Anahuacalli (from Nahuatl “house surrounded by water”) is a project designed by Mexican muralist Diego Rivera between 1942-1957 and was inaugurated in 1964 in order to protect his vast collection of pre-Columbian pieces.

As part of his quest to create a “City of the Arts”, Diego Rivera designed Anahuacalli as a great stage for the development of diverse artistic expressions such as theater, dance, painting and music in an atmosphere whose architecture represented the search for the essence of the Mexican through its rich pre-Columbian past, and which at the same time integrates with the artistic, intellectual and educational events of contemporaneity. It is a museum that allows a dialogue between pre-Hispanic and contemporary aesthetics.

Instagram: @anahuacalli

Facebook: @museoanahuacalli

X: @anahuacalli

Anahuacalli Museum Workshops:@talleres_anahuacalli

Plant Writings is a permanently open, collaborative and plural research for literary and artistic creation based on plant observation from our human being. Based on activities, reflections and collaborative processes, it seeks to decentralize reason as a unique place to generate scriptures, and to find new centers to investigate new meeting points for traditional non-sensitive thinking.

Instagram: @escrituras_vegetales

Biologist and researcher at the Institute of Geography of the UNAM. She has a degree in Biology, a Master of Science from the Faculty of Science of the UNAM and a PhD in Agronomy from the Agricultural University of Hohenheim, Stuttgart, Germany. She is currently Executive Secretary of REPSA and Senior Researcher “B”. His research topics are soil conservation and degradation, pollution from mining and oil activities, and he has recently focused his interest on the importance of soils in cities. She has carried out research projects on conservation and sustainable management of biodiversity, and is part of a working group that discusses comprehensive risk assessment models. He has participated in several multidisciplinary projects such as: “Mixteca Alta Geopark”, “Evaluation of ecosystem services in urban soils”. She teaches courses at the postgraduate level on Soil Degradation and Pollution and in the degree in Earth Sciences and Biology: Soil Restoration, Geopedregal Restoration, and Environmental Diagnosis and Risk Assessment.

Instagram: @silkecram

Instagram: @repsa_cu

www.repsa.unam.mx/

She is an artist, choreographer and cultural manager. Her work is linked to interdiscipline, developing exhibition and art education works. Within her practice, the body is the starting point for expanded research. She understands choreography as the relationships that are established between bodies and ideas and approaches drawing and writing as an extension of the ephemeral, a way of documenting action and making it material for sensitive study. Her most outstanding pieces are Reef co-authored with Colectivo AM, commissioned by the MUAC; Float, Insist Insist Insist co-authored with Abraham Cruzvillegas; Nine Point Eight co-authored with Nuria Armenta, among others. Published How to stand for 10 hours, with Gato Negro Ediciones 2020. She was a beneficiary artist of EMPAC, Experimental Media and Performing Arts, NY, Tanztage, Berlin and Landeshauptstadt, Munich Kulturreferat, Germany; Tamayo Museum, among others. Heraisaj work has been presented at SAPS, La Tallera, MUAC, Museo Experimental el Eco, The Kitchen Performance Center NY, Redcat, Pacific Standart Time, LA, Teatro Pradillo, Madrid, among other venues. She was selected as Performing Artist of 2019 by the magazine The Tempest. He has lived and worked in Mexico since 2008.

Instagram: @barbarafoulkes_

barbarafoulkes.com/

He is currently president of the Ruta de la Amistad Board A.C. He has dedicated himself to the field of management and communication, carrying out public relations projects in the advertising field and fund management in the cultural field. He has a graphic design studio that offers communication alternatives to projects with an artistic and ecological approach.

In 1992 he began his research on the project The Route of Friendship, and in 1994 he created, together with Arq. Javier Ramírez Campuzano, the Ruta de la Amistad Board A.C., an institution dedicated to rescuing, conserving and disseminating the cultural legacy derived from the Olympic Games in Mexico. In 1996, in collaboration with Gonzalo Fonseca, he opened the Tower of the Winds to host independent artistic projects. At the same time, he creates and directs the De-Construction project and carries out urban ecological recovery initiatives, such as the restoration of rock fields.

Instagram: @rutamex68

It is an independent artistic and pedagogical curatorship collective, formed in 2020, in Mexico City, by curators, writers, educators and artists Cristina Torres and Christian Fajardo. Her practice takes as starting points the crossroads between contemporary art, critical mediation and experimental writing, to research, exhibit and promote the proposals and imagination of women artists, educators and writers, non-binary people and the LGBT+ community who expand their fields of action through experimentation. In October 2022, they inaugurated a project space to present a curatorial program of exhibitions, workshops and talks in the historic Romita neighborhood of Mexico City, taking as its headquarters the space that for decades housed a printing company's workshop.

Instagram: @escrituras .experimental

Ecriturasexperimentales.com project

Architect graduated from the Faculty of Architecture of the UNAM and professor at the Universidad Iberoamericana. He has worked on various public and private projects; committed to the balanced integration of technical, artistic, economic and social aspects. He collaborated on the first projects of the Public Space Authority: “Plaza de la República” and “Madero Pedestrian Corridor”. He was Architectural Coordinator for the “La Quebradora Water Park” projects and renovation of the “Monumento a la Madre Urban Park and Art Garden”. He collaborated with Nuño, Mac Gregor and de Buen in the design of the “Feria de León Bar and Restaurant Building”. He has designed projects for SEDATU, including the “Garden of Shadows” and the” Water Garden “(Collaboration with ORU); “Mirador Cultural Center”, “Main Square and Pisté Cultural Center”, “Plaza Sisbichén” and “Deportivo y Plaza Chelem”. He currently works in his own office and collaborates, both with public and private institutions, in the development of projects.

Instagram: @julian_arroyo_cetto

Instagram: @casaestudiomaxcetto