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Author: arte

Derivas de Arte y Arquitectura. MAX CETTO EN LOS INICIOS DEL PEDREGAL Conversación con Julián Arroyo Cetto Arte Abierto Foto cortesía: Julián Arroyo Cetto

10 Jun JULIÁN ARROYO – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 15:46h in Public Program

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ART & ARCHITECTURE DERIVES

Max Cetto in the beginnings of El Pedregal

A conversation with Julián Arroyo Cetto

For this 12º Art & Architecture Derive we moved the date to June 17 and we will have Julián Arroyo Cetto as a guest to talk about the beginnings of the area that we know in Mexico City as El Pedregal.

El Pedregal, a magnificent and unique terrain –almost untouched by humans since the seven successive lava flows from the Xitle volcano 2,000 years ago– became the setting for a virtuous mix of nature, art and modern architecture. Barragán’s vision, nurtured by Diego Rivera and Dr. Atl, among others, required a unique architecture for this singular place.

This task fell on Max Cetto, a German architect-engineer with a great cultural background –already with a career in his native Germany, a brief stay in the Neutra office in California and almost ten years in Mexico– to whom his friend Barragán entrusts to raise a first architecture proposal for the El Pedregal Gardens.

This is how the Show-Houses on Av. Fuentes and the Max Cetto Studio House arose, the first house in the subdivision and current witness to the passing of time on this site.

Max Cetto in the beginning of El Pedregal.. Conversation with Julián Arroyo Cetto.

Saturday, June 17, 2023
13:00h
At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
Free admission

>>
No need to register.

Julián Arroyo Cetto
Architect graduated from the Faculty of Architecture at UNAM and professor at the Universidad Iberoamericana. He has worked on various public and private projects; committed to the balanced integration of technical, artistic, economic and social aspects. He collaborated in the first projects of the Autoridad del Espacio Público: “Plaza de la República” and “Corredor Peatonal Madero”. He was Coordinator of architecture in the projects “Parque Hídrico La Quebradora” and renovation of the “Urban Park Monument to the Mother and Garden of Art”. He collaborated with Nuño, Mac Gregor and de Buen in the design of the “Building of Bars and Restaurants of the León Fair”. He has designed projects for SEDATU among which the “Garden of Shadows” and the “Garden of Water” (Collaboration with ORU); “Mirador Cultural Center”, “Main Square and Pisté Cultural Center”, “Sisbichén Square” and “Deportivo y Plaza Chelem”. He currently works in his own office and collaborates, both with public and private institutions in the development of projects.

IG @julian_arroyo_cetto
IG @dcmxarq

Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

Gabriela Galván, Modern Nature/ Mother Nature, 2023. Tubo de vidrio pigmentado violeta, tubo de vidrio pigmentado amarillo, argón, mercurio, electrodos metálicos, corriente eléctrica 35 cm x 3.50 m x 12cm Foto: Guadalupe Salcedo. Cortesía de Arte Abierto

30 May MODERN/MOTHER NATURE 🗓

Posted at 01:02h in Espacio Abierto

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GABRIELA GALVÁN

MODTHERN NATURE

06.2023 – 11.2023

Intro Bio Modern/Mother Nature Endemic plants of El Pedregal / Modern/Mother Nature, 2023

MODTHERN NATURE

Modthern Nature is a multisensorial and site-specific installation commissioned to artist Gabriela Galván (Mexico City, 1974) by Arte Abierto, with which our space is turned into an endemic and hydroponic garden which seeks to reflect upon the humanity-nature relationship, taking biodiversity and the transformation of El Pedregal as a result of modern thought as a starting point.

Modthern Nature arises from the interest in experiencing with the concept of transformation, privileging the contemplation of natural and everyday happenings through the senses. For Galván, transformation and temporality are notions which could be explored through art as fields of experimentation, investigation and knowledge, having the immediate context as reference and creating connections between living beings, places and cultures.

What we currently conceive as an urban zone, and was known in ancient Mesoamérica as Cuicuilco, was a territory which was buried by the eruption of the Xitle Volcano, provoking a volcanic landscape which we have nowadays come to witness, live in and think through. Later, during the 20th century, the area was intervened by a modern style of architecture which allows us to notice the links between natural development and human development.

The changes that the El Pedregal has undergone throughout its history allow us to think in concepts such as transformation, temporality and contemplation, which are of interest to the artist. The act of approaching this context from the vantage point of the present is not fortuitous: in the midst of our contemporary lives, it becomes urgent to contemplate the endemic nature that surrounds us in order to be able to recognize the knowledge transmitted by plants, rocks and living beings, as thus, reimagine our relationship to nature and our sense of belonging to it.

As Gabriela Galván puts forth, Modthern Nature suggests a re-enchantment with nature, but also reflects upon the importance of the sensorial aspect and our lived experience through its means. This project isn’t but a single glance at the grandiosity and complexity of El Pedregal, as guided by the knowledge of biologists, geologists, historians, landscapists and researchers who have studied the wisdoms of this historical space. This is also the first grand scale exhibition that Gabriela Galván has shown in Mexico for the past 10 years, and one of the most complex in her career.

Gabriela Galván’s exhibition, Modthern Nature, will be open from June to November 2023, Tuesday to Sunday from 12 to 7 pm at Espacio Arte Abierto located on the 2nd floor Artz Pedregal (Periférico Sur 3720 Col. Jardines del Pedregal, CP. 01900, Mexico City).

We appreciate the support and advice to make this project possible to: Eduardo Berumen, Dra. N. Ivalú Cacho González, Arq. Wilfredo Cahuantzi Sigüenza, Blga. Teresa Castaño, Bettina Cetto, Dra. Silke Cram, Ing. Antonio González Guzmán, Ing. Luis Lin, Dra. María Fernanda Martinez-Báez Téllez, Pablo Villaseñor, Facultad de Ciencias de la Tierra (UNAM), Jardín Botánico (IB-UNAM), Reserva Ecológica del Pedregal de San Ángel (UNAM) y Taller de Paisaje Entorno.

Derivas de Arte y Arquitectura MOVIMIENTO DE LA INTEGRACIÓN PLÁSTICA EN MÉXICO: MÁS QUE MURALES SOBRE EDIFICIOS Conversación con Rebeca Barquera Arte Abierto

16 May REBECA BARQUERA – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 02:06h in Public Program

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ART & ARCHITECTURE DERIVES

The Plastic Integration Movement in Mexico:

More than Murals on Buildings.

Conversation with Rebeca Barquera

The historian and researcher Rebeca Barquera joins us in this 11th Art and Achitecture Drive.

In the middle of the 20th century, the Plastic Integration movement arose in Mexico, which sought to incorporate painting and sculpture into modern constructions, with the intention of fusing art with architecture, which produced a broad debate in which multiple voices from various disciplines and with very different arguments were involved. On the one hand, there was the architects and engineers point of view, and on the other, there were the discussions between artists interested in representation, the problem of technique and reflections on the transition of the muralist movement towards the exterior.

From the Cárcamo de Dolores (1951) going through the Museo Cabeza de Juárez (1972-1976), in this Derive Barquera will address some of the representative examples that managed to question the tradition of Plastic Integration from different positions and questions about representation and abstraction, the body and the landscape, and the form and ideology of the movement itself.

The Plastic Integration Movement in Mexico: More than Murals on Buildings. A conversation with Rebeca Barquera.

Saturday, May 27, 2023
13:00h
At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
Free admission

>>
No need to register.

Rebeca Barquera
She is an art historian, researcher and teacher. PhD in Art History from UNAM, her interests focus on the study of utopias, ghosts, erasures and anonymities in modernism, as well as the intersection of art and architecture with technology and scientific discourses in the last decades of the century. XIX Century and the first half of the XX. She is currently a professor at the College of History of the Faculty of Philosophy and Letters and is doing a stay at the Institute of Bibliographic Research thanks to the Postdoctoral Scholarship program at UNAM.

IG @rbequisima
FB @rebecabarquera
TW @rebarquera

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani

March 25: Ana Garduño/ Cultural geographies: The invention of museum circuits in 20th century Mexico City

TANIA CANDIANI (MÉXICO, 1974) KIOSKO SONORO, 2018 Estructura de acero, trompetas, tubos, bases de concreto. Colección Arte Abierto

16 May METAL ON METAL ON WIND 🗓 🗺

Posted at 00:13h in Public Program

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METAL ON METAL ON WIND

PEPE MOGT & TANIA CANDIANI

KIOSCO SONORO ACTIVATION

As part of Arte Abierto’s Public Program and in collaboration with MUAC (Museo Universitario de Arte Contemporáneo), METAL ON METAL ON WIND, will take place, an outdoor sound intervention by Pepe Mogt to activate the sculpture Kiosko sonoro (2018) by Tania Candiani. This art piece is part of the Arte Abierto Collection and is comprised of a series of interconnected trumpets, which refers to the traditional kiosks in public squares. Its shape reflects on the social and cultural dynamics behind these constructions and how we appropriate them in our daily lives.

METAL ON METAL ON WIND
Kiosko sonoro activation
Pepe Mogt & Tania Candiani.

Friday, May 26, 2023
18:00h
Free
At Kiosko sonoro‘s garden, located on the 2nd floor in Artz Pedregal

Tania Candiani (Mexico City, 1974)
She lives and works in Mexico City. One of the central interests of her work is the expanded idea of translation, extended to the experimental field through the use of visual, sound, textual and symbolic languages. Many of her projects consider the universe of sound and the politics of listening as a tool capable of expanding and transforming perceptions, both human and non-human. A fundamental part of her work is related to feminist policies and practices, understanding them as a communal, affective and ritual experience. Its production usually involves interdisciplinary work groups in various fields, consolidating intersections between art, literature, music, architecture, science, and labor, with an emphasis on ancestral knowledge and techniques, technologies, and their history in the production of knowledge. She is a member of the National System of Art Creators of Mexico; she is a recipient of the Guggenheim Fellowship in the Arts, the Smithsonian Institution Research Grant for Artists; she is an artist-in-residence at the Arts at CERN program, in Geneva, Switzerland. In 2015 she represented Mexico at the 56th Venice Biennale. Her work has been exhibited internationally in museums, institutions and independent spaces, and is part of important public and private collections.

taniacandiani.com/
IG: @tcandiani

Pepe Mogt
He is an electronic musician from Tijuana, seed of sound and creator of the Nortec concept. Today he experiments as a soloist in other sound and visual fields. As a producer and composer, his works are a mix of Techno with ambient progressions and have taken him to festivals such as MUTEK (Tokio, Montreal, Mexico), Glastonbury, FUSION (Germany), CRSSD (CA), SXSW (Austin) among others. in addition to various nightclubs from around the world. With Nortec Collective 2 Grammy nominations and 3 Latin Grammy Nominations.

IG: @pepemogt

METAL ON METAL ON WIND Tania Candiani & Pepe Mogt Activación de Kiosko Sonoro Arte Abierto

Modern / Mother Nature. Gabriela Galván. Arte Abierto. Foto Guadalupe Salcedo

11 May GABRIELA GALVÁN IN ARTE ABIERTO 🗓 🗺

Posted at 01:15h in Noticias

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GABRIELA GALVÁN:

MODTHERN NATURE

NEXT IN ARTE ABIERTO

Arte Abierto once again transforms its exhibition space with a project commissioned to mexican artist Gabriela Galván, a multisensory installation composed by living nature.

Modthern Nature by Gabriela Galván, a site-specific installation in which Arte Abierto is transformed into a natural and sensorial hydroponic garden, that seeks to generate cognitive, contemplative and imaginative experiences around nature and our belonging to it. In addition, for the first time an Arte Abierto exhibition extends to the public space of Artz Pedregal with a natural and artistic garden.

The proposal takes El Pedregal as a starting point as a site that has been transformed throughout history, beginning with the construction of Cuicuilco, one of the most important and ancient cities in the Valley of Mexico (800 BC – 250 AD), buried by lava caused by the eruption of the Xitle volcano and whose effect resulted in a volcanic landscape that we can still witness, live and think about. Another key reference is the modernist architecture of the mid-twentieth century that was developed in this area and that responded to a process of modernization of the city, which allows us to think about the different transformations that the Pedregal area has undergone in its different temporalities. Some examples are the Casa Estudio Max Cetto and the Casa Cueva de Juan and Helen O’Gorman, where the architectural forms responded to the foundations of the volcanic terrain and in which gardens with rocks and endemic plants of the area were designed, thus showing, the integration between nature and human development.

For press release, click here.

Gabriela Galván (Mexico City, 1974)
Artist and art educator. Her work focuses on exploring the concept of transformation through different media such as installation, public art, sculpture, video, drawing, design, and performance. She is interested in the processes of study, production, dialogue, and interaction that involve interconnectivity and the open exchange of ideas and sensory experiences. She is currently focused on processes of exploration of time, to develop a body of work in relation to flowers and living plants.
Her work has been part of exhibitions in museums and galleries such as the Museo Nacional de Arte Reina Sofía (Spain), the Kunsthaus Baselland (Switzerland), the Künstlerhaus Bethanien (Germany), the Museo Tamayo, the Museo de Arte Moderno (MX), the Museo Carrillo Gil, Sala de Arte Público Siqueiros and the Museo de la Ciudad de México, to name a few. As an art educator, she has been a visiting professor at the FHNW Academy of Art and Design in Basilea, Poznań University of Fine Arts, the New York Fashion Institute of Technology, and the Brooklyn College (CUNY), among others. She currently lives and works in New York.

IG @gabriela_galvan_artist

Modern / Mother Nature. Gabriela Galván. Arte Abierto. Foto Roberto Velázquez

Paisajes portátiles. Taller de papalotes impartido por Cristina Torres. Programa Público Arte Abierto

20 Apr PORTABLE LANDSCAPES. KITE WORKSHOP FOR KIDS 🗓 🗺

Posted at 03:11h in Public Program

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PORTABLE LANDSCAPES

KITE WORKSHOP FOR CHILDREN

Taught by Cristina Torres

For the kid’s kite workshop: Portable landscapes, we have scheduled 2 days of workshops.

Saturday, April 29, 2023.
Sunday, April 30, 2023.
13:00h – 14:30h
At Jardín Arte Abierto**, located on the 2nd floor at Artz Pedregal.
Limited space | Pre-registration here.
For children between 6 and 12 years old, accompanied by a member of their family.
Free.

A workshop for children to teach them how to design landscapes with which they will create their own kites. Based on experimental observation exercises, we will explore elements such as light, color, words and geometry, to create free compositions. This way the participants will have a landscape to carry, remember and play.

We will make our creations fly!

** ** We will meet at 12:50 pm at Jardín Arte Abierto, located on the 2nd floor of Artz Pedregal.

We recommend you to wear comfortable clothes and a cap.

During the workshop, the children must be accompanied at all times by their mother, father or an adult companion.

Cristina Torres(CDMX, 1989).
Independent curator, specialist in artistic mediation, writer and artist. She is co-director of the Experimental Writings Project, a self-managed space dedicated to exhibiting and managing proposals at the intersections between art, the gender perspective and experimental pedagogies. As a curator, she has articulated the exhibition projects Inter/medio together with Laura Orozco (ESPAC, 2019-20); Conexiones naturales. Arte * Vida, co-curated with Esteban King (Centro Cultural Xavier Villaurrutia, 2019); and Doble crimen (MULF, 2020).
She has collaborated with the development of learning programs in various contemporary art institutions and museums in Mexico, such as the Museo Jumex, Museo Tamayo, MUNAL, Museo Internacional del Barroco, and InSite Casa Gallina. Her work as an artist has been presented in the group exhibitions En el borde terrenal del cielo (La Nao Galería, 2022), Le teme a la noche quien olvida (Córdoba Lab Oaxaca, 2021), Franziska Imagen en Movimiento (Espacio Marte 221, 2020), Diario Público (@diariopublicco, 2020), among others.

IG @mariac.cairam_

Morpho de Anibal Catalan Antara / Arte Abierto

18 Mar MORPHO – ANIBAL CATALAN 🗓 🗺

Posted at 03:26h in Noticias

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MORPHO

ANIBAL CATALAN

Morpho is a sculptural installation, especially conceived for the architectural space of Antara Polanco and developed in collaboration with Arte Abierto.

In Morpho, the Mexican artist Anibal Catalan takes as a reference the natural forms of the tiger dragonfly and the colors of the painting Yellow Landscape (1908) by the Russian artist Kasimir Malevich, to create a structure that allows the viewer to relate sensitively and spatially with the place that inhabits and travels. The side walls use the same shapes and colors in composition, creating a dialogue between the two-dimensionality of the murals and the three-dimensionality of the installation.

Morpho opens to the public in the main access tunnel of Antara and will be temporarily from Thursday March 23 to May 31, with free access.
To download Arte Abierto’s press release of Morpho click here.

To enter the Antara’s Morpho Press kit click here.

Anibal Catalan (Iguala, Guerrero, 1973)
Estudied Plastic Arts at the National School of Painting, Sculpture and Engraving “La Esmeralda”. He was founder and member of the collective project GL Mutante (2003) and was part of the advisory committee of the Alterna y Corriente (2009) space in Mexico City. His work is based on a reflection on space and architecture, through painting, sculpture, video and installation, as well as site-specific projects and public spaces. Throughout his career, he has been part of individual exhibitions places like the MuseumsQuartier (Viena), Museo de la Ciudad de Querétaro, Polyforum Siqueiros, CAN Foundation (Seúl); de manera colectiva, su obra se ha presentado en el Museum Gyeonggi (Corea del Sur), Museo de Arte Moderno (México), MARCO, San Diego Art Institute as well as in biennials such as the Tamayo Biennial, the Photography Biennial at Centro de la Imagen, Istanbul Design Biennale, among others.

IG @anibalcatalanstudio

Morpho de Anibal Catalan Invitación Antara / Arte Abierto

14 Mar ANA GARDUÑO – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 17:51h in Public Program

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ART & ARCHITECTURE DERIVES

Cultural geographies:

The invention of museum circuits in 20th century Mexico City.

A conversation with Ana Garduño

We restart our program Art & Architecture Derives. On this occasion we are accompanied by the historian and researcher Ana Garduño.

Have you observed how there are museum circuits in certain areas of Mexico City?

Join us in this 10º Art and Architecture Derive. Ana Garduño will talk about the various museum projects and “Cities of the Arts” that emerged throughout the 20th century in Mexico: from utopian proposals to completely feasible, passing through the Olinka of Dr. Atl or the City of Museums and Arts by Diego Rivera, until reaching projects such as the National Museum of Anthropology. Throughout this period, the urban process of Mexico City had an impact on the cultural infrastructure and produced an expansion of museums that went from the central zone to the south or Chapultepec.

The appearance of the new museum circuits, in addition to grouping in specific territories, promoted the strengthening and emergence of networks of art galleries and cultural centers in surrounding areas. These new circuits, in turn, fostered a certain cultural invisibility of other areas (north, east, west) and their erasure in the artistic life of the inhabitants of the city.

Cultural geographies: The invention of museum circuits in 20th century Mexico City..
A conversation with Ana Garduño.

Saturday, March 25, 2023
13:00h
At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
Free admission

>>
No registration needed.

Ana Garduño
Es doctora en Historia del Arte por la UNAM e investigadora del INBAL. Actualmente es profesora de la maestría en Historia en la Facultad de Filosofía y Letras, UNAM, y de la maestría en Estudios y Prácticas Museales de la Escuela Nacional de Restauración del INAH. Ha sido curadora de exposiciones temporales en diversas instituciones, como el Museo Nacional de San Carlos, el Museo del Palacio de Bellas Artes, el Museo de Arte Moderno y el Museo de Arte Carrillo Gil. Sus líneas de investigación son la historia y el análisis del sistema de museos en México, el coleccionismo de arte y las políticas culturales.

IG @anagard_o