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Things We Do For Love Tag

13 Nov ARTE ABIERTO AT PIE DE IMPRENTA 🗓 🗺

Posted at 01:56h in Noticias

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Learn about Arte Abierto’s Editorial Program at the Polyforum Siqueiros.

Arte Abierto participates in the 2nd edition of Pie de Imprenta.
Arte Abierto presents its editorial project.
Pie de Imprenta is a traveling art book fair organized by ESPAC.

Mexico City, November 10, 2024.- The Arte Abierto editorial project will participate in the 2nd edition of Pie de Imprenta with four publications: Luz Instante, Things We Do for Love, Modern Nature and Cositas. Arte Abierto’s editorial project is to offer books that generate free discussions about the exhibitions commissioned by the Foundation. More than a catalog or artist’s book, it is an extension of the exhibition that opens up to dialogue, to different points of view.

Pie de imprenta is a traveling art book fair organized by ESPAC. The second edition will take place on Saturday, November 16, 2024 from 11 a.m. to 7 p.m., at the Polyforum Siqueiros facilities. This edition will feature more than 60 national and international exhibitors, a rich public program that includes talks, workshops and activations.

SAT.16.NOV. 2024
11:00 – 7:00 p.m.
Polyforum Siqueiros (Av. Insurgentes Sur 701, Nápoles, CDMX. Entrance through Filadelfia)
Free admission

PARTICIPATING PUBLISHERS
Alacraña / Libros de Mano, Alias editorial, Analog Typologies, Arte Abierto, Beibi Creisi, Bienal Tlatelolca, Big Sur, Brillantinas MUAC, Can Can Press, Casa Bosques Librería, Casa Gallina, Centro de la imagen, Cuadernillo de dibujo, DINAMITA, Doroteo y el conejo de la Luna, eco hace troje, Ediciones de Interés General / Nuevo Orden, Ediciones MACG, Ediciones sin resentimiento, Ediciones Vorágine Urbana / Saca la Lengua Fanzine, ESPAC, Fauna, Festina Publicaciones , FIEBRE Ediciones, Formas Nómadas, Fundación Jumex, Galería Mal d3 ojo, Gato negro ediciones, GLACIAR LIBROS HELADOS, Gris Tormenta, HagoLibros / eKphrasis, Hasard ediciones , Hyper-vinculo, Impresos México / Miau Ediciones, Juan de la Cosa, Kobayashi Books Press, La Duplicadora, Luxpluslux Editorial, Malviviente, Merlina, librería anticuaria, Mi Valedor, MONOMÁNTICO, Museo Universitario de Arte Contemporáneo, Máquina de aplausos, Nadie Distribuye, NIXXXON | PARALELO, OMG PRESS, piedra ediciones, Pinche Chica Chic, Pitzilein Books, Roga Ediciones, S.AR.A., Servidor Local, SILVESTRE, Studio H13, Suave, taller de ediciones económicas, Temblores Publicaciones, Trece Ojos, Triste Club y Tristes Trópicos Editorial.

ESPAC

Non-profit organization dedicated to the study, dissemination, and promotion of current artistic production based on multiple readings and approaches to its collection and the needs of Mexico’s artistic community. Our projects and mission have taken a collaborative approach over the years. The curatorial discourse has been nurtured by the interests of each member of the team, as well as by the traces left by our collaborators.

espac.org.mx/
IG: @espacmx

Colección Fundación Arte Abierto. Daniel Buren. The Fountain of Live Colors for Mexico, 2017. Artz Pedregal.

28 Nov SENSORY ROUTE 🗓 🗺

Posted at 19:14h in Public Program

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SENSORY ROUTE

Recorrido por las obras de la Colección Fundación Arte Abierto

Sensory Route is a journey so that people of any age, from children to adults, can approach contemporary art from everyday life and the body, through exercises of observation, interaction and attentive exploration. The intention is to learn about some of the formulas of contemporary art from the works of the Arte Abierto Foundation Collection that are located in the outdoor spaces of ARTZ Pedregal.

Using a sensory map as a guide and the senses of our body, we will explore and reflect on the creation mechanisms of some of the artists that are part of our collection.

Join the tour every Saturday in December at 4:00 pm.

Artworks from the Arte Abierto Foundation Collection at ARTZ Pedregal:

Daniel Buren, The Fountain of Live Colors for Mexico, 2017.
Ai Weiwei, Forever, 2013.
Tania Candiani, Kiosko sonoro, 2018.
Rafael Lozano-Hemmer, Corazonadas remotas, 2019.
Erick Meyenberg, Things We Do for Love, 2022.
Jose Dávila, Joint Effort, 2019.

SAT.DEC.02 | 4:00 pm
SAT.DEC.09 | 4:00 pm
SAT.DEC.16 | 4:00 pm
SAT.DEC.23 | 4:00 pm
SAT.DEC.30 | 4:00 pm

Free admission | For all ages (kids and families welcomed).
Meeting point: In front of the Joint Effort sculpture by Jose Dávila (PB, ARTZ Pedregal, between the Louis Vuitton and Hermès stores).

Erick Meyenberg. 'Things We Do for Love'. Escultura cerámica, 2022. Colección Arte Abierto.

26 Oct ERICK MEYENBERG

Posted at 00:38h in Colección

ERICK MEYENBERG

THINGS WE DO FOR LOVE, 2022

Ceramic sculpture

During a trip to Japan, Erick Meyenberg saw and filmed a chrysanthemum on a Tokyo cementery after falling because of a typhoon. The scence reverberated in the artista due to a personal momento he was going through that made everything around him look fragmented. Thus, from the Japanese philosophy and technique of Kintsugi, which consist of repairing broken ceramics, highlighting the joints to underline their value and beauty despite their fractures, he had the ide of making a sculpture of the dismembered petals of that flower –considered the imperial emblem of Japon–. Meyenberg then thought that the sculpture had to rise from the ground just as Aphrodite rose from the waters; its forms recover the strenght and movement ow water, while its color reflects the love and eroticism embodied by Aphrodite. The Kintsugi metaphor invite to reconize the beauty that exits even in the fragments or breaks that are part of life.

This work represents the first time that Meyenberg works with ceramics. It was conceived specifically for his video-installations Things We Do for Love, commissioned by Arte Abierto, and was produced at Cerámica Suro workshop in Guadalajara.

ERICK MEYENBERG

(Mexico, 1980)

Interdisciplinary visual artist who sees painting as a fundamental element of expression, although he also explores other media such as sound installation, drawing, collage, video and performance. In his work, he shows a special interest in literature, history, social sciences, and natural sciences. His work has been exhibited in spaces such as Laboratorio Arte Alameda, Museo Tamayo, inSite / Casa Gallina, Biennial of the Americas, Arts University of Berlin, among others.
Representative in the Mexico Pavilion at the 60th Venice Art Biennale (April, 2024) with the project ‘Nos marchábamos, regresábamos siempre’, along with curator Tania Ragaso.

28 Dec ‘THINGS WE DO FOR LOVE’ EXTENDS ITS DATES 🗓

Posted at 02:21h in Noticias

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‘THINGS WE DO FOR LOVE’ EXTENDS ITS DATES

Arte Abierto extends the dates of the exhibition Things We Do for Love by Erick Meyenberg, with music and sound design by Roderic.
You will now be able to visit the facility until February 19, 2023.
Do not miss it!

If you want to know more about Things We Do for Love click here.

Arte Abierto presenta la exposición 'Things We Do for Love' de Erick Meyenberg

MICROPAISAJES DE INVIERNO ÓPERA PARA EL JARDÍN En colaboración con Vanessa Freitag y estudiantes de la Escuela Superior de Música y la Academia de la Danza Mexicana Programa público de Arte Abierto

08 Dec WINTER MICROLANDSCAPES 🗓 🗺

Posted at 01:23h in Public Program

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WINTER MICROLANDSCAPES

OPERA FOR THE GARDEN

In collaboration with Vanessa Freitag and students from the Escuela Superior de Música and the Academia de la Danza Mexicana

The winter solstice is the astronomical event that has made us aware of life cycles and renewal. We have celebrated and represented it with rituals, parties, traditions, deities, pyramids, mythologies and calendars. Despite the arrival of the cold and the end of the growing season, what is actually celebrated at this time is the next return of the sun and its reappearance in the sky.

To welcome winter, students from the Escuela Superior de Música and the Academia de la Danza Mexicana will offer an opera concert* for the plants of the Jardín Arte Abierto, accompanying them at the change of season and celebrating their new cycle , in a kind of celebration and momentary fiction.

As part of the concert, the artist Vanessa Freitag (Brazil, 1982) made a series of textile sculptures to cover the singers and turn them into abstract micro-landscapes and new garden-organisms. With this, they are transformed into artificial flowers that sprout momentarily with the sole purpose of comforting nature.

* The musical repertoire is a compilation of opera pieces related to winter, the changes of season and the cyclical celebrations of each end of the year, change or transformation.

Winter microlandscape
Opera for the garden
In collaboration with Vanessa Freitag and students from the Escuela Superior de Música and the Academia de la Danza Mexicana.

- Saturday, December 10, 2022
- 12:00h and 17:00h
- Free entry
- At Arte Abierto Garden, located on the second floor 2 in Artz Pedregal

VANESSA FREITAG (Santa Rosa, Brazil 1982)
She lives and works in León, Guanajuato. She is an artist trained in Plastic Arts, Artistic Education (Brazil) and Social Anthropology (Mexico), and a professor at the University of Guanajuato. Currently, she combines the teaching practice with the artistic one to investigate the contemporary textile language. Her interests revolve around crafts and the study of the natural landscape – flora and fauna – both in Mexico and Brazil, from where she thinks about her identity as a migrant. She creates textile clusters, micro-landscapes and abstract bodies that occupy space, and experiments with recycled materials to build organic forms that often inhabit an imaginary natural universe.

Among her individual exhibitions are O Jardim (Dos Topos Gallery / León / Mexico), Topiarius (Untitled Gallery / San Francisco / USA) and Pequenho Jardim Simbiótico (Latin Artists Gallery). She has also participated in collective exhibitions in Brazil, Chile, Mexico, Puerto Rico, the United States, Romania, and the Ukraine. She received first place in the sculpture category at the IV Guanajuato Contemporary Art Salon (2021, Irapuato / Mexico) and at FIBRA – Textile Art Biennial (2019, Porto Alegre / Brazil). In 2020, she collaborated in the MEIO Cura project (Flotar Programa, CDMX). Recently, she did a work production residency at Residencia Art Project (Playa del Carmen / Mexico).

freitagvanessa.com/
IG: @freitag_textileart

SINGERS AND DANCERS
STUDENTS OF THE HIGHER SCHOOL OF MUSIC AND THE MEXICAN DANCE ACADEMY

Abel Josué Pérez Lara
Brianda Andrea Pancardo Cancino
Miguel Ángel Linares Ibarra
Miguel Ángel Ramírez Valencia
Nohemi Lozano Santiago
Rebeca Gabriela Rocha Campos

MICROPAISAJES DE INVIERNO, ÓPERA PARA EL JARDÍN

Programa Público de Arte Abierto. Viaje al interior del cuento es un recorrido para la niñez que toma la idea de la expedición como punto de partida para emprender un viaje por distintas áreas de Arte Abierto y sus alrededores. Actividad realizada en colaboración con CONTARTE, Emma Reyes

26 Nov TRAVELING INSIDE THE STORY 🗓 🗺

Posted at 01:06h in Public Program

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TRAVELING INSIDE THE STORY

CHILDREN’S TOUR INSPIRED BY THINGS WE DO FOR LOVE IN COLLABORATION WITH CONTARTE

REGISTER HERE

Things We Do for Love is an exhibition that began as a trip by the artist Erick Meyenberg to a remote place: Japan. Traveling Inside the Story is a journey for children that takes the idea of the expedition as a starting point to embark on a trip through different areas of Arte Abierto and its surroundings. It is an opportunity to become explorers and observe the environment in a different way.

This expedition includes several stations in Arte Abierto’s Garden, the lobby and the Things We Do for Love exhibition. At each station, stories of travelers from other times who ended up finding themselves will be told.

How can we transform the everyday environment into something special?

With the idea that to be transported is to transform, this small expedition is an invitation for girls and boys to carry out explorations of listening with closed eyes, observation through spyglasses and movement dynamics, to focus their attention on small fragments of reality and form visual, auditory, and physical metaphors as they walk.

Activity in collaboration with ContARTE.

Oral narrator: Emma Reyes.

NOTE FOR MOMS AND DADS:

At the beginning of the tour, the girls and boys will meet at Arte Abierto’s lobby, moms and dads must follow and accompany their kids at a certain distance at all times.

The narrator and Arte Abierto’s staff will guide and invite the children to follow the instructions and the route, always counting on the support and care of parents.

Journey into the story. Children’s tour inspired by Things We Do for Love in collaboration with CONTARTE

Saturday, December 3, 2022
13:00h
Tour duration: 45 min.
Children 6 to 12 years old
Limited access to 30 travelers | For pre-registration click here
Free admission
At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal

CONTARTE
Is a project that has been forged since the year 2000. Its mission is to promote art, culture and education through disciplines such as theater, storytelling, locution and reading promotion. They have participated in various national and international events such as book fairs, theater festivals, storytelling and puppets. They give consultancies, courses and workshops to promote reading, strategies and reading comprehension, as well as playful workshops for children and young people. At the same time, they run a podcast called CUENTOS, which aims to promote reading.

Viaje al interior del cuento es un recorrido infantil de Arte Abierto. Actividad en colaboración con CONTARTE, Emma Reyes

Programa Público de Arte Abierto. En esas aguas, en todas las aguas Natalia Pérez Turner - Cello Things We Do for Love, Erick Meyenberg

24 Nov NATALIA PÉREZ TURNER – IN THOSE WATERS, IN ALL WATERS 🗓 🗺

Posted at 00:43h in Public Program

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IN THOSE WATERS, IN ALL WATERS

CELLO IMPROVISATION WITH NATALIA PÉREZ TURNER

REGISTER HERE

In those waters, in all waters is an improvisation and live interpretation that cellist Natalia Pérez Turner will perform based on Things We Do for Love. This sound action is a reinterpretation of the work and an opportunity to dialogue again with the already finished piece (after almost a year of having participated in the musical composition for the video installation), in order to revisit it from the cello and be able to react immediately. not only to the images, but to the sensations and atmospheres that they generate together in space.

It is a search to transform the work again, make music part of its plastic content and invite the public to perceive the sound of the cello in an almost visible way, like the images themselves.

For the sound design of Things We Do for Love, Erick Meyenberg decided not to accompany the images with its real sound, but to experiment with the emotional and suggestive abstraction of electronic music, conducted by Roderic, in dialogue with Natalia’s cello performance. Pérez Turner, who contributed a great affective depth to the work and the space.

In this video installation, music is the emotional support that suggests multiple simultaneous readings and the sensation of being in an occupied space from floor to ceiling.

In those waters, in all waters. Cello improvisation with Natalia Pérez Turner

Wednesday, November 30, 2022
19:00h
Limited access | For pre-registration click here
Free admission
At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal

Natalia Pérez Turner (Mexico City)
Cellist and improviser. Member of the Spontaneous Generation, the Filera Trio and the Liminal Ensemble. Her collaboration with artists from other disciplines, such as dance, visual arts, theater, performance and literature, is a fundamental part of her work. She has composed music for video art, theater, film, and dance. Not only has she dedicated herself to exploring the repertoire for contemporary cello, but also to that of the instrument itself, exploring its sound and expressive possibilities. She has appeared in different forums both in Mexico and abroad. She was a FONCA grantee during the period 2005-06 (performer) with the project La cellista is an installation that proposed recitals of contemporary music for cello solo in museums and galleries. She studied at CIEM, at the Ollin Yoliztli Advanced School, at Carnegie Mellon University in Pittsburgh, USA, where she obtained her Master of Fine Arts Music Performance; and at The Guildhall School of Music and Drama in London.

En esas aguas, en todas las aguas Natalia Pérez Turner - Cello.

21 Oct TRANSVERSAL VISIT WITH MARA FORTES 🗓 🗺

Posted at 01:25h in Noticias

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CINEMA-FISSURES

THINGS WE DO FOR LOVE TRANSVERSAL VISIT WITH MARA FORTES

The purpose of this visit is to investigate the extra-visual dimension of cinema, based on the idea of the “fissure of the image”, inspired by the concept of kintsugi that is addressed in Things We Do for Love.

DESCRIPTION

Thursday October 27, 2022.
Time: 5:30 p.m. – 7:00 p.m.
Aimed at all public
Limited admission
Free admission

If you wish to know more about Mara Forte’s visit to Things We Do for Love or Mara Fortes click here.
Download the press release here.

Programa Público de Arte Abierto. CINE-FISURAS. Recorrido transversal por Things We Do for Love con Mara Fortes

Entre intuiciones y acciones: ¿cómo se realizó la exposición Things We Do for Love? Conversación con Erick Meyenberg y Roberto Velázquez sobre los procesos de producción y las implicaciones de hacer posible una muestra audiovisual y de cerámica como Things We Do for Love.

15 Sep BETWEEN INTUITIONS AND ACTIONS 🗓

Posted at 18:07h in Public Program

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BETWEEN INTUITIONS AND ACTIONS

HOW WAS THE EXHIBITION THINGS WE DO FOR LOVE CREATED?

A CONVERSATION WITH ERICK MEYENBERG AND ROBERTO VELÁZQUEZ

DESCRIPTION

Arte Abierto’s Program continues with the activities linked to the current exhibition with a talk on the production processes and the implications of making an audiovisual and ceramic exhibition such as Things We Do for Love possible.

Thursday, September 22, 2022
Time: 17:30 hr
All audiences
Free admission

BETWEEN INTUITIONS AND ACTIONS: HOW WAS THE EXHIBITION THINGS WE DO FOR LOVE CREATED?

A conversation with Erick Meyenberg and Roberto Velázquez about the production processes and the implications of making an audiovisual and ceramic exhibition such as Things We Do for Love possible.

During the production process of Things We Do for Love, there were a series of encounters and disagreements with different materials and supports that, despite the technical distances, made the project an assembled whole. Thus, this exhibition is an example of how the complexities of artistic practice and its transformations as a result of the multiple perspectives and actions that intervene in its production can be addressed.

This conversation with Erick Meyenberg and Roberto Velázquez, Director of Planning and Operations at Arte Abierto, will be a journey through the various collaborations that shaped the project, recounting the intuitions, actions, voices and finally, the matters that were involved. in its elaboration, such as ceramics, video, sound or museography itself.

Some of the questions that will guide the discussion are: How were the video and ceramic pieces in the exhibition created? What does it mean to mount an exhibition of these dimensions? What kind of knowledge, knowledge and trades are involved in the artistic creation and exhibitions?

For Arte Abierto it is essential to expose the collaborative nature of art through exhibitions that, like this one, arise from a process and an exchange of ideas, thoughts and feelings.

Roberto Velázquez

He is Director of Planning and Operations at Arte Abierto. He has experience in directing and coordinating artistic projects, as well as advising on the construction of museums and designing cultural management and administration programs for different institutions, exhibition spaces and warehouses specializing in the storage of works of art, such as the Museo Jumex, Jumex Collection Ecatepec, Arte Abierto para Sordo Madaleno Arquitectos and other private collections.

He is the founder and operational director of Oficina Particular, specialized in the management, development and construction of art and museum projects, as well as institutional strategies and artistic content programs.

IG: @robvelasquezsu

Erick Meyenberg

He is an interdisciplinary visual artist who sees painting as a fundamental element of expression, although he also explores other media such as sound installation, sculpture, drawing, collage, video and performance. His work is the result of research on topics such as literature, history, social sciences and natural sciences. He considers the editing process fundamental in his work, from where he explores the aesthetic potential of images.

He is a graduate of the National School of Plastic Arts of the UNAM. He has an MA in Visual Arts from the University of the Arts, Berlin, Germany (UdK, Berlin) where he studied under the mentorship of German artist Rebecca Horn. His work is part of some public collections such as the MUAC of the UNAM, Amparo Museum, the National Institute of Fine Arts (INBA), the Telefónica Foundation, Tamayo Museum of Contemporary Art (Mexico) and the Benetton Foundation, (Italy) . He has participated in numerous collective and individual exhibitions nationally and internationally.

Currently, he is part of the National System of Creators. Meyenberg lives and works in Mexico City.

erickmeyenberg.com/
IG: @erickmeyenberg

—
Erick Meyenberg’s show Things We Do for Love, is open from Tuesday to Sunday from July 24 to December 18, 2022 at Espacio Arte Abierto, located on the second floor in ARTZ Pedregal in Mexico City.
Fee $ 35 pesos.

ARTZ Pedregal: Periférico Sur 3720, Jardines del Pedregal, Álvaro Obregón, Mexico City.

Entre intuiciones y acciones: ¿cómo se realizó la exposición Things We Do for Love? Conversación con Erick Meyenberg y Roberto Velázquez sobre los procesos de producción y las implicaciones de hacer posible una muestra audiovisual y de cerámica como Things We Do for Love.

Arte Abierto presenta la exposición 'Things We Do for Love' de Erick Meyenberg. Foto Marianne Wasowska (detalle)

22 Jun THINGS WE DO FOR LOVE 🗓

Posted at 18:00h in Espacio Abierto

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THINGS WE DO FOR LOVE

06.24.2022 – 02.19.2023

Things We Do for Love is a project commissioned by Arte Abierto to visual artist Erick Meyenberg (CDMX, 1980). It is a video-installation and a large-format sculpture that, both together, exposes the poetics of art and its effect in our perception of reality.

The exhibition exemplifies artistic practice complexities and its transformations as resulted from the multiple perspectives and actions intervening in its production. For Arte Abierto it is essential to expose the collaborative nature of art through exhibitions that, such this one, turn out from a process and an exchange of ideas, thoughts and feelings.

Inviting Erick Meyenberg to intervene in our space came up from the interest in bringing us closer to common ideas and concepts, transformed into an intimate reflection through art. Thus, what began as a personal path became a project to recognize how we define our gaze and the meanings that we produced from it.

In those waters, in all the waters, [the human being] hope[s] to see their real image reflection. An image that has been mutilated thousands of years ago. In that situation, lost in thought by the shore, we can find them anywhere. Yearning for what? What they used to be.

–Reinaldo Arenas, The Doorman (1989)

While in an artistic residency in Japan* I was going through a personal situation that made everything seem fragmented. As in any process, the way was guided by intuition and chance. Sometimes you must travel faraway to find your own reflection in other waters. Being unaware then, this journey of reencounter with myself arrived. I thought: How to move in such a foreign world? How to heal and paste the remaining pieces after a fracture?

Camera in hand, I started touring Tokyo, Kyoto, Kanazawa, Hiroshima and Naoshima by land and sea, capturing hundreds of images and life fragments that reminded me of the existence of beauty in everyday life. While recording everything that captured my attention, a phrase always came to my mind giving new meaning to what I was looking at: “Things we do for love”.

Back in Mexico, other lands and other seas showed up. With those waters came a new promise of life. Not knowing why, it seemed that my visual archive of two countries and cultures—so different from each other—was trying to say something. I wanted to find a way to put together these life fragments to transform them into a whole that, in turn, wouldn’t hide the fractures of its history. I found in Kintsugi (a Japanese philosophy that repairs broken objects and beautifies them by gluing the fragments with gold dust) the perfect metaphor to understand video editing as that affective binder capable of intertwining images apparently unconnected. Something that I could only have done with the help of my great friend, editor and filmmaker Martha Uc.

In Things We Do for Love, what once were wounds now are lines of light that accentuate the complex diversity of lived moments in the same story. I decided not to use the images’ real sound, but to experiment with the emotional and suggestive abstraction of electronic music. That’s where my friend and musician Roderic appeared—to me, the power of his music was the perfect light that recovered what had been lived and also a powerful emotional support to merge the collection of filmed moments. The cello—in the musical composition—emerged also because of instinct: Natalia Pérez-Turner’s performance gave the work a great affective-depth.

Later, after looking at a chrysanthemum that I filmed on a Tokyo cemetery ground after falling due to a typhoon, the idea of making a sculpture that would depict the water and the sea force and movement—video’s two recurring elements—came up. A new phrase came to my mind: “the sculpture had to rise from the ground, just as Aphrodite rose from the waters”. Coincidentally, the colors involved in the goddess of love and eroticism mythological birth are tied with Japan’s national colors. Along this path, the sculptor Óscar Garduño and the ceramist Carmen de la Parra helped me to create the sculptural work at Cerámica Suro workshop in Guadalajara.

At the end of this journey, Cuban writer Reinaldo Arenas appeared. Literature always comes just like that: untimely, unexpected, forceful, needed… A new intuition gave life to his text in Louise Phelan and Francisco López-Guerra voices, to whom I dedicate this work.

Just as the space forms a whole with the chrysanthemum petals on the gallery’s floor, the video editing made possible putting together the fragmentary images of my experience, turning out to be a surprising and unexpected ode to life which taught me that, beyond personal experiences, the relentless force reigns tirelessly.

Erick Meyenberg

*Residence for artists Casa NaNo in Tokyo, Japan, sponsored by Fundación Casa Wabi.

ERICK MEYENBERG (MEXICO CITY, 1980)

Erick Meyenberg is an interdisciplinary visual artist who sees painting as a fundamental element of expression, although he also explores other media such as sound installation, sculpture, drawing, collage,video and performance. His work is the result of an extensive investigation on topics such as literature, history, social sciences and natural sciences. To Meyenberg, art is a tool that helps to unearth that host of historical layers that has been left forgotten, making all the elements come into play to reach an “aesthetic whole”. He also considers video editing as a key process in his work. It is from there where he explores the aesthetic potential of images, where he plays with the possibilities they offer, their relationships, and through precise observations, he discovers new meanings, and new ideas.
Meyenberg graduated from Escuela Nacional de Artes Plásticas (National School of Plastic Arts) at UNAM. He has a Master’s degree in Visual Arts from the Berlin University of the Arts, Germany (UdK, Berlin) where he studied under the mentorship of German artist Rebecca Horn. His work is part of some public art collections such as the MUAC, Museo Amparo, National Institute of Fine Art (INBA), Telefónica Foundation, Museo Tamayo, Benetton Foundation. He has participated in numerous solo and collective exhibitions both nationally and internationally. He is currently part of the Sistema Nacional de Creadores (National System of Creators). Meyenberg lives and works in Mexico City.

erickmeyenberg.com

RODERIC (Monterrey)

Roderic is the pseudonym of the musician Rodrigo Ortiz. His music is not attached to any specific music genre, but seeks poetic arrangements of emotions that are influenced by jazz, blues, Balkan, psychedelic, African, Latin and trance. His first album was Perfect Mirror (2016) and was preceded by It All Depends (2018).

Martha Uc (México)

She is an editor, photographer, producer and filmmaker. Some of her films and video-editing works are Nos hicieron noche (2021), Sanjuaneros (2020), Ayotzinapa. El paso de la tortuga (2018), The Guy from Oklahoma (2016), Los otros mexicanos (2015), El patio de mi casa (2015) among others. She was director of Estela (2011) and cinematographer of Bajo Tortura (2013) and Estela (2011).

Natalia Pérez Turner

Cellist and improviser. Member of the Generación Espontánea, Filera Trio, and Ensamble Liminar. She divides her time between contemporary music, improvisation and collaboration with artists from other disciplines such as dance, visual arts, theater, performance, literature and children’s shows. She was a FONCA scholarship recipient during the period 2005-06 (performer) with the projects “La cellista es una instalación” (Cellist is an installation) that offered contemporary music recitals for cello performed only at museums and art galleries. She has composed music for short films, video art theater and dance.