Arte Contemporáneo Tag

UGO RONDINONE

long last happy

   FEB.09.2025 – APR.27.2025

long last happy is an exhibition by Swiss contemporary artist Ugo Rondinone featuring works inspired by the principles of three celestial forces of the natural world: the sun, the moon, and the rainbow. Through these large-format sculptures and the activation created by 1600 children from diverse backgrounds, Rondinone explores the natural world and leads us to a reflection on human spirituality: solace and regeneration.

long last happy

“The natural world has held a place of great importance for my artistic practice across several decades. During the AIDS crisis in 1989 and after my partner Manfred Welser died of AIDS-related illness, I turned away from grief and found in nature a spiritual roadmap for solace, regeneration, and inspiration. In nature, you enter a space where the sacred and profane, the mystical and the mundane, vibrate against one another.

 

The exhibition at Arte Abierto is built upon the principles of three celestial forces from the natural world: the sun, the moon and the rainbow.

 

the sun and the moon (2022), are formed with delicate circles fashioned from castbronze tree branches, one gilded and the other silver leaved. The twin sculptures are both over sixteen feet tall. Installed parallel to one another, the sun and the moon are aligned along an east-west axis of Arte Abierto’s space, resembling portals or apertures.

 

Like the cycle of day and night, these two archetypes represent contradictory, codependent and complementary values. We can think of the sun and the moon as our metaphorical eyes. When the two principles marry, visions become binocular; that is; two visionary bodies of being integrate into one mysterious whole. Based on each one’s unique vision, the sun and the moon bring in different information that contributes to the vision guiding this exhibition and our own wild life.

 

These two sculptures are accompanied by two interactive artworks; your age and my age and the age of the sun (2013–ongoing) and your age and my age and the age of the moon (2020–ongoing). The visitors will find, behind a magic door, two rooms filled with thousands of images of the sun and the moon painted by children from all over Mexico. When I visited the space of Arte Abierto, I determined that public engagement would be one of the key aspects of the exhibition.

 

Acknowledging the Foundation’s interest in developing country-wide networks, I asked that my project should be far-reaching. Assisted by Arte Abierto’s Public Program department, I engaged 1,600 children from diverse backgrounds, including children with physical and developmental disabilities, and others from a range of socio-economic realities. Each child was invited to create a drawing for the installation with the promise that there would be no curatorial intervention and every sun and moon drawing produced would be presented.

 

Outside the exhibition space, on the rooftop, stands LONG LAST HAPPY (2020), a tenmeter-long neon, whose rainbow-striped letters spell out a poetic statement addressed to passers-by. This message of eternal bliss is timeless and unites people over millennia and continents. A rainbow is a bridge that unifies everything with everyone.”

– ugo rondinone december 2024

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Thank you to all the children from: AMPRE A.C. – ARTelier – Cedros International School: Taller de Artes Plásticas – Centro Educativo EXEA: 1ro, 2do, 3ro, 4to, 5to, 6to – Centro Urbano Presidente Alemán: 1A, 1B, 2A, 2B, 3A, 3B, 4A, 4B, 5A, 5B, 6A, 6B – Colegio Akil Bilingüe: 1ro, 2do, 3ro, 4to, 5to, 6to – Colegio del Valle: Prefirst, 1ro, 2do, 3ro, 4to – Colegio Giocosa: 1A, 1B, 2A, 2B, 3A, 3B, 4A, 4B, 5A, 5B, 6A, 6B – Colegio Junípero – Elementary School: PFA, PFB, PFC, 1A, 1B, 1C, 2A, 2B, 2C, 3A, 3B, 3C, 4A, 4B, 4C, 5A, 5B, 6A, 6B – Colegio Junípero – Preschool: PKA, PKB, PKC, KA, KB, KC, PPA, PPB, PPC, PPD – Colegio Montessori Itkan Ikal: Taller 1 y Taller 2 – Colegio Sagrado Corazón: 1A, 1B, 2A, 2B, 3A, 3B, 4A, 4B, 5A, 5B, 6A, 6B – Colegio Suizo de México A.C.: 3A, 4A, 5B, 6B – Estudio Nómade – Fundación Hogar Dulce Hogar I.A.P. – Green Gather: Squirel, Bengal Tiger, White Tiger, Bears, White Wolf, Black Wolf, Woodpecker Blue, Woodpecker Green, Black Puma, Golden Puma – Hogar “Las Nieves” A. C. – La Salle Pedregal: Taller de Arte y Diseño – Liceo Franco-Mexicano: CPE, CPF, CM1C – Más Arte Academia – Nahualita – Adriana Segura (Madre de familia) – Taller de Arte Infantil Club France.

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Visit long last happy by Ugo Rondinonefrom Tuesday to Sunday from 12 to 7 pm at Arte Abierto located on the 2nd floor at ARTZ (Periférico Sur 3720 Col. Jardines del Pedregal, CP. 01900 Mexico City.

Free admission.

UGO RONDINONE

long last happy, 2020

Neon, acrylic glass, translucent foil, aluminium.

Ugo Rondinone uses poetry and language as a basis to explore emotions that deeply impact human beings. LONG LAST HAPPY (2020), a ten-meter-long neon sign made up of rainbow-striped letters, is part of his Rainbow poems series. The title of the piece refers to a collection of short stories by the writer Barry Hannah.

For Rondinone, this piece is a poetic statement addressed to passersby, a message of eternal happiness that is timeless and unites people across millennia and continents.

A rainbow is a bridge that unites everything with everyone.

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UGO RONDINONE

(Switzerland, 1964)

Recognized as one of the major voices of his generation, Rondinone is an artist who composes searing meditations on nature and the human condition while establishing an organic formal vocabulary that fuses a variety of sculptural and painterly traditions. The breadth and generosity of his vision of human nature have resulted in a wide range of two-dimensional and three-dimensional objects, installations, videos, and performances. His hybridized forms, which borrow from ancient and modern cultural sources alike, exude pathos and humor, going straight to the heart of the most pressing issues of our time, where modernist achievement and archaic expression intersect.

Ugo Rondinone was born in 1964 in Brunnen, Switzerland. He studied at the Universität für Angewandte Kunst in Vienna before moving to New York in 1997, where he lives and works to this day. His work has been the subject of recent institutional exhibitions at Belvedere, Vienna (2021) Tamayo Museum, Mexico City, Schirn Kunsthalle, Frankfurt, Petit Palais, Paris, Scuola Grande San Giovanni Evangelista di Venezia, Venice (2022), The Musée d’Art et d’Histoire, Geneva, Storm King, New York, The Städel Museum, Frankfurt (2023), Museum SAN, Wonju, Museum Würth 2 and Sculpture Garden, Künzelsau, The Kunstmuseum Lucerne, Switzerland and Aspen Art Museum, Colorado (2024). In 2007 he represented Switzerland at the 52nd Venice Biennale.

ugorondinone.com/
@ugorondinone0

UN LIBRO ES…

UN LIBRO ES… AN ENCOUNTER.UN ENCUENTRO

Un punto de encuentro para conversar, celebrar y difundir el gusto por los libros y los formatos impresos

Arte Abierto termina el año con la cuarta edición de su feria editorial Un libro es…

Un libro es… es mucho más que una feria, es un punto de encuentro en el sur de la CDMX donde cada año el público tiene la oportunidad de conversar, celebrar y difundir el gusto por los libros y los formatos impresos. Este 2024, nos reuniremos en nuestro jardín para disfrutar de un ambiente acogedor, en el que los visitantes podrán descubrir propuestas editoriales, participar en actividades y sumergirse en el mundo del arte editorial.

Acompáñanos en esta celebración del libro y la lectura.

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SAT.DIC.07.2024
13:00 – 19:30 h
Free admission
Arte Abierto Garen | 2 floor – ARTZ

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PARTICIPATING PUBLISHERS AND PROJECTS

Brillantinas MUAC

A collective space for digital, pedagogical and management experimentation with a gender perspective. This multidisciplinary program has explored various methods through social networks to strengthen the museum with a young and not so young public, generating a sense of belonging by building bridges with digital, ecological, esoteric, kawaii, queer, non-binary and anti-patriarchal practices.

@brillantinas_muac

muac.unam.mx/las-brillantinas

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Cafeleería

Read and laugh at Cafeleería.

Cafeleería is a cultural center, bookstore and cafeteria in the Municipality of Coyoacán, dedicated to the sale, dissemination and activation of books, printed materials and editorial projects that are unique, original and different from those of large bookstores.

@cafeleeria

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Estudio Nómade

Estudio Nómade is a project by Elvia González and Carlos Villajuárez who combine their multiple disciplines to generate a space for creation, play, imagination, exchange of ideas, art and speculation.
Within the studio they put into practice exercises that combine different disciplines such as: visual arts, cinema, theater, literature, illustration and editorial design; in order to achieve a novel and playful space, where participants can discover other ways of creating and put it into everyday practice.

Within the development of the workshops, dynamics of integration, participation and collaboration are established. Where creative capacity and sensitivity stand out as something natural in each one of us.

@estudio___nomade

www.estudionomade.co

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Fulgencio Pimentel

An independent publisher, originally from Spain and focused on the high-quality edition of fiction, graphic novels, poetry, art books and illustrated books, for all ages. Their policy is to be faithful to artistic principles.

fulgenciopimentel.com/

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GLACIAR. Frozen books

This is a bookstore/ice cream shop located in the San Rafael neighborhood. Its editorial selection focuses on independent publications and includes art books, narrative, essays, poetry, illustration and others that break away from genres.

@libroshelados

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Museo de Arte Carrillo Gil

At MACG Ediciones, publications are understood as a powerful tool to broaden the scope and deepen reflection on artistic discourses. Their collection is nourished by the exhibition and educational programming of the Carrillo Gil Art Museum. MACG Infantil is an editorial series that calls upon writers, artists, and illustrators to create narratives inspired by the works of the museum’s founding collection. Together, they seek to promote reading, imagination, and an approach to art from childhood.

@museocarrillogil

museodeartecarrillogil.inba.gob.mx

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piedra ediciones

A series of artistic projects that use printed publications as a means of circulation, turning each copy into a multiple and simultaneous piece. Each title is the result of collaboration and curatorial/editorial support, thus generating a collection of book-works that can be read, circulated and distributed in environments accessible to a wide audience and not just as unique objects.

piedra ediciones is a project by Alfonso Santiago.

@piedraediciones

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Trece Ojos

Editorial production and risographic printing studio, located in Mexico City. Since its founding in 2020 and with an emphasis on personal narratives and those of the LGBTTI+ community, this project seeks to materialize the stories and accompany the processes and concerns of its collaborators.

@trece.ojos

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Young Collectors

A platform dedicated to the dissemination of visual creators. It seeks to generate new collectors and give space to young artists in Mexico through exhibitions, collaborations, PopUp Shows and consultancies. They like to rethink and produce the spaces and typologies in which creatives meet, dialogue, build or imagine together.

@youngcollectorsmx

www.youngcollectors.com.mx

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Arte Abierto

Fundación Arte Abierto own seal and editorial line which seeks to reflect on contemporary art practices, based on publications that arise from its own exhibition projects. Through editorial exercises that try to expand the writing of art and put it in dialogue with other disciplines, as well as to think of the book as a space of creation and knowledge, their books delve into the artistic and conceptual proposals of the exhibitions commissioned and are presented specifically for Arte Abierto’s space.

@arte_abierto

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Join us and spend time together among books.

A book is… the best way to celebrate 2024.

Learn about Arte Abierto’s Editorial Program at the Polyforum Siqueiros.

  • Arte Abierto participates in the 2nd edition of Pie de Imprenta.
  • Arte Abierto presents its editorial project.
  • Pie de Imprenta is a traveling art book fair organized by ESPAC.

 

Mexico City, November 10, 2024.- The Arte Abierto editorial project will participate in the 2nd edition of Pie de Imprenta with four publications: Luz Instante, Things We Do for Love, Modern Nature and Cositas. Arte Abierto’s editorial project is to offer books that generate free discussions about the exhibitions commissioned by the Foundation. More than a catalog or artist’s book, it is an extension of the exhibition that opens up to dialogue, to different points of view.

Pie de imprenta is a traveling art book fair organized by ESPAC. The second edition will take place on Saturday, November 16, 2024 from 11 a.m. to 7 p.m., at the Polyforum Siqueiros facilities. This edition will feature more than 60 national and international exhibitors, a rich public program that includes talks, workshops and activations.

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SAT.16.NOV. 2024
11:00 – 7:00 p.m.
Polyforum Siqueiros (Av. Insurgentes Sur 701, Nápoles, CDMX. Entrance through Filadelfia)
Free admission

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PARTICIPATING PUBLISHERS
Alacraña / Libros de Mano, Alias editorial, Analog Typologies, Arte Abierto, Beibi Creisi, Bienal Tlatelolca, Big Sur, Brillantinas MUAC, Can Can Press, Casa Bosques Librería, Casa Gallina, Centro de la imagen, Cuadernillo de dibujo, DINAMITA, Doroteo y el conejo de la Luna, eco hace troje, Ediciones de Interés General / Nuevo Orden, Ediciones MACG, Ediciones sin resentimiento, Ediciones Vorágine Urbana / Saca la Lengua Fanzine, ESPAC, Fauna, Festina Publicaciones , FIEBRE Ediciones, Formas Nómadas, Fundación Jumex, Galería Mal d3 ojo, Gato negro ediciones, GLACIAR LIBROS HELADOS, Gris Tormenta, HagoLibros / eKphrasis, Hasard ediciones , Hyper-vinculo, Impresos México / Miau Ediciones, Juan de la Cosa, Kobayashi Books Press, La Duplicadora, Luxpluslux Editorial, Malviviente, Merlina, librería anticuaria, Mi Valedor, MONOMÁNTICO, Museo Universitario de Arte Contemporáneo, Máquina de aplausos, Nadie Distribuye, NIXXXON | PARALELO, OMG PRESS, piedra ediciones, Pinche Chica Chic, Pitzilein Books, Roga Ediciones, S.AR.A., Servidor Local, SILVESTRE, Studio H13, Suave, taller de ediciones económicas, Temblores Publicaciones, Trece Ojos, Triste Club y Tristes Trópicos Editorial.

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ESPAC

Non-profit organization dedicated to the study, dissemination, and promotion of current artistic production based on multiple readings and approaches to its collection and the needs of Mexico’s artistic community. Our projects and mission have taken a collaborative approach over the years. The curatorial discourse has been nurtured by the interests of each member of the team, as well as by the traces left by our collaborators.

espac.org.mx/
IG: @espacmx

Lanzamiento del libro Cositas y clausura

  • The launch of the book Cositas is August 10th. Mario García Torres will be attending.
  • Cositas exhibition by Mario García Torres last day will be August 11, 2024.
  • Composed of 6 works designed for the Arte Abierto Cositas is García Torres’ first solo exhibition outside of conventional art spaces.

 

Mexico City, August 6, 2024.- Regarding the end of Cositas, Arte Abierto and Mario García Torres announce the publication which emerges from the exhibition, with a get-together that moves away from conventional book presentations. General public is invited this August 10th starting at 1:00 pm to visit Cositas before its closing, which is on Sunday, August 11th.

The book will be on sale starting August 6, 2024. There will be a discount on the purchase of the book during the closing week of Cositas.

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Cositas by Mario García Torres is an exhibition that links together different moments in history, as well as different images, characters, musical references and ways of perceiving and reading the signals of the world around us. In its rooms, the music that resonates in the installations are key, traveling throughout the space to intersect between the corridors.

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MARIO GARCÍA TORRES

COSITAS   JAN.19.2024 – AUG.11.2024

COSITAS

Cositas is a conceptual and audiovisual experience experience that takes references from popular culture to question our interpretations of reality.

“I wouldn’t want to say too much. I trust that the materialization of the ideas put forth in these exhibition rooms has the potential to be connected to the most fundamental questions about our lives and their everyday natures. At the center of them lies the one that is related to our interpretation of reality. Which interpretation is the one that is true? The one we’ve been told or the one we build with our thoughts? Small Things is the passage of a certain number of experiences that at one point in the past were only small things; ideas in my mind which held the promise of, in a near future, coming into existence.”

Mario García Torres

Cositas takes its name from a phrase that became popular on open television during the 90s to generate expectations around a future event, and which has currently gained great popularity on social networks without losing its original spirit: “se vienen cositas” (things are coming). Based on this idea, García Torres presents 5 artworks that take as reference a world-renowned comic character – which this year becomes a public domain image -, the song of a popular rock band from the 80s, the aesthetics of the photocopier as a pictorial practice, and memes and videos that today form part of our collective imagination due to their viral circulation on social networks.

With this project, the artist plays with the idea of audiovisual experiences intended for mass audiences, taking into account the particular context in which Arte Abierto finds itself. In this way, Cositas invites us to question the dynamics of consumption today, our role as spectators and co-creators of meaning, and the coincidences that exist between images and everyday life: How is it that a child’s fall can be as relevant as a historical fact? How does a famous comic character allow us to remember so many stories? How can a meme be recreated so many times, becoming increasingly viral for different generations and social spheres? How do these images impact and change language? Or, more importantly, who creates the images? Who defines the concept or who gives them meaning?

Thus, through a game marked by intuition, suspicion, mystery and humor, Cositas addresses the relationships that exist between reality and the perception of our daily lives, the collective imagination and individual memory, as well as the absence and presence of our thoughts.

 

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Works in the exhibition

Yo lo había ponido aquí (I Had Put It Here), s/f
Synthetic material and electrical mechanism

Cayendo juntos en el tiempo (Falling Together in Time), s/f
Video, 15 min

La razón de ser de esta pieza aparecerá lentamente en la medida en que lo permitas (Fuk1ng Amaz1ng), s/f
Printing on ceramic mosaics

El puente de Edgar (You Should Check Out an Old YouTube Video Titled “Edgar Se Cae”), s/f
Fiberglass, resins, and wax

No hay razón para tener miedo (There Is No Reason to Be Afraid), s/f
Video, audio, 4 min

He decidido honrar cada una de las veces en que me leíste y decidiste no reaccionar convirtiéndolas en una linda obra de arte (I Have Decided to Honor Each Time You Read Me and Decided Not to React by Turning Them Into a Beautiful Work of Art), s/f
Offset printing on paper on linen

 

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Visit Cositas by Mario García Torres from Tuesday to Sunday from 12 to 7 pm at Arte Abierto located on the 2nd Artz Pedregal (Periférico Sur 3720, Col. Jardines del Pedregal, CP. 01900 Mexico City).

UN LIBRO ES…

UN LIBRO ES… AN ENCOUNTER.

With a selection of independent publishers and projects who have explored and played with book formats + Activities for children.

Our gathering and editorial sale, Un libro es… (A book is…) by Arte Abierto, reaches its third edition with a selection of publishers, bookstores and projects focused on the art of the book, with whom we will meet in our garden to talk, celebrate and spread the power of written and visual stories.

In addition, we will have a special selection of books and literature for girls and boys, as well as workshops with Estudio Nómade and a storyteller by the Navegui Bookstore for the young readers.

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SAT.DEC.09.2023
14:00 – 19:30 h
Free admission
Arte Abierto Garden | 2º floor – Artz Pedregal

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PARTICIPATING PUBLISHERS AND PROJECTS

Arte Abierto

Fundación Arte Abierto own seal and editorial line which seeks to reflect on contemporary art practices, based on publications that arise from its own exhibition projects. Through editorial exercises that try to expand the writing of art and put it in dialogue with other disciplines, as well as to think of the book as a space of creation and knowledge, their books delve into the artistic and conceptual proposals of the exhibitions commissioned and are presented specifically for Arte Abierto’s space.

@arte_abierto

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Assouline

Founded in Paris in 1994 by Prosper and Martine Assouline, Assouline is the first luxury brand on culture. It began with the desire to create a new, contemporary style of book, using the couple’s experienced eye for visually rich stories and compelling narratives.

@assouline

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Buen Trabajo

Design and fashion.

@buen.trabajo

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Cafeleería

Read and laugh at Cafeleería.

Cafeleería is a cultural center, bookstore and cafeteria in the Mayor’s Office of Coyoacán, dedicated to the sale, dissemination and activation of unique, original and different books, printed matter and editorial projects from those of large bookstores.

@cafeleeria

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Estudio Nómade

This project emerges during the pandemic as a catalyst for children in confinement. Estudio Nómade proposes to stimulate imagination, creativity and exchange of ideas, through play, speculation and art. They combine visual arts, cinema, theater, literature, illustration and editorial design in order to achieve a novel and playful space, where participants can discover other ways of creating and put it into everyday practice.

@estudio___nomade

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Librería Navegui

Children’s bookstore, illustrated books, stories, album books, graphic pieces for boys and girls, puppets and much more. More than selling books, they share readings.

@librerianavegui

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Ediciones Hungría

Ediciones Hungría is a small independent publisher that has been publishing since 2011 in Mexico City. His projects are a creative and original exploration that plays with book formats and traditional reading.

edicioneshungria.com/

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Miau Ediciones

Independent editorial project focused on feminist publications. Working mainly with female and non-binary and dissident artists, writers, illustrators, editors and creatives. It includes several genres such as theory, politics and social situation, graphics, photography, artist books, among others. “We like to use publications as instruments of dialogue and reflection while collectivizing our editorial practice.”

@miauediciones

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GLACIAR. Libros helados

Yogurt ice cream and independent publications in the San Rafael neighborhood.

@libroshelados

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Fulgencio Pimentel

An independent publisher, originally from Spain and focused on the high-quality edition of fiction, graphic novels, poetry, art books and illustrated books, for all ages. Their policy is to be faithful to artistic principles.

fulgenciopimentel.com/

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MONOMÁNTICO

Notebook publishing house created by Juan José Martín, visual artist and editorial designer, and Hipatia Palacios, artist jeweler and graphic designer. Its products are designed from sustainability, ecology, art and love for Mexico City, as well as the culture of our country. They have two lines: the first is “Unique Notebooks”, made from pages of books, atlases and encyclopedias that we rescue and reuse to make our covers, in this way each notebook is unique; the second is “CDdfMX, notebooks for lovers of Mexico City” made in silkscreen, in runs of 250 copies with detailed attention to the materials used.

@monomantico_design

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MUAC

It is the editorial line of UNAM’s University Museum of Contemporary Art, which publishes the memory and record of the investigations developed for each exhibition project presented by the museum, as well as its critical and historiographical area. Their Folios collection are catalogs with key material and original texts on artists, artistic movements or artistic periods.

muac.unam.mx/

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Piedra Ediciones

Piedra Ediciones is a series of publications that arise from conversation and processes that conceive the book as a space for experimentation for artistic projects, considering the book as an ideal space for collaboration and exchange. Each title becomes a multiple and simultaneous piece that makes new readings possible.

Piedra Ediciones is a project by Alfonso Santiago.

@piedraediciones

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Join us and spend time together between books.

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ACTIVITIES FOR CHILDREN

EDITORIAL WORKSHOPS FOR CHILDREN

With Estudio Nómade

1. Inventing invisibility.

Have you ever wanted to be invisible? In this workshop, participants explore the effect of invisibility. They will observe what happens in their drawings with the help of glasses, selecting what they want to be visible or invisible.

15:00 – 16:00 h

Children from 5 to 11 years old | Free admission until space is filled

2. Is there anyone there?

Participants create a narrative with the help of magazine clippings, drawings, colors and special ink, in such a way that they become a stimulus to create and imagine a story where some of the characters are ghosts.

17:00 – 18:00 h

Children from 5 to 11 years old | Free admission until space is filled

 

STORYTELLING FOR CHILDREN

With Jacinto and Chala from Librería Navegui

SESSION 1 | 14:00 – 15:00 h

SESSION 2 | 16:00 – 17:00 h

For children of all ages | Free admission

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Un libro es… the perfect way to close 2023.

RAFAEL LOZANO-HEMMER

REMOTE PULSE, 2019

Installation with heart rate sensor board.

Remote Pulse is an interactive installation consisting of two pulse-sensing stations that are interconnected over the Internet. When a person places their hands on one station automatically the persono in the other station feels their pulse, as the plates vibrate in sync with the heartbeath of the remote person, and viceversa. Two lights indicate the hearthbeat of both persons as well.

This piece was originally presented as part of Lozano-Hemmer’s Border Tuner installation across the US-Mexico border, with one station in Ciudad Juárez, Chihuahua, and the other in El Paso, Texas. For the exhibition Latidos, the stations were interconnected between Arte Abierto, in Mexico City and the Museo Amparo of Puebla. Now both stations are located in the architectural complex of Artz Pedregal.

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RAFAEL LOZANO-HEMMER

(Mexico, 1967)

Interdisciplinary artist whose work has been focused in developing interactive installations that are at the intersection of architecture and performance. His main interest is to create platforms for public participation, usign technology as a language of our time, and as an inevitable yet questionable vehicle. He was the first artist to officially represent Mexico at the 52nd Venice Biennale. His work has been presented at San Francisco Museum of Modern Art, the Museo Universitario Arte Contemporáneo in Mexico City, and the Museum of Contemporary Art Australia (MCA),among other spaces.

ERICK MEYENBERG

THINGS WE DO FOR LOVE, 2022

Ceramic sculpture

During a trip to Japan, Erick Meyenberg saw and filmed a chrysanthemum on a Tokyo cementery after falling because of a typhoon. The scence reverberated in the artista due to a personal momento he was going through that made everything around him look fragmented. Thus, from the Japanese philosophy and technique of Kintsugi, which consist of repairing broken ceramics, highlighting the joints to underline their value and beauty despite their fractures, he had the ide of making a sculpture of the dismembered petals of that flower –considered the imperial emblem of Japon–. Meyenberg then thought that the sculpture had to rise from the ground just as Aphrodite rose from the waters; its forms recover the strenght and movement ow water, while its color reflects the love and eroticism embodied by Aphrodite. The Kintsugi metaphor invite to reconize the beauty that exits even in the fragments or breaks that are part of life.

This work represents the first time that Meyenberg works with ceramics. It was conceived specifically for his video-installations Things We Do for Love, commissioned by Arte Abierto, and was produced at Cerámica Suro workshop in Guadalajara.

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ERICK MEYENBERG

(Mexico, 1980)

Interdisciplinary visual artist who sees painting as a fundamental element of expression, although he also explores other media such as sound installation, drawing, collage, video and performance. In his work, he shows a special interest in literature, history, social sciences, and natural sciences. His work has been exhibited in spaces such as Laboratorio Arte Alameda, Museo Tamayo, inSite / Casa Gallina, Biennial of the Americas, Arts University of Berlin, among others.
Representative in the Mexico Pavilion at the 60th Venice Art Biennale (April, 2024) with the project ‘Nos marchábamos, regresábamos siempre’, along with curator Tania Ragaso.

Nos marchábamos, regresábamos siempre, by visual artist Erick Meyenberg with curator Tania Ragasol is the project with which Mexico will participate in the 60th Venice Art Biennale 2024

Arte Abierto congratulates the artist Erick Meyenberg and the curator Tania Ragasol Valenzuela for their participation as representatives of the Mexico Pavilion at the 60th Venice Art Biennale, to be held from April 20 to November 24, 2024, with the project ‘Nos marchábamos, regresábamos siempre’, which addresses the reflection on the immigration asylum that is part of the history of Mexico.
Kudos!

Click here to read the news on INBA’s site.

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Things We Do For Love is a project commissioned by Arte Abierto to visual artist Erick Meyenberg (CDMX, 1980) which was on display from June, 2022 to February, 2023 art Espacio Arte Abierto. Composed of a video installation of 5 channels + 10.2 audio and a series of ceramic sculptures. Under the idea of the Japanese philosophy of Kintsugi, film material made in Japan is interwoven, through editing (Martha Uc), with material filmed later in Mexico, both by Meyenberg. The musical composition and sound design were in charge of RODERIC, which includes the participation of cellist Natalia Pérez-Turner. The sculptures were made at the Suro Ceramic Workshop in Guadalajara.

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