Arquitectura moderna Tag

ART & ARCHITECTURE DERIVES

Max Cetto in the beginnings of El Pedregal

A conversation with Julián Arroyo Cetto

For this 12º Art & Architecture Derive we moved the date to June 17 and we will have Julián Arroyo Cetto as a guest to talk about the beginnings of the area that we know in Mexico City as El Pedregal.

El Pedregal, a magnificent and unique terrain –almost untouched by humans since the seven successive lava flows from the Xitle volcano 2,000 years ago– became the setting for a virtuous mix of nature, art and modern architecture. Barragán’s vision, nurtured by Diego Rivera and Dr. Atl, among others, required a unique architecture for this singular place.

This task fell on Max Cetto, a German architect-engineer with a great cultural background –already with a career in his native Germany, a brief stay in the Neutra office in California and almost ten years in Mexico– to whom his friend Barragán entrusts to raise a first architecture proposal for the El Pedregal Gardens.

This is how the Show-Houses on Av. Fuentes and the Max Cetto Studio House arose, the first house in the subdivision and current witness to the passing of time on this site.

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Max Cetto in the beginning of El Pedregal.. Conversation with Julián Arroyo Cetto.

  • Saturday, June 17, 2023
  • 13:00h
  • At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
  • Free admission

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No need to register.

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Julián Arroyo Cetto
Architect graduated from the Faculty of Architecture at UNAM and professor at the Universidad Iberoamericana. He has worked on various public and private projects; committed to the balanced integration of technical, artistic, economic and social aspects. He collaborated in the first projects of the Autoridad del Espacio Público: “Plaza de la República” and “Corredor Peatonal Madero”. He was Coordinator of architecture in the projects “Parque Hídrico La Quebradora” and renovation of the “Urban Park Monument to the Mother and Garden of Art”. He collaborated with Nuño, Mac Gregor and de Buen in the design of the “Building of Bars and Restaurants of the León Fair”. He has designed projects for SEDATU among which the “Garden of Shadows” and the “Garden of Water” (Collaboration with ORU); “Mirador Cultural Center”, “Main Square and Pisté Cultural Center”, “Sisbichén Square” and “Deportivo y Plaza Chelem”. He currently works in his own office and collaborates, both with public and private institutions in the development of projects.

IG @julian_arroyo_cetto
IG @dcmxarq

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

ART & ARCHITECTURE DERIVES

The Plastic Integration Movement in Mexico:

More than Murals on Buildings.

Conversation with Rebeca Barquera

The historian and researcher Rebeca Barquera joins us in this 11th Art and Achitecture Drive.

In the middle of the 20th century, the Plastic Integration movement arose in Mexico, which sought to incorporate painting and sculpture into modern constructions, with the intention of fusing art with architecture, which produced a broad debate in which multiple voices from various disciplines and with very different arguments were involved. On the one hand, there was the architects and engineers point of view, and on the other, there were the discussions between artists interested in representation, the problem of technique and reflections on the transition of the muralist movement towards the exterior.

From the Cárcamo de Dolores (1951) going through the Museo Cabeza de Juárez (1972-1976), in this Derive Barquera will address some of the representative examples that managed to question the tradition of Plastic Integration from different positions and questions about representation and abstraction, the body and the landscape, and the form and ideology of the movement itself.

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The Plastic Integration Movement in Mexico: More than Murals on Buildings. A conversation with Rebeca Barquera.

  • Saturday, May 27, 2023
  • 13:00h
  • At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
  • Free admission

>>
No need to register.

>>

Rebeca Barquera
She is an art historian, researcher and teacher. PhD in Art History from UNAM, her interests focus on the study of utopias, ghosts, erasures and anonymities in modernism, as well as the intersection of art and architecture with technology and scientific discourses in the last decades of the century. XIX Century and the first half of the XX. She is currently a professor at the College of History of the Faculty of Philosophy and Letters and is doing a stay at the Institute of Bibliographic Research thanks to the Postdoctoral Scholarship program at UNAM.

IG @rbequisima
FB @rebecabarquera
TW @rebarquera

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani

March 25: Ana Garduño/ Cultural geographies: The invention of museum circuits in 20th century Mexico City

ART & ARCHITECTURE DERIVES

Cultural geographies:

The invention of museum circuits in 20th century Mexico City.

A conversation with Ana Garduño

We restart our program Art & Architecture Derives. On this occasion we are accompanied by the historian and researcher Ana Garduño.

Have you observed how there are museum circuits in certain areas of Mexico City?

Join us in this 10º Art and Architecture Derive. Ana Garduño will talk about the various museum projects and “Cities of the Arts” that emerged throughout the 20th century in Mexico: from utopian proposals to completely feasible, passing through the Olinka of Dr. Atl or the City of Museums and Arts by Diego Rivera, until reaching projects such as the National Museum of Anthropology. Throughout this period, the urban process of Mexico City had an impact on the cultural infrastructure and produced an expansion of museums that went from the central zone to the south or Chapultepec.

The appearance of the new museum circuits, in addition to grouping in specific territories, promoted the strengthening and emergence of networks of art galleries and cultural centers in surrounding areas. These new circuits, in turn, fostered a certain cultural invisibility of other areas (north, east, west) and their erasure in the artistic life of the inhabitants of the city.

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Cultural geographies: The invention of museum circuits in 20th century Mexico City..
A conversation with Ana Garduño.

  • Saturday, March 25, 2023
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Ana Garduño
Es doctora en Historia del Arte por la UNAM e investigadora del INBAL. Actualmente es profesora de la maestría en Historia en la Facultad de Filosofía y Letras, UNAM, y de la maestría en Estudios y Prácticas Museales de la Escuela Nacional de Restauración del INAH. Ha sido curadora de exposiciones temporales en diversas instituciones, como el Museo Nacional de San Carlos, el Museo del Palacio de Bellas Artes, el Museo de Arte Moderno y el Museo de Arte Carrillo Gil. Sus líneas de investigación son la historia y el análisis del sistema de museos en México, el coleccionismo de arte y las políticas culturales.

IG @anagard_o

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Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani

ART & ARCHITECTURE DERIVES

The ideal of the multifamily apartment complex.

A conversation with Juan José Kochen.

We all know some Housing Unit in Mexico City, we have visited them or even lived in them. They are considered a symbol of modernity in our country, but what stories do they hide? And how have they defined the ways of life and the image of the capital?

Join us in our 8th Art and Achitecture Derive, Juan José Kochen will talk about the idea of ​​the multifamily apartment complex in Mexico City.

The term multi-family emerged to identify a grouped housing typology –at different levels– to accommodate homes based on a social unit for the transformation of collective relations in the urban landscape.

Between notions of progress, modernization, “stabilizing development” and the “Mexican miracle”, the Welfare State built houses with squares, parks, gardens, murals, public art and infrastructure to add cities within the city.

How was the multi-family experience? What did we learn and what did we forget? Multifamily homes are the modern utopia of a Mexico without neighborhoods.

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The ideal of the multifamily apartment complex.
A conversation with Juan José Kochen.

  • Saturday, September 27, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Juan José Kochen
Architect and publisher. He studied Architecture at the Faculty of Architecture of the National Autonomous University of Mexico (UNAM), Journalism at the Carlos Septién García School of Journalism and a master’s degree in Analysis, Theory and History of Architecture at UNAM. He wrote for the newspaper Reforma, was editor of Arquine, consultant to the General Subdirectorate of Sustainability and Technology of Infonavit, fellow of the National Council of Science and Technology (Conacyt), of the Graham Foundation for Advanced Studies in the Fine Arts and of the Youth Program Creators of the National Fund for Culture and the Arts (FONCA) on two occasions. He is the author of La utopía como modelo, a professor at the Universidad Iberoamericana and director of the ICA Foundation.

TW @kochenjj

Arte Abierto continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

DERIVES OF ART & ACHITECTURE

Tracing the modern in the architecture of the Historic Downtown of Mexico City.

A conversation with Christian del Castillo.

In our 7th Derive of Art and Achitecture we are joined by Christian del Castillo, who will talk to us about the modern architecture of the Historic Downtown of Mexico City.

The architectural imagery of the Historic Downtown of Mexico City is mainly nourished by the typologies of colonial architecture and the beginning of the 20th century, including pre-Hispanic architecture. It is a space where buildings from different eras and contexts overlap that have defied the passage of time, real estate speculation and the expiration of their materials.

Seeking to expand this imaginary, this conversation invites us to rediscover the projects and buildings —still standing— designed by those architects whose work was oriented towards the banner of modernity and who also emerged from the dialogues between plastic integration and the artistic avant-garde in Mexico.

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This talk that seeks to find modernity in the architecture of the Historic Downtown of Mexico City.
A conversation with Christian del Castillo.

  • Saturday, August 27, 2022
  • 13:00h
  • At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
  • Free admission

>>
No registration needed.

>>

Christian del Castillo
He is an architect from UNAM, where he also studied a Master’s degree in Analysis, Theory and History with a focus on Mathias Goeritz and his contribution to Mexican architecture in the second half of the 20th century. He was curator and coordinator of the Micro-urbanism program of Casa Vecina (2013-2017). He is co-author of The Goeritz Guide (Arquine, 2015), author of Rastreando lo moderno, arquitectura en el Centro Histórico de la ciudad de México 1930-1960 (Casa vecina: Foundation of the Historic Center of Mexico City, 2017) and co-author of Mathias Goeritz: Espacio creativo (University of Guadalajara / CUAAD, 2019). He was a fellow of the Young Creators program of FONCA 2014-2015, in the Architectural Design category with the project “Possibilities of an emergency architecture”, the same project that was part of the exhibition “Mexicalidad. Design and new generations” carried out by the MODO museum (2018-2021).
www.christiandelcastillo.com/
FB @anarchitecture

Click here to see Christian del Castillo’s publication Rastreando lo moderno, arquitectura en el Centro Histórico de la ciudad de México 1930-1960.

Arte Abierto continues with its new public program “Derivas de arte y arquitectura”, which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.