Chacón Acosta, David Iván Contreras, Nefi Hugo Domínguez Herrada, Alejandro Cruz González, Rocío Durán, Sofía Escamilla Galindo, Ángel Ricardo Espinosa Vidal, Diego Espinoza, Alonso González González, José Carlos Greco Pantoja, Jorge Galindo González, Carla González Ramírez, Rodolfo Gutiérrez Ocampo, Jireh Sarai Hernández Chávez, Ramón Hernández Mendiola, Javier Hernández Tagle, Albania Juárez Rodríguez, Katya Kazachkina, Paola Landa, Eduardo Lobaco, Omar López, Saúl López Arzate, Alina Maldonado, Miguel Francisco Manríquez Fernández, Misha Marks, Roberto Martínez (Roberto Tercero), Ulises Martínez, Azul Miranda, Leika Mochán, Sandra Muciño, Allan Muñoz Trujillo, Anahí Luisa María Navarrete, Ariadna Ortega Torres, Geo Alí Ortiz, Elizabeth Piña, Aleida Pérez González, Paulina Posadas, Gustavo Rangel Guerrero, Loretta Ratto Celiz, Miguel Ángel Rivera Bedolla, Jesús Humberto Rivera Iribe, Adriana Alejandra Rosales, Silvestre Ruiz Algara, Adriana Santiago, Elisa Schmelkes, Patricia Solís, Andrés Solis, Andrea Sorrenti, Luisa Amanda Tovalin, María Elena Tovar Garnica, Juan Armando Vázquez Carrillo, Rodrigo Adán Velázquez Hernández, Emmanuel Agustin Yañez Vera.

This piece was produced with the invaluable support of Interprotección.

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Arte Abierto continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani / Quantum Prelude. Sound action by Tania Candiani.