Naturaleza Tag

ART & ARCHITECTURE DERIVES

The garden as an extension of nature

A conversation with Tonatiuh Martínez | Taller de Paisaje Entorno

Within any architectural, housing or urban approach, an environment is always present: a mixture of material, natural, climatic or symbolic aspects that are linked to each other. Landscape architecture projects make buildings and nature coexist and find a real and functional connection. There are gardens that produce aromas, disorganized or minimalist gardens, gardens with microfauna or gardens where architecture is not present, but how to generate atmospheres and sensations of nature with a landscape linked to an architectural project or without it? What aspects are taken into account to ensure that an open space or a garden has the necessary elements so that it relates and links as much as possible with the daily reality of its environment and its nature?

In this Derive we will explore the processes carried out by the Taller de Paisaje Entorno, a landscape architecture office located in Mexico City and formed by an interdisciplinary team of architects, landscapers and artisans, who are dedicated to design, development, execution and advice on landscape projects at an architectural, urban and regional scale. From the hand of its founder, Tonatiuh Martínez, we will learn how it was possible to develop landscape projects in places with particular characteristics and needs, taking into account the site program, orientation, views, complementary information such as background of the place, photos and documents that They feed back the criteria to resolve a proposal. Taller de Paisaje Entorno has been behind some projects such as the conservation of the scree of the Museo Universitario Arte Contemporáneo (MUAC), the Vasconcelos Library open garden, the restoration project of the stone and native landscape of the Anahuacalli Museum that they carried out in collaboration with Mauricio Rocha , the rescue of the scree at Casa Pedregal by Luis Barragán, or the installation Modthern Nature by Gabriela Galván in Arte Abierto.

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The garden as an extesion of nature.
A conversation with Tonatiuh Martínez | Taller de Paisaje Entorno

  • Saturday, September 30, 2023
  • 13:00h
  • At Arte Abierto, located on the 2nd floor of Artz Pedregal
  • Free admission

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No registration needed.

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Tonatiuh Martínez(Monterrey, Nuevo León, 1962)
Self-taught since the 80s in the field of landscape, biology and botany. Founder of Taller de Paisaje Entorno, whose objective is to generate projects, consultancies, workshops and exhibitions in the field of landscape architecture both nationally and internationally for architecture offices, public and private institutions, as well as individuals. Martínez is the founder of the only landscape workshop in Mexico, an alternative place to the office located in Xochimilco, with the purpose of disseminating, promoting and physically showing the design of different spaces, showing the diversity of plant species that are used in the projects, as well as all the materials involved in their execution with an artisanal character and binding to the work of the landscape.

IG @tallerdepaisajentorno
IG @tonatiuhh.martinez

Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Julián Arroyo Cetto/ Max Cetto in the beginning of El Pedregal.

July 29: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.

August 26: Arturo Rivera García y Roberto Bustamante Castrejón/ Jardines del Pedregal Legacy: Memory and Identity.

26 de agosto: Arturo Rivera y Roberto Bustamante/ Jardines del Pedregal Legacy: Memory and Identity.

ART & ARCHITECTURE DERIVES

Jardines del Pedregal Legacy: Memory and Identity

A conversation with Arturo Rivera García and Roberto Bustamante Castrejón

In a Mexico City that does not stop growing, the Jardines del Pedregal Legacy emerges as a cultural diffusion project about the architecture, landscape and history of El Pedregal to raise awareness about the cultural and artistic value of its buildings and the neighborhood. It is also a search to share with its inhabitants the cultural importance of the houses they inhabit, together with their volcanic rock gardens.

In this Derive we will be able to learn more about this project which has reactivated local identity and memory, from a photographic exhibition and document reprography, and the creation of a digital archive that, in addition to collecting historical information from professional archives and of original families of the community, contemplates the documentation and registration of plans and current photographs of the buildings and gardens that continue to exist with a significant degree of conservation. At the same time, this archive is also carrying out records of contemporary buildings that reinterpret the modern architecture with which the subdivision was built and characterized.

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Jardines del Pedregal Legacy: Memory and Identity.
Arturo Rivera García y Roberto Bustamante Castrejón.

  • Saturday, August 26, 2023
  • 13:00h
  • At Arte Abierto, located on the 2nd floor of Artz Pedregal
  • Free admission

>>
No registration needed.

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Arturo Rivera García
He is an architect graduated from the Faculty of Architecture of the UNAM. He has also taken several photography courses and diplomas at the Active School of Photography and at IMMAGINI. He works as a teacher at the SEP and teaches the subject of Visual Arts. He is currently doing a master’s degree in architecture in the area of knowledge of Restoration and Rehabilitation of architectural heritage at UNAM, and directs the cultural project Legado Jardines del Pedregal. Since 2017, he has dedicated himself to research and has been involved in projects related to the Pedregal de San Ángel. He has also collaborated with FUNDARQMX and the Bitácora Arquitectura Magazine of the Faculty of Architecture of the UNAM, to discuss and disseminate the architectural heritage of Jardines del Pedregal.

IG @JardinesDelPedregalExpo
IG @ArturoRivera.arq

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Roberto Bustamante Castrejón
He has a degree in Information Sciences and Techniques from the Universidad Iberoamericana, and is dedicated to real estate development. He is president of the Jardines del Pedregal A.C. Citizen Observatory. and member of the Community Participation Commission 2023. For several years he has been involved in current regularization projects in the Jardines del Pedregal urbanization, in addition to promoting the conservation of the architectural legacy of Pedregal. He has lived in the Pedregal since 1958 and is a member of the second generation of the creators of Jardines del Pedregal, linked to the architect Luis Barragán.

IG @robertombustamante

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Julián Arroyo Cetto/ Max Cetto in the beginning of El Pedregal.

July 29: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.

August 26: Arturo Rivera García y Roberto Bustamante Castrejón/ Jardines del Pedregal Legacy: Memory and Identity.

ART & ARCHITECTURE DERIVES

The eco-aesthetics of  El Pedregal and the constructive botany in Mexico megacity

A conversation with Peter Krieger

With the participation of Juan José Kochen

This talk explores the urban-natural and artistic-architectural relationship of the Pedregal de San Ángel Ecological Reserve (REPSA), a unique reserve in the world that is located within Ciudad Universitaria and that protects an extraordinary fund of biodiversity stressed by the current unsustainable development of the mega city of Mexico.

Thanks to the fact that it is a place where the city, wild vegetation and volcanic rock remnant of the eruption of the Xitle volcano coexist, it has functioned as a didactic enclave that has been a source and inspiration for works of contemporary art such as STRATUM by Luis Carrera-Maul (MUCA Campus, 2022) or Modthern Nature by Gabriela Galván (Arte Abierto, 2023). It has also been the setting for imagining a new type of architecture that leaves only a minimal ecological footprint: constructive botany, a model created by the German architect Hannes Schwertfeger, who introduced it to Mexico in 2022 in a workshop given at UNAM.

This Derive reflects on how architecture, art and nature find points of confluence to think about our environmental responsibility as current inhabitants of the basin of Mexico and the world.

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The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico..
A conversación con Peter Krieger.

  • Saturday, July 29, 2023
  • 13:00h
  • At Arte Abierto, located on the 2nd floor of Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Peter Krieger
He is a PhD in Art History from the University of Hamburg, Germany, a researcher at the Institute for Aesthetic Research and a professor at UNAM’s Postgraduate Studies in Architecture and Art History. He has conducted research and publications on aesthetics, history, theory, ecology, and political iconography of architecture, cities, and landscapes. He is currently working on a book about the Pedregal de San Ángel Ecological Reserve. From 2004 to 2012 he was vice president of the International Committee for the History of Art (CIHA / UNESCO) and from 2010 to 2018 member of the Outdoor Advertising Commission, Ministry of Development and Housing, Government of Mexico City. During 2016 and 2017 he was visiting professor at the universities of Hamburg / chair Aby Warburg, Tübingen and Regensburg.

www.peterkrieger-ecoaesthetics.com/

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Juan José Kochen
Architect and publisher. He studied Architecture at the Faculty of Architecture of the National Autonomous University of Mexico (UNAM), Journalism at the Carlos Septién García School of Journalism and a master’s degree in Analysis, Theory and History of Architecture at UNAM. He wrote for the newspaper Reforma, was editor of Arquine, consultant to the General Subdirectorate of Sustainability and Technology of Infonavit, fellow of the National Council of Science and Technology (Conacyt), of the Graham Foundation for Advanced Studies in the Fine Arts and of the Youth Program Creators of the National Fund for Culture and the Arts (FONCA) on two occasions. He is the author of La utopía como modelo, a professor at the Universidad Iberoamericana and collaborator of the Sordo Madaleno Foundation.

TW @kochenjj

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.