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Public Program

17 Jul TRANSVERSAL TOURS– MARIE-NÖELLE GUILBAUD 🗓 🗺

Posted at 19:19h in Public Program

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TRANSVERSAL TOURS

ARE THERE VOLCANOES BETWEEN THE CITY OR A CITY BETWEEN THE VOLCANOES?

Transversal tour through Modthern Nature with Marie-Noëlle Guilbaud

The south of Mexico City sits on lava flows from the Xitle volcano, which erupted approximately 1,670 years ago. Now, the remains of lava from this volcano have almost disappeared with urban growth, despite this, many remnants still emerge at UNAM, mainly in the Pedregal de San Ángel Ecological Reserve. This lava, which is now a rocky landscape, sustains an ecosystem that is unique in the world. In this tour of the Modthern Nature exhibition, we will talk about the richness of this geoheritage and its relationship with life in our city.

The Transversal Tours are visits through the Arte ABierto exhibitions with guests from different areas beyond art, to expand the themes and points of reference from other gazes, perspectives, languages and disciplines.

TRANSVERSAL TOURS
ARE THERE VOLCANOES BETWEEN THE CITY OR A CITY BETWEEN THE VOLCANOES?
Transversal tour through Modthern Nature with Marie-Noëlle Guilbaud

JUE.27.JUL.2023
18:00 hrs.
Free admission
Arte Abierto | 2nd floor, Artz Pedregal

MARIE-NOËLLE GUILBAUD
Dra. Marie-Noëlle Guilbaud is Head (B) researcher in the Department of Volcanology at the UNAM Institute of Geophysics, which she has been in charge of since August 2021. She obtained her PhD from the Open University (England) in 2006 and joined UNAM in April 2010. Since then, he has developed multiple projects related to monogenetic volcanism in Mexico and its importance for geoheritage and the resilience of populations against geological risks.

15 Jul PARALLEL LANDSCAPES VISIT ONE 🗓 🗺

Posted at 08:13h in Public Program

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PARALLEL LANDSCAPES

VISITS AROUND EL PREDREGAL

ECOLOGIC SPACE OF THE ANAHUACALLI MUSEUM

Guided by the Anahuacalli Museum team.
+ An exercise in experimental drawing by Escrituras vegetales.

To kick off the Parallel Landscapes program, the first visit will be a tour of the Ecologic Space of the Anahuacalli Museum, which is one of the treasures that the Museum houses. In this there are almost 20,000 m2 of endemic vegetation, several water wells, and a sea of volcanic stone from the eruption of the Xitle volcano. This tour helps to understand how the original architecture, projected by Diego Rivera, combines landscape with functionalist architecture and aspects of pre-Hispanic cosmogony; while the architectural expansion serves as a contemporary reinterpretation of the existing buildings and dialogues with the volcanic environment in a game with the rugged topography.

After the visit trough the Ecologic Space of the Anahuacalli Museum, Escrituras vegetales will share Nos habita un mundo vegetal que habitamos, an activity to reflect on the blurred limits of the notion of interior-exterior, and environment-contour, by which architecture has molded us. A collective drawing will be created on the windows and mirrors of the Anahuacalli workshop, taking into account the landscapes that are reflected and intertwined, playing with the borders of the environments that surround us and that shape the Museum in relation to the plant world.

PARALLEL LANDSCAPES
Visits around El Pedregal
VISIT ONE: ECOLOGIC SPACE OF THE ANAHUACALLI MUSEUM
Guided by the Anahuacalli Museum team
+
An exercise in experimental drawing by Escrituras vegetales

SAT.22.JUL.2023
12:00 hrs.
Ecologic Space of the Anahuacalli Museum
Pre-register here.
Duration: 60-90 min. each visit.
We recommend wearing comfortable shoes, water and a hat.

Responsible Registration Policy: Your place is very special since space is limited, so we ask you to fill out the registration only if you can attend.
To cancel write to actividades@arteabierto.org

Enter here to learn more about Arte Abierto’s Parallel Landscapes Program, with upcoming visit dates and places.

Museo Anahuacalli
Projected between 1942-1957 and inaugurated in 1967, the Anahuacalli Museum is a house for pre-Hispanic art, designed by the Mexican muralist Diego Rivera. Within his search to create a “City of Arts”, he projected the Anahuacalli as a great stage for the development of various artistic expressions in an atmosphere whose architecture represented the search for the Mexican essence.

http://museoanahuacalli.org.mx/
IG @anahuacalli
TW @anahuacalli
FB @museoanahuacalli
IG Anahuacalli Museum workshops @talleres_anahuacalli

15 Jul PARALLEL LANDSCAPES 🗓 🗺

Posted at 04:53h in Public Program

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PARALLEL LANDSCAPES

VISITS AROUND EL PEDREGAL

Parallel Landscapes is a program of visits to four conjunctural sites in El Pedregal as part of the Modthern Nature exhibition by Gabriela Galván. The visits are designed to generate new possibilities of understanding the transforming landscape in El Pedregal environment.

Together with artists and different specialists from different areas – who contributed with their experiences and knowledge to the Modthern Nature project – we will visit each of the proposed sites to find new ways of inhabiting and looking at this landscape within its current urban context.

Parallel Landscapes is a way of sharing part of Gabriela Galván’s research, not from the bibliographic text or the data, but from the gaze, the body and coming into contact with the people, environments and landscapes that nurtured her research field.

PARALLEL LANDSCAPES
Visits around El Pedregal

Previous registration needed | Limited space | For all public.
Duration: 60-90 min. each visit.
We recommend wearing comfortable shoes, water and a hat.

Pre-register here.
Responsible Registration Policy: Your place is very special since space is limited, so we ask you to fill out the registration only if you can attend.
To cancel write to actividades@arteabierto.org

VISITS

JULY>>

VISIT ONE: ESPACIO ECOLÓGICO DEL MUSEO ANAHUACALLI (Ecological Space of the Ahahuacalli Museum)
Anahuacalli Museum team
+
An experimental drawing exercise by Escrituras vegetales

SAT.22.JUL.2023
12:00 hrs.
Espacio Ecológico del Museo Anahuacalli

AUGUST>>

VISIT TWI: REPSA (El Pedregal de San Ángel Ecological Reserve, UNAM)
Dr. Silke Cram
Biologist and PhD in Agronomy, soil expert, current Executive Secretary of REPSA and researcher at the Institute of Geography, UNAM.
+
A body exploration exercise by Bárbara Foulkes

SAT.19.AUG.2023
10:00 hrs.
REPSA (El Pedregal de San Ángel Ecological Reserve), UNAM
Ecological Path – Sculptures Walk – Sculpture Space

SEPTEMBER>>

VISIT THREE: THE ROUTE OF FRIENDSHIP
Luis Javier de la Torre
President and Founder of the Board of Trustees Ruta de la Amistad A.C.
+
A landscape intervention by Proyecto Escrituras Experimentales

SAT.23.SEP.2023
10:00 hrs.
The Route of Friendship
(Station 7: Italy’s sculpture. Man of Peace by Costantino Nivola)

OCTOBER>>

VISIT FOUR: CASA ESTUDIO MAX CETTO
The first house in Jardines del Pedregal.
Bettina Cetto and Julián Arroyo Cetto
Bettina Cetto is an economist, writer, daughter of Max Cetto and the first girl to inhabit Jardines del Pedregal, and Julián Arroyo Cetto, architect, grandson of Max Cetto and current inhabitant of the house.

SAT.07.OCT.2023
12:00 hrs.
Casa Estudio Max Cetto

Derivas de Arte y Arquitectura. MAX CETTO EN LOS INICIOS DEL PEDREGAL Conversación con Julián Arroyo Cetto Arte Abierto Foto cortesía: Julián Arroyo Cetto

10 Jun JULIÁN ARROYO – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 15:46h in Public Program

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ART & ARCHITECTURE DERIVES

Max Cetto in the beginnings of El Pedregal

A conversation with Julián Arroyo Cetto

For this 12º Art & Architecture Derive we moved the date to June 17 and we will have Julián Arroyo Cetto as a guest to talk about the beginnings of the area that we know in Mexico City as El Pedregal.

El Pedregal, a magnificent and unique terrain –almost untouched by humans since the seven successive lava flows from the Xitle volcano 2,000 years ago– became the setting for a virtuous mix of nature, art and modern architecture. Barragán’s vision, nurtured by Diego Rivera and Dr. Atl, among others, required a unique architecture for this singular place.

This task fell on Max Cetto, a German architect-engineer with a great cultural background –already with a career in his native Germany, a brief stay in the Neutra office in California and almost ten years in Mexico– to whom his friend Barragán entrusts to raise a first architecture proposal for the El Pedregal Gardens.

This is how the Show-Houses on Av. Fuentes and the Max Cetto Studio House arose, the first house in the subdivision and current witness to the passing of time on this site.

Max Cetto in the beginning of El Pedregal.. Conversation with Julián Arroyo Cetto.

Saturday, June 17, 2023
13:00h
At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
Free admission

>>
No need to register.

Julián Arroyo Cetto
Architect graduated from the Faculty of Architecture at UNAM and professor at the Universidad Iberoamericana. He has worked on various public and private projects; committed to the balanced integration of technical, artistic, economic and social aspects. He collaborated in the first projects of the Autoridad del Espacio Público: “Plaza de la República” and “Corredor Peatonal Madero”. He was Coordinator of architecture in the projects “Parque Hídrico La Quebradora” and renovation of the “Urban Park Monument to the Mother and Garden of Art”. He collaborated with Nuño, Mac Gregor and de Buen in the design of the “Building of Bars and Restaurants of the León Fair”. He has designed projects for SEDATU among which the “Garden of Shadows” and the “Garden of Water” (Collaboration with ORU); “Mirador Cultural Center”, “Main Square and Pisté Cultural Center”, “Sisbichén Square” and “Deportivo y Plaza Chelem”. He currently works in his own office and collaborates, both with public and private institutions in the development of projects.

IG @julian_arroyo_cetto
IG @dcmxarq

Arte Abierto continues with its new public program Derivas de Arte y Arquitectura (Art & Architecture Derives), which seeks to renew our gaze on the architectural legacy of Mexico City. From a series of talks focused on rescuing the parallel stories of emblematic architectural projects and public spaces that have witnessed the variable intersection between art and architecture. In this first stage, the program deals mainly with modern architecture, based on a series of talks given by invited curators, architects, artists and urban planners.

With this program, ways of returning to architecture part of its public, experiential, collective character and close to those of us who inhabit the city are tested, recognizing in it its condition as a living archive. From these talks, circumstances, contexts and anecdotes are revealed that have been part of his sensitive memory and that complement his material memory, a relationship that often escapes documentary narratives and academic accounts.

The objective of the drifts is to generate experiences of spatial rediscovery, which allow us to renew our gaze on the legacy of certain emblematic architectural and artistic works, as well as those that have been forgotten.

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The Ideal of the Multifamily Apartment cComplex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani.

March 25: Ana Garduño/ Cultural Geographies: The invention of museum circuits in 20th century Mexico City.

May 27: Rebeca Barquera/ The Plastic Integration Movement México: More than murals on buildings.

Derivas de Arte y Arquitectura MOVIMIENTO DE LA INTEGRACIÓN PLÁSTICA EN MÉXICO: MÁS QUE MURALES SOBRE EDIFICIOS Conversación con Rebeca Barquera Arte Abierto

16 May REBECA BARQUERA – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 02:06h in Public Program

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ART & ARCHITECTURE DERIVES

The Plastic Integration Movement in Mexico:

More than Murals on Buildings.

Conversation with Rebeca Barquera

The historian and researcher Rebeca Barquera joins us in this 11th Art and Achitecture Drive.

In the middle of the 20th century, the Plastic Integration movement arose in Mexico, which sought to incorporate painting and sculpture into modern constructions, with the intention of fusing art with architecture, which produced a broad debate in which multiple voices from various disciplines and with very different arguments were involved. On the one hand, there was the architects and engineers point of view, and on the other, there were the discussions between artists interested in representation, the problem of technique and reflections on the transition of the muralist movement towards the exterior.

From the Cárcamo de Dolores (1951) going through the Museo Cabeza de Juárez (1972-1976), in this Derive Barquera will address some of the representative examples that managed to question the tradition of Plastic Integration from different positions and questions about representation and abstraction, the body and the landscape, and the form and ideology of the movement itself.

The Plastic Integration Movement in Mexico: More than Murals on Buildings. A conversation with Rebeca Barquera.

Saturday, May 27, 2023
13:00h
At Espacio Arte Abierto, located on the 2nd flor in Artz Pedregal
Free admission

>>
No need to register.

Rebeca Barquera
She is an art historian, researcher and teacher. PhD in Art History from UNAM, her interests focus on the study of utopias, ghosts, erasures and anonymities in modernism, as well as the intersection of art and architecture with technology and scientific discourses in the last decades of the century. XIX Century and the first half of the XX. She is currently a professor at the College of History of the Faculty of Philosophy and Letters and is doing a stay at the Institute of Bibliographic Research thanks to the Postdoctoral Scholarship program at UNAM.

IG @rbequisima
FB @rebecabarquera
TW @rebarquera

The derives will be carried out free of charge on the last Saturday of each month, at 1:00 p.m. with a limited capacity.

Arte Abierto Derives :

February 26: Tania Ragasol / Entorno urbano, cotidianidad y arte: La Torre de los Vientos by Gonzalo Fonseca

March 26 : David Miranda / Del Animal Herido y otros eventos escultóricos dentro de la arquitectura moderna

April 23: Gustavo Lipkau y Xavier Hierro / Integración plástica de los edificios del campus central de CU: sus murales

May 28: Marisol Argüelles / La casa-estudio Diego Rivera y Frida Kahlo. Del espacio doméstico a la dimensión de lo público

June 25: Luis Javier de la Torre/ La Ruta de la Amistad MÉXICO68… más allá de 1968

July 30: Aldo Solano/ Architecture for playing in 20th Century Mexico City.

August 27: Christian del Castillo/ Tracing the modern in the architecture of the Historic Center of Mexico City.

September 24: Juan José Kochen/ The ideal of the multifamily apartment complex.

October 29: Tania Candiani/ Quantum Prelude. Sound activation by Tania Candiani

March 25: Ana Garduño/ Cultural geographies: The invention of museum circuits in 20th century Mexico City

TANIA CANDIANI (MÉXICO, 1974) KIOSKO SONORO, 2018 Estructura de acero, trompetas, tubos, bases de concreto. Colección Arte Abierto

16 May METAL ON METAL ON WIND 🗓 🗺

Posted at 00:13h in Public Program

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METAL ON METAL ON WIND

PEPE MOGT & TANIA CANDIANI

KIOSCO SONORO ACTIVATION

As part of Arte Abierto’s Public Program and in collaboration with MUAC (Museo Universitario de Arte Contemporáneo), METAL ON METAL ON WIND, will take place, an outdoor sound intervention by Pepe Mogt to activate the sculpture Kiosko sonoro (2018) by Tania Candiani. This art piece is part of the Arte Abierto Collection and is comprised of a series of interconnected trumpets, which refers to the traditional kiosks in public squares. Its shape reflects on the social and cultural dynamics behind these constructions and how we appropriate them in our daily lives.

METAL ON METAL ON WIND
Kiosko sonoro activation
Pepe Mogt & Tania Candiani.

Friday, May 26, 2023
18:00h
Free
At Kiosko sonoro‘s garden, located on the 2nd floor in Artz Pedregal

Tania Candiani (Mexico City, 1974)
She lives and works in Mexico City. One of the central interests of her work is the expanded idea of translation, extended to the experimental field through the use of visual, sound, textual and symbolic languages. Many of her projects consider the universe of sound and the politics of listening as a tool capable of expanding and transforming perceptions, both human and non-human. A fundamental part of her work is related to feminist policies and practices, understanding them as a communal, affective and ritual experience. Its production usually involves interdisciplinary work groups in various fields, consolidating intersections between art, literature, music, architecture, science, and labor, with an emphasis on ancestral knowledge and techniques, technologies, and their history in the production of knowledge. She is a member of the National System of Art Creators of Mexico; she is a recipient of the Guggenheim Fellowship in the Arts, the Smithsonian Institution Research Grant for Artists; she is an artist-in-residence at the Arts at CERN program, in Geneva, Switzerland. In 2015 she represented Mexico at the 56th Venice Biennale. Her work has been exhibited internationally in museums, institutions and independent spaces, and is part of important public and private collections.

taniacandiani.com/
IG: @tcandiani

Pepe Mogt
He is an electronic musician from Tijuana, seed of sound and creator of the Nortec concept. Today he experiments as a soloist in other sound and visual fields. As a producer and composer, his works are a mix of Techno with ambient progressions and have taken him to festivals such as MUTEK (Tokio, Montreal, Mexico), Glastonbury, FUSION (Germany), CRSSD (CA), SXSW (Austin) among others. in addition to various nightclubs from around the world. With Nortec Collective 2 Grammy nominations and 3 Latin Grammy Nominations.

IG: @pepemogt

METAL ON METAL ON WIND Tania Candiani & Pepe Mogt Activación de Kiosko Sonoro Arte Abierto

Paisajes portátiles. Taller de papalotes impartido por Cristina Torres. Programa Público Arte Abierto

20 Apr PORTABLE LANDSCAPES. KITE WORKSHOP FOR KIDS 🗓 🗺

Posted at 03:11h in Public Program

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PORTABLE LANDSCAPES

KITE WORKSHOP FOR CHILDREN

Taught by Cristina Torres

For the kid’s kite workshop: Portable landscapes, we have scheduled 2 days of workshops.

Saturday, April 29, 2023.
Sunday, April 30, 2023.
13:00h – 14:30h
At Jardín Arte Abierto**, located on the 2nd floor at Artz Pedregal.
Limited space | Pre-registration here.
For children between 6 and 12 years old, accompanied by a member of their family.
Free.

A workshop for children to teach them how to design landscapes with which they will create their own kites. Based on experimental observation exercises, we will explore elements such as light, color, words and geometry, to create free compositions. This way the participants will have a landscape to carry, remember and play.

We will make our creations fly!

** ** We will meet at 12:50 pm at Jardín Arte Abierto, located on the 2nd floor of Artz Pedregal.

We recommend you to wear comfortable clothes and a cap.

During the workshop, the children must be accompanied at all times by their mother, father or an adult companion.

Cristina Torres(CDMX, 1989).
Independent curator, specialist in artistic mediation, writer and artist. She is co-director of the Experimental Writings Project, a self-managed space dedicated to exhibiting and managing proposals at the intersections between art, the gender perspective and experimental pedagogies. As a curator, she has articulated the exhibition projects Inter/medio together with Laura Orozco (ESPAC, 2019-20); Conexiones naturales. Arte * Vida, co-curated with Esteban King (Centro Cultural Xavier Villaurrutia, 2019); and Doble crimen (MULF, 2020).
She has collaborated with the development of learning programs in various contemporary art institutions and museums in Mexico, such as the Museo Jumex, Museo Tamayo, MUNAL, Museo Internacional del Barroco, and InSite Casa Gallina. Her work as an artist has been presented in the group exhibitions En el borde terrenal del cielo (La Nao Galería, 2022), Le teme a la noche quien olvida (Córdoba Lab Oaxaca, 2021), Franziska Imagen en Movimiento (Espacio Marte 221, 2020), Diario Público (@diariopublicco, 2020), among others.

IG @mariac.cairam_

14 Mar ANA GARDUÑO – ART AND ARCHITECTURE DERIVES 🗓 🗺

Posted at 17:51h in Public Program

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ART & ARCHITECTURE DERIVES

Cultural geographies:

The invention of museum circuits in 20th century Mexico City.

A conversation with Ana Garduño

We restart our program Art & Architecture Derives. On this occasion we are accompanied by the historian and researcher Ana Garduño.

Have you observed how there are museum circuits in certain areas of Mexico City?

Join us in this 10º Art and Architecture Derive. Ana Garduño will talk about the various museum projects and “Cities of the Arts” that emerged throughout the 20th century in Mexico: from utopian proposals to completely feasible, passing through the Olinka of Dr. Atl or the City of Museums and Arts by Diego Rivera, until reaching projects such as the National Museum of Anthropology. Throughout this period, the urban process of Mexico City had an impact on the cultural infrastructure and produced an expansion of museums that went from the central zone to the south or Chapultepec.

The appearance of the new museum circuits, in addition to grouping in specific territories, promoted the strengthening and emergence of networks of art galleries and cultural centers in surrounding areas. These new circuits, in turn, fostered a certain cultural invisibility of other areas (north, east, west) and their erasure in the artistic life of the inhabitants of the city.

Cultural geographies: The invention of museum circuits in 20th century Mexico City..
A conversation with Ana Garduño.

Saturday, March 25, 2023
13:00h
At Espacio Arte Abierto, located on the second floor 2 in Artz Pedregal
Free admission

>>
No registration needed.

Ana Garduño
Es doctora en Historia del Arte por la UNAM e investigadora del INBAL. Actualmente es profesora de la maestría en Historia en la Facultad de Filosofía y Letras, UNAM, y de la maestría en Estudios y Prácticas Museales de la Escuela Nacional de Restauración del INAH. Ha sido curadora de exposiciones temporales en diversas instituciones, como el Museo Nacional de San Carlos, el Museo del Palacio de Bellas Artes, el Museo de Arte Moderno y el Museo de Arte Carrillo Gil. Sus líneas de investigación son la historia y el análisis del sistema de museos en México, el coleccionismo de arte y las políticas culturales.

IG @anagard_o