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Author: arte

Colección Arte Abierto. Rafael Lozano-Hemmer, "Corazonadas Remotas", 2019. Foto: Mariana Yañez

08 Nov RAFAEL LOZANO-HEMMER

Posted at 18:48h in Colección

RAFAEL LOZANO-HEMMER

REMOTE PULSE, 2019

Installation with heart rate sensor board.

Remote Pulse is an interactive installation consisting of two pulse-sensing stations that are interconnected over the Internet. When a person places their hands on one station automatically the persono in the other station feels their pulse, as the plates vibrate in sync with the heartbeath of the remote person, and viceversa. Two lights indicate the hearthbeat of both persons as well.

This piece was originally presented as part of Lozano-Hemmer’s Border Tuner installation across the US-Mexico border, with one station in Ciudad Juárez, Chihuahua, and the other in El Paso, Texas. For the exhibition Latidos, the stations were interconnected between Arte Abierto, in Mexico City and the Museo Amparo of Puebla. Now both stations are located in the architectural complex of Artz Pedregal.

RAFAEL LOZANO-HEMMER

(Mexico, 1967)

Interdisciplinary artist whose work has been focused in developing interactive installations that are at the intersection of architecture and performance. His main interest is to create platforms for public participation, usign technology as a language of our time, and as an inevitable yet questionable vehicle. He was the first artist to officially represent Mexico at the 52nd Venice Biennale. His work has been presented at San Francisco Museum of Modern Art, the Museo Universitario Arte Contemporáneo in Mexico City, and the Museum of Contemporary Art Australia (MCA),among other spaces.

Arte Abierto. Programa Público. SESIÓN DE COCINA COLECTIVA. Con MADA Cocina colectiva + Proyecto Garambullo. Cocinera invitada: Cristina Trejo. Modern/Mother Nature.

01 Nov COLLECTIVE COOKING SESSION 🗓 🗺

Posted at 00:33h in Public Program

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COLLECTIVE COOKING SESSION

With Proyecto Garambullo

Guest chef: Cristina Trejo (Comunidad Vista Hermosa, Colón, Querétaro)

Organized by Proyecto Garambullo within the framework of Arte Abierto’s Public Program for the Modthern Nature exhibition by Gabriela Galván, it is an invitation to expand our notion of food in semi-desert territories, landscapes that in the imagination have been presented to us as not very fertile for sustain a varied diet. Contrary to what we have been told about soils such as Pedregal or the semi-desert, we will understand new ways of experimenting with ingredients that are part of the traditional gastronomy of the Querétaro semi-desert while we have an afternoon together, preparing our tortillas, salads and sauces, using ingredients collected from Modthern Nature’s exhibition room and sharing a stew made with garambullo sauce.

The foraging cuisine in the Querétaro semi-desert, rooted in nomadic traditions, is connected to the heritage of the cornfield, the basis of Mexican cuisine. It represents solid resistance against the loss of territory and food homogenization. These traditions defy the pressures of modernity and preserve the connection between people and their environment; furthermore, it is a cuisine that testifies to the ability of communities to resist the loss of their natural heritage while sustainably nourishing themselves from the land.

Public Program | Modthern Nature

COLLECTIVE COOKING SESSION
With Proyecto Garambullo

Guest Chef: Cristina Trejo (Comunidad Vista Hermosa, Colón, Querétaro)

SAT.NOV.11.2023
13:00 hrs.
Pre-registration here | Capacity limit
Arte Abierto | 2 floor, Artz Pedregal

PROYECTO GARAMBULLO
Based in Colón, Querétaro, Proyecto Garambullo is a multidisciplinary citizen initiative that, through artistic strategies, workshops, residencies, talks, walks, exhibitions, and technology, addresses issues that seek the preservation of the natural and cultural heritage of the area of the Querétaro semi-desert. Likewise, it seeks the respectful recovery and exchange of knowledge, carrying out actions that link this knowledge with the nature and biodiversity of the area. It proposes a change in the way research and knowledge production is understood, to contribute to the current debate on participatory practical research and the validation of creative methodologies for knowledge production.

IG @pgarambullo
www.proyectogarambullo.com/

Erick Meyenberg. 'Things We Do for Love'. Escultura cerámica, 2022. Colección Arte Abierto.

26 Oct ERICK MEYENBERG

Posted at 00:38h in Colección

ERICK MEYENBERG

THINGS WE DO FOR LOVE, 2022

Ceramic sculpture

During a trip to Japan, Erick Meyenberg saw and filmed a chrysanthemum on a Tokyo cementery after falling because of a typhoon. The scence reverberated in the artista due to a personal momento he was going through that made everything around him look fragmented. Thus, from the Japanese philosophy and technique of Kintsugi, which consist of repairing broken ceramics, highlighting the joints to underline their value and beauty despite their fractures, he had the ide of making a sculpture of the dismembered petals of that flower –considered the imperial emblem of Japon–. Meyenberg then thought that the sculpture had to rise from the ground just as Aphrodite rose from the waters; its forms recover the strenght and movement ow water, while its color reflects the love and eroticism embodied by Aphrodite. The Kintsugi metaphor invite to reconize the beauty that exits even in the fragments or breaks that are part of life.

This work represents the first time that Meyenberg works with ceramics. It was conceived specifically for his video-installations Things We Do for Love, commissioned by Arte Abierto, and was produced at Cerámica Suro workshop in Guadalajara.

ERICK MEYENBERG

(Mexico, 1980)

Interdisciplinary visual artist who sees painting as a fundamental element of expression, although he also explores other media such as sound installation, drawing, collage, video and performance. In his work, he shows a special interest in literature, history, social sciences, and natural sciences. His work has been exhibited in spaces such as Laboratorio Arte Alameda, Museo Tamayo, inSite / Casa Gallina, Biennial of the Americas, Arts University of Berlin, among others.
Representative in the Mexico Pavilion at the 60th Venice Art Biennale (April, 2024) with the project ‘Nos marchábamos, regresábamos siempre’, along with curator Tania Ragaso.

Erick Meyenberg. 'Things We Do for Love'. Arte Abierto. Foto Oscar Caballero

18 Oct “NOS MARCHABAMOS, REGRESABAMOS SIEMPRE” AT THE VENICE ART BIENNALE 2024 🗓 🗺

Posted at 02:26h in Noticias

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Nos marchábamos, regresábamos siempre, by visual artist Erick Meyenberg with curator Tania Ragasol is the project with which Mexico will participate in the 60th Venice Art Biennale 2024

Arte Abierto congratulates the artist Erick Meyenberg and the curator Tania Ragasol Valenzuela for their participation as representatives of the Mexico Pavilion at the 60th Venice Art Biennale, to be held from April 20 to November 24, 2024, with the project ‘Nos marchábamos, regresábamos siempre’, which addresses the reflection on the immigration asylum that is part of the history of Mexico.
Kudos!

Click here to read the news on INBA’s site.

Things We Do For Love is a project commissioned by Arte Abierto to visual artist Erick Meyenberg (CDMX, 1980) which was on display from June, 2022 to February, 2023 art Espacio Arte Abierto. Composed of a video installation of 5 channels + 10.2 audio and a series of ceramic sculptures. Under the idea of the Japanese philosophy of Kintsugi, film material made in Japan is interwoven, through editing (Martha Uc), with material filmed later in Mexico, both by Meyenberg. The musical composition and sound design were in charge of RODERIC, which includes the participation of cellist Natalia Pérez-Turner. The sculptures were made at the Suro Ceramic Workshop in Guadalajara.

Detalle de Butaque. Foto tomada del Archivo Clara Porset, CIDI FA UNAM Programa Público Derivas de Arte y Arquitectura Arte Abierto

13 Oct LORENA BOTELLO – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 20:14h in Public Program

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ART & ARCHITECTURE DERIVES

Clara Porset’s Design: Between Tradition and Modernity

A conversation with Lorena Botello

In 1952, in the rooms of the Palacio de Bellas Artes in Mexico City and in the corridors of the Faculty of Philosophy and Literature of the recently inaugurated Ciudad Universitaria (University City), Clara Porset presented the first design exhibition in our country: Art in daily life. Good design objects made in Mexico. With approximately 800 objects manufactured in Mexico, both industrial and artisanal, with varied uses and diverse materials, this exhibition was a symptom of the transformations and new perceptions of modern life, which produced new relationships between art, design and architecture. in the 50s and onwards. Designer, teacher and interior designer, Clara Porset was one of the central figures of modern design in Mexico. Through her work, she challenged design conventions of her time, understanding it as a tool of change, embedded in daily life.

In this Derive, the researcher and curator Lorena Botello will introduce us to Clara Porset as a designer and also manager who contributed significantly to Mexican modernity. We will review aspects of two of her important projects: on the one hand, exhibition design and, on the other, her own designs in which she developed an aesthetic that combined the regional and the modern.

Clara Porset’s Design: Between Tradition and Modernity.
A conversation with Lorena Botello

Saturday, October 21, 2023
13:00h
At Arte Abierto, located on the 2nd floor of Artz Pedregal
Free admission

>>
No registration needed.

Lorena Botello (Mexico City, 1984)
She is an independent researcher and curator, dedicated to the study of modern and contemporary art and design history in Mexico. She is head of the Documentation Center at the Carrillo Gil Art Museum. She studied a master’s degree in Curatorial Studies from UNAM. She has participated in various research, editorial and curatorial projects in national and international institutions. As a curator, she recently held the exhibition Trazar una doble vocación. Sylvia Pandolfi (September 2023) and Picasso en la biblioteca de Alvar Carrillo, both at the Carrillo Gil Art Museum (May 2023). Among her most recent articles are: “Memoria de las exposiciones de escultura de Federico Silva” in the Federico Silva. Lucha y fraternidad: el triunfo de la rebeldía (Museo del Palacio de Bellas Artes, 2022) exhibition catalog. Struggle and fraternity: the triumph of rebellion (Museum of the Palace of Fine Arts, 2022) and “El diseño de la exposición El arte en la vida diaria” in the book Clara Porset Dumas. Reflexiones de diseño (2022), published by the Faculty of Architecture and CIDI of UNAM.

IG @lorenabotello

Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Julián Arroyo Cetto/ Max Cetto in the beginning of El Pedregal.

July 29: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.

August 26: Arturo Rivera García y Roberto Bustamante Castrejón/ Jardines del Pedregal Legacy: Memory and Identity.

September 30: Tonatiuh Martínez/ The garden as an extension of nature.

Arte Abierto. Programa Público. Invitación: Ambient para leer

12 Oct AMBIENT TO READ: TEXTURES 🗓 🗺

Posted at 22:43h in Public Program

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AMBIENT TO READ: TEXTURES

Sound action and reading session in Modthen Nature

As part of Arte Abierto’s Public Program that derives from the exhibition Modthern Nature by Gabriela Galván, which approaches different ways of understanding nature and the ecosystem of El Pedregal, Ambient to read proposes a live ambient and reading session within room, inspired by the textures within exhibition.

At Modthern Nature the surfaces are full of textures that can range from smooth to rough, that is why we turn to them to be able to build a bridge between music, reading and the pieces in the exhibition, with their gardens and technologies for sustaining life. For this session, Ambient to read brings together two musicians, Neurokill and Nico to mix a live ambient set, and the artist and poet Rocío Gallardo, who will share poems authored by her and other writers from a fanzine. Additionally, Coffee to Read will share some vessels with us to accompany the session.

As on every occasion, there will be coffee to share. Bring your readings! Welcome!

AMBIENT TO READ: TEXTURES
Sound action and reading session in Modthen Nature

SAT.OCT.14.2023
16:00 – 19:00 hrs.
Everyone can join (Adults, teens and kids accompained by an adult)
Free admission
Arte Abierto | 2nd Floor, Artz Pedregal

AMBIENT PARA LEER
Is a proposal by Prohibido, Deseo and Café para leer. The three projects come together to offer a space where DJs interested in experimentation prepare a set thinking about various bodily alterations linked to the act of reading. The selection of texts and the setting is carried out by a guest artist per session, who proposes a textual route based on music. Ambient to read is an installation that seeks to tense the party with reading, breaking the cliché that in the first there is no knowledge and that the second only happens in the interior of silence. Interested in working with the decontextualization of spaces: electronic music outside of club culture, reading outside of academia, and art outside of galleries. The effect is always unexpected, however, the intention is to open a threshold so that bodies can be attentive to their surroundings, to the affections of the music and the intensities that all reading fosters.

IG @ambientparaleer

ROCÍO GALLARDO
Born in Mexico and raised in Buenos Aires. She studied Hispanic Literature at UNAM and Cinema in Argentina. Her aunt taught her the craft of ceramics and she inherited the pleasure and disappointment of poetic writing from her grandfather.

IG @mabel.en.china

NICO
DJ and producer. After leaving the techno project White Visitation, Nico has strived to avoid the limitations of musical styles. His explorations have ended in labels such as Timedance, Midnight Shift, or his own Akita Club. As a DJ he has performed at Mutek and Boiler Room, and has also managed to be exported to parties such as Pervert MX, Livity Sound in Bristol or Mother’s Finest in Berlín.

IG @nico__dubs

NEUROKILL
They are a trans boy/non-binary DJ. They began producing music in 2020 and focuses on genres such as hardtechno, acid, psytrance, hardtrance, techno, hardcore, gabber, tribalcore, schranz, groove, industrial, hardtrance, experimental and oldschool, with touches of noise. Founder of BABY RATTA, a brand of parties aimed at the trans and non-binary community in Mexico City.

IG @neurokillkillkill

Modern/Mother Nature de Gabriela Galván, 2023. Vista de la instalación en Arte Abierto. Foto Silvio Balladares

05 Oct TRANSVERSAL TOURS – VALERIA MATA 🗓 🗺

Posted at 02:47h in Public Program

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TRANSVERSAL TOURS

DISARRANGE THE CHAIN

Transversal tour through Modthern Nature with Valeria Mata

On this visit we will explore how our idea of nature has been a cultural construction, full of imaginaries and hierarchies. We will seek to disorder the “mother-nature” relationship and trace the privileged place we have occupied in the food chain (Who feeds whom? Who studies whom?). Practicing listening, attention and observation as tools, we will open conversations with other worlds beyond the human and together we will offer a poem to the plants that accompany us

The Transversal Tours are visits through the Arte Abierto exhibitions with guests from different areas beyond art, to expand the themes and points of reference from other gazes, perspectives, languages and disciplines.

TRANSVERSAL TOURS
DISARRAGE THE CHAIN
Transversal tour through Modthern Nature with Valeria Mata

THUR.12.OCT.2023
18:00 hrs.
Free admission
Arte Abierto | 2nd floor, Artz Pedregal

VALERIA MATA
She is a social anthropologist. She writes and researches about the intersections between artistic practices and anthropology, the political and cultural dimension of food, and the social imaginaries of travel. She has shared workshops and organized study and exploration groups around these topics. She edited the book Comer relaciona (y confronta) mundos (2021), and has published plagie, copie, manipule, robe, reescriba este libro (2018) and Todo lo que se mueve (2020).

valeriamata.com/
@vaaleriamata

PAISAJES PARALELOS VISITA CUATRO: CASA ESTUDIO MAX CETTO. Con Julián Arroyo Cetto. Arte Abierto | Programa público. Foto: Julián Arroyo Cetto

28 Sep PARALLEL LANDSCAPES VISIT FOUR 🗓 🗺

Posted at 22:42h in Public Program

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PARALLEL LANDSCAPES

VISITS AROUND EL PREDREGAL

CASA ESTUDIO MAX CETTO

With Julián Arroyo Cetto

El Pedregal, a huge territory of harsh nature, splendid, but for thousands of years evaded, uninhabited and even devalued, was the scene of the flourishing of incredible gardens and notable projects of modern Mexican architecture. There, a migrant couple and their family became one of the first settlers of Jardines del Pedregal at the end of the 1940s. In this fourth visit of Parallel Landscapes, we invite you to visit the Max Cetto’s Home – Studio, the first house in Jardines del Pedregal de San Ángel, designed by the German architect Max Cetto, in which he projects a synthesis of modernity, tradition, daring, experience and experimentation with the natural environment.

In the last two decades, the house housed various inhabitants and even institutions seeking to adapt to its time. Currently, it is inhabited by its original family, who also seek its preservation, keeping alive the ideals and precepts of Max Cetto. In this tour led by Julián Arroyo Cetto, architect, grandson of Max Cetto and current inhabitant of the house, you will be able to learn not only the architectural aspects of this project, but also the daily and domestic life that has occurred and created in that house. house in the more than 70 years of its history.

PARALLEL LANDSCAPES
Visits around El Pedregal
VISIT FOUR: CASA ESTUDIO MAX CETTO
With Julián Arroyo Cetto

SAT.07.OCT.2023
12:00 hrs.
Casa Estudio Max Cetto
Pre-register here.
Duration: 60-90 min. each visit.
We recommend wearing comfortable shoes, water and a hat.

Responsible Registration Policy: Your place is very special since space is limited, so we ask you to fill out the registration only if you can attend.
To cancel write to actividades@arteabierto.org

Enter here to learn more about Arte Abierto’s Parallel Landscapes Program, with upcoming visit dates and places.

JULIÁN ARROYO CETTO (Cancún, 1981)
Architect graduated from the Faculty of Architecture, UNAM and professor at Universidad Iberoamericana. He has worked on various public and private projects, committed to the balanced integration of technical, artistic, economic and social aspects. He collaborated in the first projects of the Autoridad del Espacio Público (AEP): “Plaza de la República” and “Madero Pedestrian Corridor.” He was Architectural Coordinator in the La Quebradora Water Park projects and renovation of the Parque Urbano Monumento a la Madre and Jardín del Arte. He collaborated with Nuño, Mac Gregor and de Buen in the design of the Bars and Restaurants Building of the León Fair. He has designed projects for SEDATU, among which the “Jardín de Sombras” and the “Jardín de Agua” (Collaboration with ORU), Centro Cultural Mirador, Plaza Principal and Centro Cultural Pisté, Plaza Sisbichén y Deportivo and Plaza Chelem stand out. Currently, he works in his own office and collaborates in the development of projects with both public and private institutions.

casaestudiomaxcetto.com
IG @casaestudiomaxcetto
IG @dcmxarq

Derivas de Arte y Arquitectura EL JARDÍN COMO EXTENSIÓN DE LA NATURALEZA Conversación con Tonatiuh Martínez | Taller de Paisaje Entorno Arte Abierto Foto cortesía Tonatiuh Martínez

21 Sep TONATIUH MARTÍNEZ – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 19:59h in Public Program

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ART & ARCHITECTURE DERIVES

The garden as an extension of nature

A conversation with Tonatiuh Martínez | Taller de Paisaje Entorno

Within any architectural, housing or urban approach, an environment is always present: a mixture of material, natural, climatic or symbolic aspects that are linked to each other. Landscape architecture projects make buildings and nature coexist and find a real and functional connection. There are gardens that produce aromas, disorganized or minimalist gardens, gardens with microfauna or gardens where architecture is not present, but how to generate atmospheres and sensations of nature with a landscape linked to an architectural project or without it? What aspects are taken into account to ensure that an open space or a garden has the necessary elements so that it relates and links as much as possible with the daily reality of its environment and its nature?

In this Derive we will explore the processes carried out by the Taller de Paisaje Entorno, a landscape architecture office located in Mexico City and formed by an interdisciplinary team of architects, landscapers and artisans, who are dedicated to design, development, execution and advice on landscape projects at an architectural, urban and regional scale. From the hand of its founder, Tonatiuh Martínez, we will learn how it was possible to develop landscape projects in places with particular characteristics and needs, taking into account the site program, orientation, views, complementary information such as background of the place, photos and documents that They feed back the criteria to resolve a proposal. Taller de Paisaje Entorno has been behind some projects such as the conservation of the scree of the Museo Universitario Arte Contemporáneo (MUAC), the Vasconcelos Library open garden, the restoration project of the stone and native landscape of the Anahuacalli Museum that they carried out in collaboration with Mauricio Rocha , the rescue of the scree at Casa Pedregal by Luis Barragán, or the installation Modthern Nature by Gabriela Galván in Arte Abierto.

The garden as an extesion of nature.
A conversation with Tonatiuh Martínez | Taller de Paisaje Entorno

Saturday, September 30, 2023
13:00h
At Arte Abierto, located on the 2nd floor of Artz Pedregal
Free admission

>>
No registration needed.

Tonatiuh Martínez(Monterrey, Nuevo León, 1962)
Self-taught since the 80s in the field of landscape, biology and botany. Founder of Taller de Paisaje Entorno, whose objective is to generate projects, consultancies, workshops and exhibitions in the field of landscape architecture both nationally and internationally for architecture offices, public and private institutions, as well as individuals. Martínez is the founder of the only landscape workshop in Mexico, an alternative place to the office located in Xochimilco, with the purpose of disseminating, promoting and physically showing the design of different spaces, showing the diversity of plant species that are used in the projects, as well as all the materials involved in their execution with an artisanal character and binding to the work of the landscape.

IG @tallerdepaisajentorno
IG @tonatiuhh.martinez