Alianzas

Fundación M / Moisés Cosío

IVÁN KRASSOIEVITCH (Mexico, 1980)
LAS BANANAS SON UN EJEMPLO, 2016

Poured concrete and metal

This sculptural piece proposes a ludic reflection in which a series of elements related to the shape, the use and the name of the object represented coincide: an inflatable aquatic banana. Being produced in concrete and weighing 6 tons, this piece generates, in the first instance, a contrast in meaning with the lightness, flexibility and color of these inflatable models. By canceling its fun function, this artifact reproduced to scale, acquires a static and terrestrial character; gravity comes into play not only because of its massiveness but because it cancels the ultimate goal of the adventure: falling into the water from the banana when it is in motion.

The title has as its starting point the following poem: Bananas are an example. This very short work, written by the North American writer, Bruce Andrews in 1972, provides Krassoievitch’s sculpture with a series of questions about the nature of language and the ambiguity between general ideas and specific examples that we use to explain something or a situation.

Fundación M / Moisés Cosío. Piece on loan to Arte Abierto Foundation.

Las bananas son un ejemplo is a sculpture that invites the public to climb on.

>>

Fundación M / Moisés Cosío
Established in 2007 by Moisés Cosío Espinosa, Fundación M’s mission is to contribute to research on education and contemporary culture, promoting the career of young artists through the acquisition of works and financial support for educational projects. The Foundation’s collection is made up of the art collection and artists’ books, as well as the specialized library. The collection has more than 700 pieces made by both Mexican and foreign artists in media such as painting, graphics, drawing, sculpture, installation, photography, collage, digital art, textiles, and video pieces.

www.fundacionm.org/

>>

Iván Krassoievitch (Mexico, 1980)
He studied Industrial Design at UAM-Xochimilco. His working method focuses on the appropriation, intervention and re-contextualization of images and objects, creating two and three-dimensional works whose objective is dialogue with the viewer, leading him – through humor – to reflect on the lack of autonomy in certain acts: chance. As well as on the absurdity of everyday life.
His work has been exhibited in Mexico in places such as: Museo Universitario del Chopo, Museo de Arte Moderno, Centro Cultural España, Museo de San Carlos, Proyecto Paralelo, Galería Machete and MUCA Roma. As well as in different spaces in countries such as Finland, United States, Denmark, Colombia and France among others. He has completed the following artist residencies: Arteles, Finland (2013); Casa Wabi, Oaxaca, Mexico (2015); CAPC Museé d’Art Contemporain, Bordeaux, France (2016).

He has 4 editorial projects:

-Volume (2000-2004)
-Protection against Destiny (2013)
– Ø (2016)
-Eras Magazine (2017)

Iván lives and works in Mexico City.

IG @ivankrassoievitch
cargocollective.com/krasso/

AMBULANTE

AMBULANTE

Ambulante goes to places that have limited access to screenings and education in documentary filmmaking, in a bid to build a participative, critical and informed audience, and to open new channels of expression and reflection in Mexico and in other countries.

Every year, for two months, Ambulante organizes an international documentary film festival that visits different states in Mexico. With an international exhibition of over one hundred films, approximately one hundred guests and more than one hundred and fifty venues, Ambulante promotes documentary cinema throughout Mexico. The tour seeks to widen the traditional exhibition circuits in the country, beyond the commercial film theaters so as to reach different groups.

As of 2019, Ambulante includes < Arte Abierto > as one of its venues in Mexico City. In May, < Arte Abierto > had an open-air screening of four of Ambulante’s documentary films at Artz Pedregal.

LA COLECCIÓN JUMEX

UGO RONDINONE (Switzerland, 1964)
LOVE INVENT US, 1999

Neon sign, acrylic, translucent foil, steel

In his artistic proposal, Ugo Rondinone uses “very basic raw symbols, something that everybody can relate to, from a child to an old person, from the East to the West.” His work emphasizes on creating an experience rather than conceptualizing or understanding it.

The rainbow is one of the most recurrent motives in Rondinone’s artwork. Since 1997 he has created large-scale signs with simple yet poetic messages. These metal structures shaped and colored like a rainbow, composed of large lit words seem to float in the air. This work seeks to be beautiful and fantastic; the rainbow is also a symbol used by the LGBT community and therefore this piece is about the freedom of loving whomever one chooses.

For Rondinone, this symbol is of special importance since it is a reminder of his long-term relationship with the acclaimed New York writer, poet and fellow artist John Giorno.

www.fundacionjumex.org

LA COLECCIÓN JUMEX

DAN GRAHAM (United States, 1942)
GROOVY SPIRAL, 2013

Two-way mirror, stainless steel

“My pavilions are always a kind of two-way mirror, which is both transparent and reflective simultaneously, and it changes as the sunlight changes. This relates to the changing landscape, but it also means that people on the inside and on the outside have views of each other superimposed, as each gaze at the other and at the material. It’s intersubjective.”

Dan Graham

Dan Graham’s pavilions are half way between design, art and functional architecture; they are built to create tangible experiences for the public. These works play with perspective and may even disorient the viewer, in a bid to question our everyday perception of spaces.

www.fundacionjumex.org