Author: arte

STONES, GARDENS AND CHARMS

Workshop with Miguel Cinta Robles

What do stones do in a garden? Perhaps they are part of a bench, a connecting path, or a dividing wall. What do the stones do in a forest? They can be fragments of a cave, a refuge for critters looking for a moment of privacy or a filter for the water that crosses a river. What do the stones do in the city? They are the fragment of a monument, a projectile in a protest or something that gets stuck in a shoe. Observing stones can help us think about other time scales, in dimensions that go beyond us as individuals. At first glance, a stone may seem like a static object, but its formation and movement have shaped the landscapes we inhabit.

Stones, Gardens and Charms is a reflective workshop to exercise contemplation, a space to question and rethink the garden as a containment and classification mechanism of what we understand by “nature”. We will reflect on the methods we use to observe and how they are reflected in the way we perceive our spaces and gardens. We will carry out some exploration exercises to understand the stones again and build other forms of “classification”, imagining that the stones can also be spells to attract water, be linked to lunar cycles, stories, esotericisms, to learn to observe, all we think, doesn’t seem to move.

This workshop with Miguel Cinta Robles is part of Arte Abierto’s Public Program around our current exhibition Modthern Nature by Gabriela Galván.

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STONES, GARDENS AND CHARMS
Workshop with Miguel Cinta Robles

  • SAT.SEP.02.2023
  • 13:00 hrs.
  • Workshop for everyone (Adults, teens and kids accompained by an adult)
  • Duration: 2hrs (13:00 – 15:00)
  • Pre-register here
  • Quota limited to 20 people
  • Arte Abierto | 2nd Floor, Artz Pedregal

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MIGUEL CINTA ROBLES
He lives between Oaxaca and Mexico City. He studied at the National University of Arts in Buenos Aires and studied visual arts at ENPEG “La Esmeralda” in Mexico City. His interests focus on building models that merge agriculture and sculpture with pedagogical strategies that enable forms of socialization and learning in connection with the land. He is the founder of “Domingo de cerro” a project dedicated to producing routes, walks, workshops and activations in the mountains of Oaxaca and other states of the republic. Currently, he collaborates in the syntropic reforestation and eco-construction project “Terreno familiar” where he dedicates himself to planting, giving workshops, building earth ovens and investigating, together with his family, models to achieve food sovereignty and live in interdependence within the ecosystems and the community of Tlalixtac de Cabrera.

https://miguelcinta.tumblr.com/
IG @miguelcintarobles

ART & ARCHITECTURE DERIVES

Jardines del Pedregal Legacy: Memory and Identity

A conversation with Arturo Rivera García and Roberto Bustamante Castrejón

In a Mexico City that does not stop growing, the Jardines del Pedregal Legacy emerges as a cultural diffusion project about the architecture, landscape and history of El Pedregal to raise awareness about the cultural and artistic value of its buildings and the neighborhood. It is also a search to share with its inhabitants the cultural importance of the houses they inhabit, together with their volcanic rock gardens.

In this Derive we will be able to learn more about this project which has reactivated local identity and memory, from a photographic exhibition and document reprography, and the creation of a digital archive that, in addition to collecting historical information from professional archives and of original families of the community, contemplates the documentation and registration of plans and current photographs of the buildings and gardens that continue to exist with a significant degree of conservation. At the same time, this archive is also carrying out records of contemporary buildings that reinterpret the modern architecture with which the subdivision was built and characterized.

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Jardines del Pedregal Legacy: Memory and Identity.
Arturo Rivera García y Roberto Bustamante Castrejón.

  • Saturday, August 26, 2023
  • 13:00h
  • At Arte Abierto, located on the 2nd floor of Artz Pedregal
  • Free admission

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No registration needed.

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Arturo Rivera García
He is an architect graduated from the Faculty of Architecture of the UNAM. He has also taken several photography courses and diplomas at the Active School of Photography and at IMMAGINI. He works as a teacher at the SEP and teaches the subject of Visual Arts. He is currently doing a master’s degree in architecture in the area of knowledge of Restoration and Rehabilitation of architectural heritage at UNAM, and directs the cultural project Legado Jardines del Pedregal. Since 2017, he has dedicated himself to research and has been involved in projects related to the Pedregal de San Ángel. He has also collaborated with FUNDARQMX and the Bitácora Arquitectura Magazine of the Faculty of Architecture of the UNAM, to discuss and disseminate the architectural heritage of Jardines del Pedregal.

IG @JardinesDelPedregalExpo
IG @ArturoRivera.arq

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Roberto Bustamante Castrejón
He has a degree in Information Sciences and Techniques from the Universidad Iberoamericana, and is dedicated to real estate development. He is president of the Jardines del Pedregal A.C. Citizen Observatory. and member of the Community Participation Commission 2023. For several years he has been involved in current regularization projects in the Jardines del Pedregal urbanization, in addition to promoting the conservation of the architectural legacy of Pedregal. He has lived in the Pedregal since 1958 and is a member of the second generation of the creators of Jardines del Pedregal, linked to the architect Luis Barragán.

IG @robertombustamante

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Julián Arroyo Cetto/ Max Cetto in the beginning of El Pedregal.

July 29: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.

August 26: Arturo Rivera García y Roberto Bustamante Castrejón/ Jardines del Pedregal Legacy: Memory and Identity.

PARALLEL LANDSCAPES

VISITS AROUND EL PREDREGAL

PEDREGAL DE SAN ÁNGEL ECOLOGICAL RESERVE (REPSA)

With Dr Silke Cram and Bárbara Foulkes

Visit two of Paisajes Paralelos is in the Pedregal de San Ángel Ecological Reserve, UNAM (REPSA), located south of Mexico City, within Ciudad Universitaria. Due to its location and its biodiversity, it is considered an exceptional natural and biocultural heritage, not only within the Mexican context but in the world. The reserve protects the volcanic landscape of El Pedregal, in which the endemic ecosystem of the area develops freely and where the unique relationship between flora and fauna and the rocky terrain left behind by the eruption of the Xitle volcano is visible. This tour, led by Dr. Silke Cram, is an opportunity to learn about the ways of life, particularities and challenges of this biodiverse microcosm within one of the largest cities in the world.

After the visit, artist and choreographer Bárbara Foulkes will invite us to take a tour activating all the senses of our body to observe nature from a kinetic and perceptual perspective, redefining our relationship with the landscape, the territory and its stories. We will walk backwards, we will look with our hands, we will taste the sound and we will cross the lands of lava, breathing the wet scree like our tongues.

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PARALLEL LANDSCAPES
Visits around El Pedregal
VISIT TWO: PEDREGAL DE SAN ÁNGEL ECOLOGICAL RESERVE
Dr. Silke Cram
+
Bárbara Foulkes

  • SAT.19.AUG.2023
  • 10:00 hrs.
  • Pedregal de San Ángel Ecological Reserve
  • Pre-register here.
  • Duration: 60-90 min. each visit.
  • We recommend wearing comfortable shoes, water and a hat.

>>

Responsible Registration Policy: Your place is very special since space is limited, so we ask you to fill out the registration only if you can attend.
To cancel write to actividades@arteabierto.org

>>

Enter here to learn more about Arte Abierto’s Parallel Landscapes Program, with upcoming visit dates and places.

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DR SILKE CRAM
She is a biologist and researcher at the UNAM Institute of Geography. She has a degree in Biology, a Master of Science from the UNAM Faculty of Sciences and a PhD in Agronomy from the Hohenheim Agricultural University, Stuttgart, Germany. She is currently Executive Secretary of REPSA and Titular “B” researcher. Her research topics are soil conservation and degradation, pollution from mining and oil activities, and she has recently focused her interest on the importance of soils in cities. She has carried out research projects on conservation and sustainable management of biodiversity, and she is part of a working group that discusses comprehensive risk assessment models. She has participated in several multidisciplinary projects such as: “Geopark Mixteca Alta”, “Evaluation of ecosystem services of urban soils”. She teaches graduate level courses on Soil Degradation and Contamination and undergraduate courses in Earth Sciences and Biology: Soil Restoration, Geoscree Restoration, and Environmental Diagnosis and Risk Assessment.

www.repsa.unam.mx/
IG @repsa_cu

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BÁRBARA FOULKES (City of Buenos Aires, 1982)
She is an artist, choreographer and cultural manager. Her work is linked to interdisciplinary, developing exhibition works and art education. Within her practice, the body is the starting point of an expanded investigation. She understands choreography as the relationships established between bodies and ideas and approaches drawing and writing as an extension of the ephemeral, a way of documenting action and turning it into sensitive study material. Her most outstanding pieces are Arrecife co-authored with Colectivo AM, commissioned by MUAC; Fleet, Insist Insist Insist co-authored with Abraham Cruzvillegas; Nine point Eight co-authored with Nuria Armenta, among others. She published Cómo estar 10 horas de pie, with Gato Negro Ediciones 2020. She was a beneficiary artist from EMPAC, Experimental Media and Performing Arts, NY, Tanztage Berlin and Landeshauptstadt Munich Kulturreferat, Germany; Tamayo Museum, among others. Her work has been presented at SAPS, La Tallera, MUAC, Museo Experimental el Eco, The Kitchen Performance Center NY, Redcat, Pacific Standart Time, LA, Teatro Pradillo, Madrid, among other venues. She was selected as a 2019 Performing Artist by La Tempestad magazine. She lives and works in Mexico since 2008.

IG @barbarafoulkes_

TRANSVERSAL TOURS

SERVE NATURE OR USE NATURE?

Transversal tour through Modthern Nature with Antonio González Guzmán

How is it that human beings have adapted and transformed nature like no other species? How did we go from collecting carrion, fruits and seeds in savannahs, forests and jungles, to producing millions of tons of grains and inputs to feed billions? How is it possible to grow plants in the most unexpected places… like in this art space? The answers connect various aspects of our biology with knowledge and work. In this tour of Modthern Nature, we will reflect on our relationship with nature, considering how humanity has gotten to where it is.

The Transversal Tours are visits through the Arte Abierto exhibitions with guests from different areas beyond art, to expand the themes and points of reference from other gazes, perspectives, languages and disciplines.

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TRANSVERSAL TOURS
SERVE NATURE OR USE NATURE?
Transversal tour through Modthern Nature with Antonio González Guzmán

  • THUR.17.AUG.2023
  • 18:00 hrs.
  • Free admission
  • Arte Abierto | 2nd floor, Artz Pedregal

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ANTONIO GONZÁLEZ GUZMÁN
Hydroponic plant grower and inventor. He graduated in Physics from the UNAM Faculty of Sciences, where he taught physics and mathematics for more than 40 years. His deep interest in science and plants led him to a total immersion in hydroponics, which is currently his main activity. He was also the founder of the Hydroponics Workshop at FC UNAM, where he produces, teaches and learns about hydroponics since 2002. He has taught more than 50 courses and workshops in various states of the country and abroad. He was part of the specialists who collaborated in the production of the hydroponic culture for the Modthern Nature exhibition by Gabriela Galván.

JULIA CARRILLO

ESE PUNTO EN EL ESPACIO, 2021

Ese punto en el espacio (That Point in Space) (2021) is an optical artifact that shows the capacity of geometry and reflective matter to guide light and build simulated spaces that challenge our gaze. When looking inside the piece, you can observe a game of infinite reflections that, in turn, generate a parallel scenario in relation to our position in real physical space.

Conceived as a light sculpture, the effect it produces is the result of a precise composition in which a series of mirrors are arranged geometrically. The abstraction that is generated represents, for Julia Carrillo, a tribute to The Aleph by Jorge Luis Borges in which a point in space contains the four corners of the universe, that is, the Whole.

The art piece was created and commissioned especially for the Luz Instante exhibition that was presented at Arte Abierto in 2021 and which brought together seven works by Carrillo focused on the exploration of light.

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JULIA CARRILLO

(Mexico, 1987)

She studied mathematics at the National Autonomous University of Mexico (UNAM). She has a master’s degree in Visual Arts from the San Carlos Academy and studied at the New York School of Visual Arts (SVA). She has participated in various solo and group exhibitions in Mexico and abroad. She is currently a researcher at C3 (Center for Complexity Sciences, UNAM) and is a beneficiary of the Young Creators program of the National Fund for Culture and Arts (FONCA).

VISITS FOR KIDS

TO PLANT A HOUSE BETWEEN THE ROCKS

Modthern Nature visits for kids

These visits are an invitation for girls and boys to become explorers within the Modthern Nature exhibition by Gabriela Galván. While they walk through this interior garden created by the artist, we will be able to reimagine the relationship of nature with its environment through drawing exercises that combine observation with invention. Talking, listening, smelling and browsing, we will unite ideas in a blog to understand plants as living beings and rocks as their home and its city.

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VISITS FOR KIDS
TO PLANT A HOUSE BETWEEN THE ROCKS
Visits for kids through Modthern Nature

  • ALL SATURDAYS of July and August
  • TWO SCHEDULES: 13:00 – 17:00 hrs.
  • Free admission | Limited availability
  • Aimed at: Girls and boys between 4 and 12 years old together with their adult companions
  • Visit duration: 45 min.
  • Arte Abierto | 2nd floor, Artz Pedregal
  • >> The group will form at the Espacio Arte Abierto Box Office, between 5-10 minutes before.

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NOTE
This is a family tour, so girls and boys may not be left alone during the tour at any time and must be accompanied by their mothers, fathers or an adult companion at all times. Some activities and exercises will require your support to be carried out.

ART & ARCHITECTURE DERIVES

The eco-aesthetics of  El Pedregal and the constructive botany in Mexico megacity

A conversation with Peter Krieger

With the participation of Juan José Kochen

This talk explores the urban-natural and artistic-architectural relationship of the Pedregal de San Ángel Ecological Reserve (REPSA), a unique reserve in the world that is located within Ciudad Universitaria and that protects an extraordinary fund of biodiversity stressed by the current unsustainable development of the mega city of Mexico.

Thanks to the fact that it is a place where the city, wild vegetation and volcanic rock remnant of the eruption of the Xitle volcano coexist, it has functioned as a didactic enclave that has been a source and inspiration for works of contemporary art such as STRATUM by Luis Carrera-Maul (MUCA Campus, 2022) or Modthern Nature by Gabriela Galván (Arte Abierto, 2023). It has also been the setting for imagining a new type of architecture that leaves only a minimal ecological footprint: constructive botany, a model created by the German architect Hannes Schwertfeger, who introduced it to Mexico in 2022 in a workshop given at UNAM.

This Derive reflects on how architecture, art and nature find points of confluence to think about our environmental responsibility as current inhabitants of the basin of Mexico and the world.

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The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico..
A conversación con Peter Krieger.

  • Saturday, July 29, 2023
  • 13:00h
  • At Arte Abierto, located on the 2nd floor of Artz Pedregal
  • Free admission

>>
No registration needed.

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Peter Krieger
He is a PhD in Art History from the University of Hamburg, Germany, a researcher at the Institute for Aesthetic Research and a professor at UNAM’s Postgraduate Studies in Architecture and Art History. He has conducted research and publications on aesthetics, history, theory, ecology, and political iconography of architecture, cities, and landscapes. He is currently working on a book about the Pedregal de San Ángel Ecological Reserve. From 2004 to 2012 he was vice president of the International Committee for the History of Art (CIHA / UNESCO) and from 2010 to 2018 member of the Outdoor Advertising Commission, Ministry of Development and Housing, Government of Mexico City. During 2016 and 2017 he was visiting professor at the universities of Hamburg / chair Aby Warburg, Tübingen and Regensburg.

www.peterkrieger-ecoaesthetics.com/

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Juan José Kochen
Architect and publisher. He studied Architecture at the Faculty of Architecture of the National Autonomous University of Mexico (UNAM), Journalism at the Carlos Septién García School of Journalism and a master’s degree in Analysis, Theory and History of Architecture at UNAM. He wrote for the newspaper Reforma, was editor of Arquine, consultant to the General Subdirectorate of Sustainability and Technology of Infonavit, fellow of the National Council of Science and Technology (Conacyt), of the Graham Foundation for Advanced Studies in the Fine Arts and of the Youth Program Creators of the National Fund for Culture and the Arts (FONCA) on two occasions. He is the author of La utopía como modelo, a professor at the Universidad Iberoamericana and collaborator of the Sordo Madaleno Foundation.

TW @kochenjj

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.

TRANSVERSAL TOURS

ARE THERE VOLCANOES BETWEEN THE CITY OR A CITY BETWEEN THE VOLCANOES?

Transversal tour through Modthern Nature with Marie-Noëlle Guilbaud

The south of Mexico City sits on lava flows from the Xitle volcano, which erupted approximately 1,670 years ago. Now, the remains of lava from this volcano have almost disappeared with urban growth, despite this, many remnants still emerge at UNAM, mainly in the Pedregal de San Ángel Ecological Reserve. This lava, which is now a rocky landscape, sustains an ecosystem that is unique in the world. In this tour of the Modthern Nature exhibition, we will talk about the richness of this geoheritage and its relationship with life in our city.

The Transversal Tours are visits through the Arte ABierto exhibitions with guests from different areas beyond art, to expand the themes and points of reference from other gazes, perspectives, languages and disciplines.

>> 

TRANSVERSAL TOURS
ARE THERE VOLCANOES BETWEEN THE CITY OR A CITY BETWEEN THE VOLCANOES?
Transversal tour through Modthern Nature with Marie-Noëlle Guilbaud

  • JUE.27.JUL.2023
  • 18:00 hrs.
  • Free admission
  • Arte Abierto | 2nd floor, Artz Pedregal

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MARIE-NOËLLE GUILBAUD
Dra. Marie-Noëlle Guilbaud is Head (B) researcher in the Department of Volcanology at the UNAM Institute of Geophysics, which she has been in charge of since August 2021. She obtained her PhD from the Open University (England) in 2006 and joined UNAM in April 2010. Since then, he has developed multiple projects related to monogenetic volcanism in Mexico and its importance for geoheritage and the resilience of populations against geological risks.

PARALLEL LANDSCAPES

VISITS AROUND EL PREDREGAL

ECOLOGIC SPACE OF THE ANAHUACALLI MUSEUM

Guided by the Anahuacalli Museum team.
+ An exercise in experimental drawing by Escrituras vegetales.

To kick off the Parallel Landscapes program, the first visit will be a tour of the Ecologic Space of the Anahuacalli Museum, which is one of the treasures that the Museum houses. In this there are almost 20,000 m2 of endemic vegetation, several water wells, and a sea of volcanic stone from the eruption of the Xitle volcano. This tour helps to understand how the original architecture, projected by Diego Rivera, combines landscape with functionalist architecture and aspects of pre-Hispanic cosmogony; while the architectural expansion serves as a contemporary reinterpretation of the existing buildings and dialogues with the volcanic environment in a game with the rugged topography.

After  the visit trough the Ecologic Space of the Anahuacalli Museum, Escrituras vegetales will share Nos habita un mundo vegetal que habitamos, an activity to reflect on the blurred limits of the notion of interior-exterior, and environment-contour, by which architecture has molded us. A collective drawing will be created on the windows and mirrors of the Anahuacalli workshop, taking into account the landscapes that are reflected and intertwined, playing with the borders of the environments that surround us and that shape the Museum in relation to the plant world.

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PARALLEL LANDSCAPES
Visits around El Pedregal
VISIT ONE: ECOLOGIC SPACE OF THE ANAHUACALLI MUSEUM
Guided by the Anahuacalli Museum team
+
An exercise in experimental drawing by Escrituras vegetales

  • SAT.22.JUL.2023
  • 12:00 hrs.
  • Ecologic Space of the Anahuacalli Museum
  • Pre-register here.
  • Duration: 60-90 min. each visit.
  • We recommend wearing comfortable shoes, water and a hat.

>>

Responsible Registration Policy: Your place is very special since space is limited, so we ask you to fill out the registration only if you can attend.
To cancel write to actividades@arteabierto.org

>>

Enter here to learn more about Arte Abierto’s Parallel Landscapes Program, with upcoming visit dates and places.

>>

Museo Anahuacalli
Projected between 1942-1957 and inaugurated in 1967, the Anahuacalli Museum is a house for pre-Hispanic art, designed by the Mexican muralist Diego Rivera. Within his search to create a “City of Arts”, he projected the Anahuacalli as a great stage for the development of various artistic expressions in an atmosphere whose architecture represented the search for the Mexican essence.

http://museoanahuacalli.org.mx/
IG @anahuacalli
TW @anahuacalli
FB @museoanahuacalli
IG  Anahuacalli Museum workshops @talleres_anahuacalli

PARALLEL LANDSCAPES

VISITS AROUND EL PEDREGAL

Parallel Landscapes is a program of visits to four conjunctural sites in El Pedregal as part of the Modthern Nature exhibition by Gabriela Galván. The visits are designed to generate new possibilities of understanding the transforming landscape in El Pedregal environment.

Together with artists and different specialists from different areas – who contributed with their experiences and knowledge to the Modthern Nature project – we will visit each of the proposed sites to find new ways of inhabiting and looking at this landscape within its current urban context.

Parallel Landscapes is a way of sharing part of Gabriela Galván’s research, not from the bibliographic text or the data, but from the gaze, the body and coming into contact with the people, environments and landscapes that nurtured her research field.

PARALLEL LANDSCAPES
Visits around El Pedregal

  • Previous registration needed | Limited space | For all public.
  • Duration: 60-90 min. each visit.
  • We recommend wearing comfortable shoes, water and a hat.

>>

Pre-register here.
Responsible Registration Policy: Your place is very special since space is limited, so we ask you to fill out the registration only if you can attend.
To cancel write to actividades@arteabierto.org

VISITS

JULY>>

VISIT ONE: ESPACIO ECOLÓGICO DEL MUSEO ANAHUACALLI (Ecological Space of the Ahahuacalli Museum)
Anahuacalli Museum team
+
An experimental drawing exercise by Escrituras vegetales

SAT.22.JUL.2023
12:00 hrs.
Espacio Ecológico del Museo Anahuacalli

AUGUST>>

VISIT TWI: REPSA (El Pedregal de San Ángel Ecological Reserve, UNAM)
Dr. Silke Cram
Biologist and PhD in Agronomy, soil expert, current Executive Secretary of REPSA and researcher at the Institute of Geography, UNAM.
+
A body exploration exercise by Bárbara Foulkes

SAT.19.AUG.2023
10:00 hrs.
REPSA (El Pedregal de San Ángel Ecological Reserve), UNAM
Ecological Path – Sculptures Walk – Sculpture Space

SEPTEMBER>>

VISIT THREE: THE ROUTE OF FRIENDSHIP
Luis Javier de la Torre
President and Founder of the Board of Trustees Ruta de la Amistad A.C.
+
A landscape intervention by Proyecto Escrituras Experimentales

SAT.23.SEP.2023
10:00 hrs.
The Route of Friendship
(Station 7: Italy’s sculpture. Man of Peace by Costantino Nivola)

OCTOBER>>

VISIT FOUR: CASA ESTUDIO MAX CETTO
The first house in Jardines del Pedregal.
Bettina Cetto and Julián Arroyo Cetto
Bettina Cetto is an economist, writer, daughter of Max Cetto and the first girl to inhabit Jardines del Pedregal, and Julián Arroyo Cetto, architect, grandson of Max Cetto and current inhabitant of the house.

SAT.07.OCT.2023
12:00 hrs.
Casa Estudio Max Cetto