Arquitectura Tag

ART & ARCHITECTURE DERIVES

QUANTUM PRELUDE. SOUND ACTIVATION BY TANIA CANDIANI.

A conversation with Tania Candiani.

For our 9th Art an Architecture Derive our special guest speaker is Tania Candiani.

In this derive, the artist Tania Candiani will talk about her work Quantum Prelude, a two-channel audiovisual installation with octophonic sound and original music by Rogelio Sosa, in which different paradigms and readings on the perception and understanding of the emergence of life are intertwined and the world, ranging from ancestral indigenous knowledge and worldview to the implications of quantum physics.

The project, which was born after Candiani’s residence at CERN (The European Organization for Nuclear Research) takes shape at UNAM’s Sculptural Space, in the circular megalithic monument, circumscribed by 64 triangular prisms; 64 musicians were summoned, thus replicating the arithmetic, geometric and harmonic qualities constitutive of the sonority of music, the laws of physics, the organizing principle of nature and the expansiveness of the cosmos.

>> 

Quantum Prelude. Sound activation by Tania Candiani.
A conversation with Tania Candiani.

  • Saturday, October 29, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Tania Candiani (Ciudad de México, 1974)
Multidisciplinary artist who is interest is the translation between the systems of phonic, graphic, linguistic, corporal, symbolic and technological languages. Non-academic researcher, she uses historical records as material, she creates interdisciplinary work groups, consolidating intersections between art, literature, music, architecture and science, with an emphasis on the recovery of early technologies. Her projects are related to tradition, sound, synesthesia, rhythm and translation. Scholarship holder of the National System of Art Creators, her work has been exhibited around the world and is part of important collections. She represented Mexico in the 56 Bienal de Venecia.
taniacandiani.com/
IG @tcandiani

>>

Tania Candiani (Mexico City, 1974)
Preludio cuántico [Quantum Prelude], 2022
Installation. Two-channel video with octophonic sound, single-channel video and wall drawing
27’20’’

Sound action for voices and orchestra, created ex profeso for the unam’s Sculptural Space.

Composition: Rogelio Sosa
Production: Rafael Acevedo, Fernanda Ezquerro, Xenia López, Marcela Moreno, Virginia Roy.
Photography: Ivan García, Juan Manuel López, Marcela Moreno, Miriam Ortíz, Katri Walker.
Audio: Raúl Cortés Ayal, Alexander Lozano, Carlos Merino, Ollin Miranda, José Luis Jiménez, Miguel Ángel Jiménez, Antonio Jiménez Urbina, Arie Orihuela, Jacqueline Saavedra Peralta, Alan Zaragoza Corona.
Asisstants: Victor Barragán Zamora, Natalia Cáceres, Mariana David, Arturo Durán, Adrián León, Miguel Ángel Molina Gutiérrez, David Temoltzin, Fernanda Vázquez, Gerardo Zapata.
Audio postproduction: Miguel Ángel Molina Gutiérrez, Rogelio Sosa, Alan Zaragoza Corona.
Video postproduction: Joaquín Cordero, Ollin Miranda, David Sánchez, Alfonso Víquez Huicochea, Víctor Torres.
Musicians: Rodrigo Ambriz, Ernesto Andriano, Edgar Anguiano Molina, Carolina Aragón Lozano, Edgar Anguiano Molina, Alda Arita, Armando Daniel Arista Villar, Luis Alfredo Belmont, Emilio Bozzano Azpiri, Alexander Bruck, Anahlí Cerrillo, Manuel Chacón Acosta, David Iván Contreras, Nefi Hugo Domínguez Herrada, Alejandro Cruz González, Rocío Durán, Sofía Escamilla Galindo, Ángel Ricardo Espinosa Vidal, Diego Espinoza, Alonso González González, José Carlos Greco Pantoja, Jorge Galindo González, Carla González Ramírez, Rodolfo Gutiérrez Ocampo, Jireh Sarai Hernández Chávez, Ramón Hernández Mendiola, Javier Hernández Tagle, Albania Juárez Rodríguez, Katya Kazachkina, Paola Landa, Eduardo Lobaco, Omar López, Saúl López Arzate, Alina Maldonado, Miguel Francisco Manríquez Fernández, Misha Marks, Roberto Martínez (Roberto Tercero), Ulises Martínez, Azul Miranda, Leika Mochán, Sandra Muciño, Allan Muñoz Trujillo, Anahí Luisa María Navarrete, Ariadna Ortega Torres, Geo Alí Ortiz, Elizabeth Piña, Aleida Pérez González, Paulina Posadas, Gustavo Rangel Guerrero, Loretta Ratto Celiz, Miguel Ángel Rivera Bedolla, Jesús Humberto Rivera Iribe, Adriana Alejandra Rosales, Silvestre Ruiz Algara, Adriana Santiago, Elisa Schmelkes, Patricia Solís, Andrés Solis, Andrea Sorrenti, Luisa Amanda Tovalin, María Elena Tovar Garnica, Juan Armando Vázquez Carrillo, Rodrigo Adán Velázquez Hernández, Emmanuel Agustin Yañez Vera.

This piece was produced with the invaluable support of Interprotección.

>>

Arte Abierto continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani / Quantum Prelude. Sound action by Tania Candiani.

ART & ARCHITECTURE DERIVES

The ideal of the multifamily apartment complex.

A conversation with Juan José Kochen.

We all know some Housing Unit in Mexico City, we have visited them or even lived in them. They are considered a symbol of modernity in our country, but what stories do they hide? And how have they defined the ways of life and the image of the capital?

Join us in our 8th Art and Achitecture Derive, Juan José Kochen will talk about the idea of ​​the multifamily apartment complex in Mexico City.

The term multi-family emerged to identify a grouped housing typology –at different levels– to accommodate homes based on a social unit for the transformation of collective relations in the urban landscape.

Between notions of progress, modernization, “stabilizing development” and the “Mexican miracle”, the Welfare State built houses with squares, parks, gardens, murals, public art and infrastructure to add cities within the city.

How was the multi-family experience? What did we learn and what did we forget? Multifamily homes are the modern utopia of a Mexico without neighborhoods.

>> 

The ideal of the multifamily apartment complex.
A conversation with Juan José Kochen.

  • Saturday, September 27, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Juan José Kochen
Architect and publisher. He studied Architecture at the Faculty of Architecture of the National Autonomous University of Mexico (UNAM), Journalism at the Carlos Septién García School of Journalism and a master’s degree in Analysis, Theory and History of Architecture at UNAM. He wrote for the newspaper Reforma, was editor of Arquine, consultant to the General Subdirectorate of Sustainability and Technology of Infonavit, fellow of the National Council of Science and Technology (Conacyt), of the Graham Foundation for Advanced Studies in the Fine Arts and of the Youth Program Creators of the National Fund for Culture and the Arts (FONCA) on two occasions. He is the author of La utopía como modelo, a professor at the Universidad Iberoamericana and director of the ICA Foundation.

TW @kochenjj

Arte Abierto continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

DERIVES OF ART & ACHITECTURE

Tracing the modern in the architecture of the Historic Downtown of Mexico City.

A conversation with Christian del Castillo.

In our 7th Derive of Art and Achitecture we are joined by Christian del Castillo, who will talk to us about the modern architecture of the Historic Downtown of Mexico City.

The architectural imagery of the Historic Downtown of Mexico City is mainly nourished by the typologies of colonial architecture and the beginning of the 20th century, including pre-Hispanic architecture. It is a space where buildings from different eras and contexts overlap that have defied the passage of time, real estate speculation and the expiration of their materials.

Seeking to expand this imaginary, this conversation invites us to rediscover the projects and buildings —still standing— designed by those architects whose work was oriented towards the banner of modernity and who also emerged from the dialogues between plastic integration and the artistic avant-garde in Mexico.

>> 

This talk that seeks to find modernity in the architecture of the Historic Downtown of Mexico City.
A conversation with Christian del Castillo.

  • Saturday, August 27, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Christian del Castillo
He is an architect from UNAM, where he also studied a Master’s degree in Analysis, Theory and History with a focus on Mathias Goeritz and his contribution to Mexican architecture in the second half of the 20th century. He was curator and coordinator of the Micro-urbanism program of Casa Vecina (2013-2017). He is co-author of The Goeritz Guide (Arquine, 2015), author of Rastreando lo moderno, arquitectura en el Centro Histórico de la ciudad de México 1930-1960 (Casa vecina: Foundation of the Historic Center of Mexico City, 2017) and co-author of Mathias Goeritz: Espacio creativo (University of Guadalajara / CUAAD, 2019). He was a fellow of the Young Creators program of FONCA 2014-2015, in the Architectural Design category with the project “Possibilities of an emergency architecture”, the same project that was part of the exhibition “Mexicalidad. Design and new generations” carried out by the MODO museum (2018-2021).
www.christiandelcastillo.com/
FB @anarchitecture

Click here to see Christian del Castillo’s publication Rastreando lo moderno, arquitectura en el Centro Histórico de la ciudad de México 1930-1960.

Arte Abierto continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

DERIVES OF ART & ACHITECTURE

Architecture for playing in 20th Century Mexico City.

A conversation with Aldo Solano Rojas.

For the sixth session of Derives of Art and Achitecture in Arte Abierto our guest is Aldo Solano Rojas, who will talk about one of the fields where architecture was most experienced in 20th-century Mexico City: play areas or playgrounds, a typology that attracted architects and artists for its playful, uncertain and innovative quality.

During the first two thirds of the 20th century, the Modern Movement applied its principles in architecture and urban planning. In Mexico this resulted in a city full of buildings, squares and parks that obeyed different ideas and architectural principles.

Through the playgrounds, the principles of plastic integration were applied, also influenced by participatory sculpture and pedagogical currents. This talk reviews the history and evolution of playgrounds in Mexico, their importance as creators of public space and as an important fundamental typology for the history of Mexican architecture.

Click here if you want to see the digital version of the book Playgrounds of Modern Mexico by Aldo Solano Rojas.

 

>> 

Live talk: Architecture for playing in 20th Century Mexico City.
With Aldo Solano.

  • Saturday, July 30, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Aldo Solano Rojas (Mexico City, 1986)
He is a teacher in Art History from the University of Granada, Spain; he is specialized in historical Mexican industrial design and its application to public space, as well as in children’s street furniture. He is the author of Playgrounds of Modern Mexico, a publication supported by Fundación Jumex Arte Contemporáneo and edited by Promotora Cultural Cubo Blanco. He is a doctoral candidate in Art History with a research on public space and his interventions in the years of activity of the Modern Movement by the Institute of Aesthetic Research of the UNAM.

< Arte Abierto > continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

DERIVES OF ART & ACHITECTURE

The Route of Friendship MEXICO68… beyond 1968.

A conversation with Luis Javier de la Torre.

n our fifth session of Derives of Art An Achetecture in Arte Abierto we invited the President of the Patronato Ruta de la Amistad, A.C. Luis Javier de la Torre, who’s conversation will guide us to rediscover the current Route of Friendship MEXICO68, integrated by 22 monumental sculptures located south of Mexico City and which were designed especially for the Olympic Games by artists from five continents.

Currently, the sculptures and their surroundings are home to different actions: multidisciplinary art in natural environments that are complex to conceive in urban life, as well as activities that break with the daily routine of a road as complex as the Periférico Sur. 54 years after its creation, the Route retains its original surprise factor for those who stand at the foot of the works.

If you want to know more about the history and the sculptures, visit mexico68.org 

>> 

Live talk The Route of Friendship MEXICO68… beyond 1968.
With Luis Javier de la Torre.

  • Saturday, June 25, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Luis Javier de la Torre (Mexico City, 1964)
He is currently president of the Patronato Ruta de la Amistad A.C. He has dedicated himself to the field of management and communication, carrying out public relations projects in the advertising field and fund management in the cultural field. He has a graphic design studio that offers communication alternatives to projects with an artistic and ecological focus. In 1992 he began his research around The Route of Friendship project, and in 1994 he created, together with the architect Javier Ramírez Campuzano, the Patronato Ruta de la Amistad A.C., an institution dedicated to rescuing, preserving and disseminating the cultural legacy derived from the Olympic Games in Mexico. In 1996, in collaboration with Gonzalo Fonseca, he opens the Torre de los Vientos to house independent artistic projects. At the same time, he creates and directs the De-construction project and carries out urban ecological recovery initiatives, such as the restoration of the pedregales.

< Arte Abierto > continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

<Arte Abierto> Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

DERIVES OF ART & ACHITECTURE

The house/studio Diego Rivera and Frida Kahlo.

From the domestic space to the public dimension

Conversation with Marisol Argüelles

For our fourth session of Derives of Art An Achetectureen <Arte Abierto> we have as a guest the curator and researcher Marisol Argüelles. 

The Museo Casa Estudio Diego Rivera y Frida Kahlo, is composed by four architectural bodies built between 1929 and 1934, it was created as the home of two of the most iconic figures of the cultural environment of the 20th century: Diego Rivera and Frida Kahlo. Its architect, Juan O’Gorman, conceived these spaces as “inhabiting machines” through workshops and studios that are the guiding axis of his architectural design.

From its restoration in the 1980s, its private nature was altered to become a public site, also modifying the way of being inhabited. 

>> 

Live talk El Museo Casa Estudio Diego Rivera y Frida Kahlo de Juan O’Gorman
With Marisol Argüelles

Saturday, May 28, 2022

13:00h

At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal

Free admission

>>

No registration needed.

>>

Marisol Argüelles
Es historiadora del arte por la Universidad Iberoamericana. De 2002 a 2007 fue curadora del Museo de Arte Carrillo Gil. De 2007 a 2009 encabezó el área de Investigación y Exposiciones de la Coordinación Nacional de Artes Plásticas del Instituto Nacional de Bellas Artes. Colaboró 10 años en el Museo de Arte Moderno en donde estuvo a cargo de la colección, más tarde formó parte del área de curaduría y posteriormente fue subdirectora de ese espacio. Ha realizado proyectos curatoriales independientes en México, Estados Unidos y los Países Bajos, además de participar como jurado de premios y bienales de arte moderno y contemporáneo. Ha escrito en diversas publicaciones sobre temas de arte moderno mexicano. En 2017 estuvo a cargo de la Dirección de Difusión y Promoción Cultural Internacional de la Dirección General de Asuntos Internacionales de la Secretaría de Cultura. Actualmente es directora del Museo Casa Estudio Diego Rivera y Frida Kahlo y del Museo Mural Diego Rivera.

< Arte Abierto > continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

<Arte Abierto> Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad

DERIVES OF ART AND ARCHITECTURE

Plastic integration of the buildings of the central campus at CU: its murals

Live talk with Gustavo Lipkau and Xavier Hierro about the plastic integration of the buildings of the central campus at CU: its murals.

At < Arte Abierto > we continue with our program Derives of Art and Architecture, and as special guests we have architects Gustavo Lipkau and Xavier Hierro.

The Central Campus at UNAM is an architectural complex in which engineers and artists jointly participated with the intention of merging disciplines such as architecture, painting and sculpture, under what became known as Plastic Integration.

In this talk, Gustavo Lipkau and Xavier Hierro will address the processes and searches of this movement and how it is reflected in eight fundamental buildings and murals on the university campus. It will be a conversation that, beyond theory, the architects will share events and anecdotes around the construction of this key space for Mexico City.

Live talk about the Plastic integration of the buildings of the central campus in CU
With Gustavo Lipkau and Xavier Hierro
Saturday, March 23, 2022
13:00 h
At Espacio Arte Abierto, located on the second floor in Artz Pedregal
Free admission

__

Gustavo Lipkau Henríquez (Caracas, 1972) is an architect and urban planner.
He studied Architecture at UNAM and has been a visiting professor at universities both in Mexico and abroad. In 2000 he co-founded Futura Desarrollo Urbano (FDU), and between 2010 and 2012 he founded and coordinated the “Microurbanismo de Casa Vecina” workshops, of the Fundación del Centro Histórico de la Ciudad de México A.C. and “Observatory of the City” in the Faculty of Architecture of the UNAM. Since 2015 he is part of Luxmart Futura S.A de C.V, a company dedicated to activities in industry, commerce, energy, and sustainability.

Xavier Hierro Ozores (Mexico City, 1973) is a graduate of the UNAM Faculty of Architecture.
He has 14 years of uninterrupted attendance as a student and apprentice teacher. He has dedicated himself to the professional practice of design for more than 25 years, acting as coordinator of multidisciplinary work teams focused on the production of infrastructures for education, health, security and public space. In parallel, he has added experiences in the design and manufacture of furniture, production of audiovisual works and installations and, more recently, in large-scale painting.

< Arte Abierto > continues with its new public program “Derivas de arte yarquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The drifts will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Drifts :

February 26: Tania Ragasol / Urban environment, daily life and art: La Torre de los Vientos by Gonzalo Fonseca

March 26: David Miranda / Of the Wounded Animal and other sculptural events within modern architecture

HÉCTOR BARROSO

Héctor Barroso is a contemporary architect who has run Taller Héctor Barroso since 2010.

This firm seeks to generate architectural proposals that manage to merge with their surroundings, taking advantage of the natural resources of each place: the incidence of light and shadows, the surrounding vegetation, the composition of the land and geographical features, as well as the materials and methods site constructs.

We can see how his proposals seek to extend the interior spaces to the exterior, making the division between the two almost imperceptible. Thus, the architecture emerges in harmony with the site, generating spaces with emotional content that evoke memory, highlighting the habitable quality of the architectural exercise.

tallerhectorbarroso.com/

::::::::::::::::::::

This video is part of ARCHIVO ABIERTO, a project by Atelier Romo and Arte Abierto.

Enter here if you prefer to watch the video directly on our YouTube channel.

CREDITS

VIDEO EDITOR > Saulo Corona

MUSIC > CO.AG (cc)

PRODUCTION DESIGN > Sebastián Romo