Murales Tag

ART & ARCHITECTURE DERIVES

The Plastic Integration Movement in Mexico:

More than Murals on Buildings.

Conversation with Rebeca Barquera

The historian and researcher Rebeca Barquera joins us in this 11th Art and Achitecture Drive.

In the middle of the 20th century, the Plastic Integration movement arose in Mexico, which sought to incorporate painting and sculpture into modern constructions, with the intention of fusing art with architecture, which produced a broad debate in which multiple voices from various disciplines and with very different arguments were involved. On the one hand, there was the architects and engineers point of view, and on the other, there were the discussions between artists interested in representation, the problem of technique and reflections on the transition of the muralist movement towards the exterior.

From the Cárcamo de Dolores (1951) going through the Museo Cabeza de Juárez (1972-1976), in this Derive Barquera will address some of the representative examples that managed to question the tradition of Plastic Integration from different positions and questions about representation and abstraction, the body and the landscape, and the form and ideology of the movement itself.

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The Plastic Integration Movement in Mexico: More than Murals on Buildings. A conversation with Rebeca Barquera.

  • Saturday, May 27, 2023
  • 13:00h
  • At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
  • Free admission

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No need to register.

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Rebeca Barquera
She is an art historian, researcher and teacher. PhD in Art History from UNAM, her interests focus on the study of utopias, ghosts, erasures and anonymities in modernism, as well as the intersection of art and architecture with technology and scientific discourses in the last decades of the century. XIX Century and the first half of the XX. She is currently a professor at the College of History of the Faculty of Philosophy and Letters and is doing a stay at the Institute of Bibliographic Research thanks to the Postdoctoral Scholarship program at UNAM.

IG @rbequisima
FB @rebecabarquera
TW @rebarquera

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani

March 25: Ana Garduño/ Cultural geographies: The invention of museum circuits in 20th century Mexico City

MORPHO

ANIBAL CATALAN

Morpho is a sculptural installation, especially conceived for the architectural space of Antara Polanco and developed in collaboration with Arte Abierto.

In Morpho, the Mexican artist Anibal Catalan takes as a reference the natural forms of the tiger dragonfly and the colors of the painting Yellow Landscape (1908) by the Russian artist Kasimir Malevich, to create a structure that allows the viewer to relate sensitively and spatially with the place that inhabits and travels. The side walls use the same shapes and colors in composition, creating a dialogue between the two-dimensionality of the murals and the three-dimensionality of the installation.

Morpho opens to the public in the main access tunnel of Antara and will be temporarily from Thursday March 23 to May 31, with free access.
To download Arte Abierto’s press release of Morpho click here.

To enter the Antara’s Morpho Press kit click here.

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Anibal Catalan (Iguala, Guerrero, 1973)
Estudied Plastic Arts at the National School of Painting, Sculpture and Engraving “La Esmeralda”. He was founder and member of the collective project GL Mutante (2003) and was part of the advisory committee of the Alterna y Corriente (2009) space in Mexico City. His work is based on a reflection on space and architecture, through painting, sculpture, video and installation, as well as site-specific projects and public spaces. Throughout his career, he has been part of individual exhibitions places like the MuseumsQuartier (Viena), Museo de la Ciudad de Querétaro, Polyforum Siqueiros, CAN Foundation (Seúl); de manera colectiva, su obra se ha presentado en el Museum Gyeonggi (Corea del Sur), Museo de Arte Moderno (México), MARCO, San Diego Art Institute as well as in biennials such as the Tamayo Biennial, the Photography Biennial at Centro de la Imagen, Istanbul Design Biennale, among others.

 

IG @anibalcatalanstudio

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DERIVES OF ART AND ARCHITECTURE

Plastic integration of the buildings of the central campus at CU: its murals

Live talk with Gustavo Lipkau and Xavier Hierro about the plastic integration of the buildings of the central campus at CU: its murals.

At < Arte Abierto > we continue with our program Derives of Art and Architecture, and as special guests we have architects Gustavo Lipkau and Xavier Hierro.

The Central Campus at UNAM is an architectural complex in which engineers and artists jointly participated with the intention of merging disciplines such as architecture, painting and sculpture, under what became known as Plastic Integration.

In this talk, Gustavo Lipkau and Xavier Hierro will address the processes and searches of this movement and how it is reflected in eight fundamental buildings and murals on the university campus. It will be a conversation that, beyond theory, the architects will share events and anecdotes around the construction of this key space for Mexico City.

Live talk about the Plastic integration of the buildings of the central campus in CU
With Gustavo Lipkau and Xavier Hierro
Saturday, March 23, 2022
13:00 h
At Espacio Arte Abierto, located on the second floor in Artz Pedregal
Free admission

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Gustavo Lipkau Henríquez (Caracas, 1972) is an architect and urban planner.
He studied Architecture at UNAM and has been a visiting professor at universities both in Mexico and abroad. In 2000 he co-founded Futura Desarrollo Urbano (FDU), and between 2010 and 2012 he founded and coordinated the “Microurbanismo de Casa Vecina” workshops, of the Fundación del Centro Histórico de la Ciudad de México A.C. and “Observatory of the City” in the Faculty of Architecture of the UNAM. Since 2015 he is part of Luxmart Futura S.A de C.V, a company dedicated to activities in industry, commerce, energy, and sustainability.

Xavier Hierro Ozores (Mexico City, 1973) is a graduate of the UNAM Faculty of Architecture.
He has 14 years of uninterrupted attendance as a student and apprentice teacher. He has dedicated himself to the professional practice of design for more than 25 years, acting as coordinator of multidisciplinary work teams focused on the production of infrastructures for education, health, security and public space. In parallel, he has added experiences in the design and manufacture of furniture, production of audiovisual works and installations and, more recently, in large-scale painting.

< Arte Abierto > continues with its new public program “Derivas de arte yarquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The drifts will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Drifts :

February 26: Tania Ragasol / Urban environment, daily life and art: La Torre de los Vientos by Gonzalo Fonseca

March 26: David Miranda / Of the Wounded Animal and other sculptural events within modern architecture