Mathias Goeritz Tag

DERIVES OF ART & ACHITECTURE

The Route of Friendship MEXICO68… beyond 1968.

A conversation with Luis Javier de la Torre.

n our fifth session of Derives of Art An Achetecture in Arte Abierto we invited the President of the Patronato Ruta de la Amistad, A.C. Luis Javier de la Torre, who’s conversation will guide us to rediscover the current Route of Friendship MEXICO68, integrated by 22 monumental sculptures located south of Mexico City and which were designed especially for the Olympic Games by artists from five continents.

Currently, the sculptures and their surroundings are home to different actions: multidisciplinary art in natural environments that are complex to conceive in urban life, as well as activities that break with the daily routine of a road as complex as the Periférico Sur. 54 years after its creation, the Route retains its original surprise factor for those who stand at the foot of the works.

If you want to know more about the history and the sculptures, visit mexico68.org 

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Live talk The Route of Friendship MEXICO68… beyond 1968.
With Luis Javier de la Torre.

  • Saturday, June 25, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

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No registration needed.

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Luis Javier de la Torre (Mexico City, 1964)
He is currently president of the Patronato Ruta de la Amistad A.C. He has dedicated himself to the field of management and communication, carrying out public relations projects in the advertising field and fund management in the cultural field. He has a graphic design studio that offers communication alternatives to projects with an artistic and ecological focus. In 1992 he began his research around The Route of Friendship project, and in 1994 he created, together with the architect Javier Ramírez Campuzano, the Patronato Ruta de la Amistad A.C., an institution dedicated to rescuing, preserving and disseminating the cultural legacy derived from the Olympic Games in Mexico. In 1996, in collaboration with Gonzalo Fonseca, he opens the Torre de los Vientos to house independent artistic projects. At the same time, he creates and directs the De-construction project and carries out urban ecological recovery initiatives, such as the restoration of the pedregales.

< Arte Abierto > continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

<Arte Abierto> Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

DERIVES OF ART AND ARCHITECTURE

Of the Wounded Animal and other sculptural events within modern architecture

Live talk with David Miranda about Mathias Goeritz’s urban sculpture projects in Mexico..

< Arte Abierto > continues its program Derives of Art and Architecture with the artist and curator David Miranda.

In 1951 Mathias Goeritz made the sculpture The Wounded Animal. From that moment on, an urban dialogue began between sculptural and architectural production of modernity in Mexico that forms a unique distinctive in Latin America. David Miranda will talk about all the projects of the artist and teacher of German origin.

Live talk about Mathias Goeritz’s urban sculpture projects in Mexico
With David Miranda
Saturday, March 26, 2022
13:00 h
At Espacio Arte Abierto, located on the second floor in Artz Pedregal
Free admission

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David Miranda is a Mexican visual artist and curator.
He has a Master’s Degree in Curatorial Studies from the Faculty of Philosophy and Letters at UNAM and the Bachelor of Fine Arts at the National School of Painting, Sculpture and Engraving ENPEG “La Esmeralda”.
He was coordinator of the Aesthetic Education project in Mexico City, by the Mexican Institute of Art at the Service of Education (IMASE) in collaboration with the Lincoln Center Institute in New York (2003-2005). In 2011 he received the FONCA Young Creators Scholarship.
His artistic work has been shown in various cultural institutions in Mexico, Colombia, Chile, Spain and the United States.
Since 2005 he has combined his artistic activity with his work as a curator at the Museo Experimental El Eco. He is a member of the PAE (Art Education Platform) and is currently a professor within the ENPEG, La Esmeralda.

< Arte Abierto > continues with its new public program “Derivas de arte yarquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The drifts will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Drifts :

February 26: Tania Ragasol / Urban environment, daily life and art: La Torre de los Vientos by Gonzalo Fonseca

March 26: David Miranda / Of the Wounded Animal and other sculptural events within modern architecture

ART AND ARCHITECTURE DERIVES

<Arte Abierto>’s Art and Architecture Derives is a program of routes proposed by invited curators, architects, artists and urban planners, to explore a series of architectural spaces and significant artistic interventions in public spaces in Mexico City. The purpose of the derives is to generate experiences of spatial rediscovery, which renew our view of the legacy of certain architectural and artistic works, both emblematic and forgotten.

The derives are held the last Saturday of each month of 2022 at 12:00 p.m. Free entry. Limited seating.

CONVERSATION: DAVID MIRANDA

OF THE WOUNDED ANIMAL AND OTHER SCULPTURAL EVENTS
WITHIN MODERN ARCHITECTURE

• Live conversation with David Miranda.

• Saturday, March 26, 2022. at 1:00 pm.

• The event will be held at Espacio Arte Abierto, located on the 2nd floor in Artz Pedregal.

• Free admission.

A conversation on urban sculpture projects of Mathias Goeritz in Mexico.

In 1951 Mathias Goeritz made the sculpture Animal herido. From that moment on, an urban dialogue began between sculptural and architectural production of modernity in Mexico that forms a unique distinctive in Latin America. The curator and artist David Miranda will talk about all the projects of the artist and teacher of German origin.


David Miranda has a Master’s degree in Curatorial Studies at the Faculty of Philosophy and Letters at UNAM and the Bachelor of Fine Arts at the National School of Painting, Sculpture and Engraving ENPEG “La Esmeralda”. He was coordinator of the Aesthetic Education project in Mexico City, by the Mexican Institute of Art at the Service of Education (IMASE) in collaboration with the Lincoln Center Institute in New York (2003-2005). In 2011 he received the FONCA Young Creators Scholarship. His artistic work has been shown in various cultural institutions in Mexico, Colombia, Chile, Spain and the United States. Since 2005 he has combined his artistic activity with his work as a curator at the El Eco Experimental Museum. He is a member of the PAE (Art Education Platform) and is currently a professor at ENPEG, La Esmeralda.


Espacio Arte Abierto is located on the 2nd floor in ARTZ Pedregal (Periférico Sur 3720, Jardines del Pedregal, Álvaro Obregón) Mexico City.