May 2025

MEDITATIO SONUS

Special cycle of sound-guided meditations

Arte Abierto presents a special cycle of Meditatio Sonus. This sound art series proposes sound-guided meditations and fosters mindfulness through the practice of deep listening. In this edition, the series will run over two days, with two different meditations each day: one in the morning and one in the afternoon.

The meditations will take place in a gallery between Ugo Rondinone’s sculptures The Sun (2022) and The Moon (2022), creating an immersive experience that connects visual and sound art.

Commissioned sound artists will conduct research on the relationship between mind, sound, and technology. The four meditation sessions will be guided live through sound pieces created specifically for this series.

Meditatio Sonus is a space for researching the phenomenon of sound from the perspective of art, linking the practice of listening and meditation.

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MEDITATIO SONUS
Special cycle of sound-guided meditations

  • SAT.JUN.07.2025 – 11:00 am and 5:00 pm
  • SAT.JUN.08.2025 – 11:00 am and 5:00 pm
  • Teens and adults
  • Limited seating | Free admission
  • Arte Abierto Pedregal | 2nd floor, ARTZ

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PUBLIC PROGRAM | long last happy

MEDITATIO SONUS – PROGRAM

SAT.JUN.07.2025 – 11:00 AM
SARMEN ALMOND

Through this sound meditation, entitled Inner Sea, we will seek to restore our full breathing, deep listening, and harmony within the physical and mental body. We will begin with exercises for full breathing and relaxation, to prepare us for meditation. Likewise, we will recognize our posture and consciously perceive our body, locating tension and releasing thoughts. Sound will connect us with our inner universe, with breathing emanating frequencies, calm whispers, and colors that trigger calm, stillness, and creativity.

SAT.JUN.07.2025 – 5:00PM
YAIR LÓPEZ

Bin bin a-rio is a set of music that emerges from three text scores, which intertwine to form a new, living score in constant interaction with people and the environment. Its practice is imbued with a Deep Listening approach, inviting deep listening (dreamlike, bodily, and sensorial). The piece proposes cycles that refer to the Earth’s tide: the continuous erosion of the Earth caused by the gravitational pull of the moon and the sun, the ebb and flow of day and night. In this context, the duality of gender—male, female—is questioned and overflows, opening the way to a fluid exploration of the human: human, human, humane, humono…

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SUN.08.JUN.2025 – 11:00AM
HUGO SOLÍS

For this guided meditation session, the artist proposes drawing on techniques of constant rhythmic motifs that numerous cultures and traditions have used to generate rituals and collective trances. Mantras, prayers, rosaries, and numerous sound repetition techniques will be reinterpreted on an electroacoustic piano from a minimalist musical perspective, using delay and reverb techniques that ideally accompany the participants’ meditation.

The performance will be divided into two distinctly contrasting sections that reference the sculptural work in the space, intended to engage in dialogue with Ugo Rondinone’s work the sun and the moon. The first half of the sound experience will refer to slow, calm, and melancholic rituals, while the second will feature luminous and hopeful chants and rituals.

SUN.08.JUN.2025 – 5:00PM
ARCANGELO CONSTANTINI

As part of the Speaker Strings series, which explores sympathetic resonance, a unique string instrument has been reworked. A classical guitar, worn by decades of use, has been transformed into a four-string bass through radical modifications. The original hardware was replaced, and a door hinge was used as an improvised support for the strings. A subwoofer was also integrated into the speaker cabinet, expanding its sonic capabilities and giving it an experimental character.

Through this metamorphosis, the instrument is immersed in an existential flux, establishing dialogues with hypothetical aesthetic processes. Sympathetic resonance, understood as a poetic and aesthetic phenomenon, reveals a profound connection between two vibrant entities. When two systems achieve a harmonious affinity, an invisible flow of energy and meaning emerges. This shared resonance generates a symphony of emotions and understandings, seeking to transcend the limitations of language to create a deeper and more enigmatic communication with the audience.

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MEDITATIO SONUS
This is an initiative by Arcangelo Constantini and Marcela Armas, which emerged in Mexico City in 2012. They have held series at Ciudad Universitaria, in collaboration with the MUAC and the Alumnos 47 Foundation, at Casa del Lago, in collaboration with Casa Dharma, at the Los Pinos Cultural Complex, at the Museum of Art and History of Guanajuato, and at Casa Palmira Lázaro Cárdenas, in Cuernavaca.

Each series consists of eight sessions, held over eight consecutive Sundays.

www.arc-data.net/meditatiosonus/web
IG @meditatio_sonus
FB MeditatioSonus

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SARMEN ALMOND
She is a Mexican musician and vocal performer. She is an intermedial artist and voice teacher specializing in the Roy Hart tradition. She holds a Master’s degree in Sonic Arts from Queen’s University, Belfast. armen uses voice and new technologies to create compositions and decompositions of personality on stage. He constantly explores the infinite vocal possibilities that the human body offers as an instrument, as well as the reflection of these sounds in physical and imaginary spaces, displayed through audio, images, and videos, displayed in real time on the performer’s body. Sarmen has performed in Mexico, England, France, Spain, Scotland, Prague, the Netherlands, and Singapore, among others; he also performed Marina Abramovic’s Luminocity and Joan Jonas’s Mirror Check at the 2011 Manchester International Festival in the UK. Almond has been an artist-in-residence at STEIM, Amsterdam (2008), as well as at Digital Art Studios, Belfast, Northern Ireland (2011), and NEIRO Association for Expanding Arts, Prague (2024).
sarmenalmond.wordpress.com/
IG @sarmen_almond

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YAIR LÓPEZ
G-sualdo A.K.A Yair López is a sound artist. He combines error, geophysical data, and poetry, materializing sound and audiovisual pieces. Starting as an active listener, he has performed field recordings and soundscapes, and co-directs Encuentro Internacional de Grabación de Campo. In 2025, he obtained the EAR certification from The Center for The Deep Listening, Troy, New York, USA, to teach Deep Listening workshops.
yairlopez.info/
IG @germen__

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HUGO SOLÍS
He is an electronic artist and professor at the Universidad Autónoma Metropolitana. He holds a master’s degree from Instituto Tecnológico de Massachusetts, a DEA in Computer Science and Digital Communication from Pompeu Fabra University, and a PhD in Digital Art and Experimental Media from the University of Washington. His work has focused on the creative and aesthetic possibilities of the intersection of sound, digital, and interactive technologies.
He has exhibited works and given concerts in Mexico, Japan, Ireland, the United States, Spain, Brazil, Italy, Portugal, and Armenia. He has received support, scholarships, and recognition from FONCA, UNAM, TELMEX, MIT, the University of Washington, DXARTS, IMEB-Bourges, Centro Multimedia, Transitio_MX, and Leonardo, among others. He is currently a member of the National System of Researchers, Level I, and the National System of Art Creators.
hugosolis.net/
IG @hugosg76

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ARCANGELO CONSTANTINI
He is an artistic inventor and technological hacker who, in a constant existential speculation, develops experimental hypotheses about reality using a variety of media, multifaceted processes, and transdisciplinarity. He has created expanded network art, sound artifacts for performative improvisations, and interactive activations. He has conducted extensive research on water molecule anomalies, utilizing physical computing devices, interactive installations, and experiments with mantric machines.
His work has been exhibited at Laboratorio Arte Alameda, Museo de Arte Carrillo Gil, Museo de Arte Moderno, Ex Teresa Arte Actual, Museo Tamayo, Museo Universitario del Chopo, and Museo Universitario Arte Contemporáneo. He is a member of the National System of Creators.
arc-data.net/
IG @arcdiablo

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long last happy by Ugo Rondinone is an exhibition that invites visitors to a luminous world inspired by the celestial forces of the natural world: the sun, the moon and the rainbow. Through monumental sculptures and an ongoing public participation project, Rondinone explores the themes of consolation, regeneration and spiritual connection.

ART & ARCHITECTURE DERIVES

Nonoalco in the cinema, shadow of modernity

Carlos Rodríguez

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Nonoalco in the cinema, shadow of modernity

Conversation with Carlos Rodríguez

  • Saturday, May 31st, 2025
  • 13:00h
  • At Arte Abierto | 2nd floor ARTZ
  • Free admission

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No registration required.

In this Derive, Carlos Rodríguez explored the Nonoalco area in Mexican cinema before it was transformed under the precepts of the modern movement. Several films show how Nonoalco was a disorderly, hidden, dirty, and extremely poor area, contrary to the orderly political and social ideal of the mid-20th century. For some, it was a place of transit; for others, it was trapped by the tracks and the passing of the railroad. Films such as A la sombra del puente (Roberto Gavaldón, 1948), Dos almas en el mundo (Chano Urueta, 1949), Vagabunda (Miguel Morayta, 1950), Víctimas del pecado (Emilio Fernández, 1951), and Del brazo y por la calle (Juan Bustillo Oro, 1956) portrayed Nonoalco as a gloomy place that concealed a threatening side of the city. These works offer an aesthetic and architectural framework for exploring this site, which was transformed and razed as part of the urban and architectural regeneration plan for the Nonoalco Tlatelolco Urban Complex, a landmark of modernity in Mexico.

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Carlos Rodríguez (Mexico City, 1984)
He is a cultural journalist, film critic, and literary translator. He currently writes for the Mexican magazines Letras Libres and Arquine, and the Argentine magazine Otra Parte. He also writes for Literal Magazine, which is published in Mexico and the United States. He is one of the translators of Las mariposas beben las lágrimas de la soledad (edited by Édiciones Del Lirio, 2024) by Quebec writer Anne Genest. In 2023, he completed a translation residency in Seneffe, Belgium, where he translated Hall de nuit (1992), a play by Chantal Akerman, into Spanish.

IG @comamamand

Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the Derives is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

June 17: Julián Arroyo Cetto/ Max Cetto in the beginning of El Pedregal.

July 29: Peter Kriegel/ The eco-aesthetics of El Pedregal and constructive botany in the megacity of Mexico.

August 26: Arturo Rivera García y Roberto Bustamante Castrejón/ Jardines del Pedregal Legacy: Memory and Identity.

September 30: Tonatiuh Martínez/ The garden as an extension of nature.

October 21: Lorena Botello/ Clara Porset’s Design: Between Tradition and Modernity.

March 23: Alejandro Ochoa Vega y Francisco Haroldo Alfaro Salazar/ Cinemas in Mexico in the 20th Century: Distant Spaces in Memory.

April 20: Rodrigo Torres Ramos / Pictorial Functionalism: The proposal for plastic integration of Mario Pani and Carlos Mérida.

June 22: María Bustamante Harfush / Public work and collective housing by Abraham Zabludovsky.

July 27: Veka Duncan / El Art Déco en México. La nacionalización de la modernidad.

August 31: Balam Bartolomé / Visiones del Altépetl caído: Un relato de Tlatelolco desde el arte.

October 19: José Ignacio Lanzagorta / The sixties and the christening of the Zona Rosa.

November 23: Eder Castillo & Arturo Ortiz Struck / GuggenSITO beyond the unfolding cube. Public art and interactivity.

March 29: Ximena Apisdorf / Architecture and museum: The transformation of the Centro Cultural Arte Contemporáneo

April 26: Lorena Botello / A Museum Designed for a Modern Art Collection

May 31: Carlos Rodríguez / Nonoalco in the Cinema, Shadow of Modernity

RAIN AMULETS, CELESTIAL ECHOES

Taller con la artista Ximena Liceaga

Join us for this workshop where we’ll explore Ugo Rondinone’s exhibition, long last happy, through a series of exercises with sound devices. This will invite us to explore the space in a different way than usual, paying attention not only to what we see but also to what we hear and feel. At the end of the workshop, you’ll be able to make your own sound amulet to take home as a souvenir of this encounter.

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RAIN AMULETS, CELESTIAL ECHOES
Workshop with artist Ximena Liceaga

  • SAT.MAY.24.2025
  • 1:00 pm
  • All public
  • Limited space | Free admission
  • Arte Abierto Pedregal | 2nd floor, ARTZ

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PUBLIC PROGRAM | long last happy

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long last happy by Ugo Rondinone is an exhibition that invites visitors to a luminous world inspired by the celestial forces of the natural world: the sun, the moon and the rainbow. Through monumental sculptures and an ongoing public participation project, Rondinone explores the themes of consolation, regeneration and spiritual connection.

 

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XIMENA LICEAGA (CDMX, 1995) Multidisciplinary visual artist, with the main focus of production and research on the narratives and conceptions generated from the relationships and perceptions that exist between human beings and the environment, the categorization of reality and the reflective possibilities in art. Her work ranges from painting, ceramics, animation, installation, performance art, and sound art.

IG @xiimenator

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WAYS TO BE AND DO

Sky Observation with Isidro Ramírez Ballinas

Through this guided visit of Ugo Rondinone’s exhibition long last happy, we will explore different ways of interpreting and interpreting the artist’s exploration of human emotions and spirituality, taking our experiences and life stories as a starting point.

Taking as reference the Matching Melania project by Melania Chavarría, we will reflect on the use of digital platforms as contemporary tools to contemplate the celestial world that Rondinone presents to us. This exercise seeks to encourage the creation of a personal creative discourse, which allows us to establish a meaningful dialogue with the exhibition.

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WAYS TO BE AND DO
Transversal visit with Melania Chavarría Nuño (Matching Melania)

  • SAT.MAY.17.2025
  • 1:00 pm
  • Teens and adults
  • Limited space | Free admission
  • Arte Abierto Pedregal | 2nd floor, ARTZ

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PUBLIC PROGRAM | long last happy

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long last happy by Ugo Rondinone is an exhibition that invites visitors to a luminous world inspired by the celestial forces of the natural world: the sun, the moon and the rainbow. Through monumental sculptures and an ongoing public participation project, Rondinone explores the themes of consolation, regeneration and spiritual connection.

 

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MELANIA CHAVARRÍA NUÑO (Mexico City) Textile and fashion designer, graduated from CENTRO (Mexico) and the Royal Academy of Fine Arts of Belgium. She has worked in various areas of the fashion industry, encompassing projects in design, styling, teaching, journalism, and creative direction both in Mexico and abroad.

From her constant quest to create her own creative discourse, Matching Melania was born, a social media project that explores the possibility of fashion deepening its design discourse by coexisting and exchanging concepts, aesthetics, and visual elements with other creative industries such as art, interior design, and architecture.

Leaving aside the immediacy and volatility with which trends are generated, this project explores fashion from a different perspective, where the human body can be the territory for exploration, questioning, and communication of ideas, making use of the different elements that make up the practice of fashion design, such as textile printing or alteration, garment customization, or styling

IG @matching.melania

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